CALIFICACIÓN DE IMDb
6.2/10
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Un viudo de Kentucky que se dirigía a Texas en 1820 con su hijo pequeño se ve frustrado en sus esfuerzos por un agente corrupto, una disputa familiar de larga data y una hermosa sirvienta co... Leer todoUn viudo de Kentucky que se dirigía a Texas en 1820 con su hijo pequeño se ve frustrado en sus esfuerzos por un agente corrupto, una disputa familiar de larga data y una hermosa sirvienta contratada.Un viudo de Kentucky que se dirigía a Texas en 1820 con su hijo pequeño se ve frustrado en sus esfuerzos por un agente corrupto, una disputa familiar de larga data y una hermosa sirvienta contratada.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 nominaciones en total
Clem Bevans
- River Queen Pilot
- (sin créditos)
Lee Erickson
- Luke Lester
- (sin créditos)
Lisa Ferraday
- Gambler
- (sin créditos)
James Griffith
- Riverboat Gambler
- (sin créditos)
Gil Herman
- Frontiersman
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Lancaster's only directing role. A decent western with a twist or two, especially at the ending showdown, which features 10 dramatic seconds of feat that only Lancaster could make suspenseful.
How does a man defeat an armed enemy while standing opposite a 40 yard wide stream, and with no gun? The daring Lancaster meets this challenge with a surprising, brash dash. Check it out.
How does a man defeat an armed enemy while standing opposite a 40 yard wide stream, and with no gun? The daring Lancaster meets this challenge with a surprising, brash dash. Check it out.
That was the boastful phrase uttered by Walter Matthau to everyone else at the gathering; he stood before them snapping his bullwhip in air, its wicked cracking part of an old cultural ritual where a man stands before the tribe boasting of his might.
This movie is totally underrated--not only does Matthau give one of his best performances in a smaller role, but there is tons of folklore and history in this gem.
This movie is totally underrated--not only does Matthau give one of his best performances in a smaller role, but there is tons of folklore and history in this gem.
This was a decently put together film. Not too heavy but not too lightweight either, (the bullwhip fight with Matthau is almost worth the price of admission). It is a basic decent family film that doesn't get saccharine or soggy. The white indentured servant angle is one that I haven't seen a lot of and it plays well here. Burt is robust as usual and kickin' a lot of frontier butt. Its kinda unusual(for me) to see him play a rube.
I think one of the worst problems with American films from the 1930s-1950s is that way too many Westerns were made. Part of the problem that plot-wise, most are very, very derivative--with the same basic plot being rehashed yet again (if I see one more Western about rich guy who runs the town and is trying to force all the farmers/ranchers/sheep herders to sell out to him, I'm gonna puke). Because of this, I love films that talk about American history that are unusual--not Westerns or war films--just something different. This film is about life 'out west' (in the Tennessee area) circa 1820--a period WAAAY underrepresented in American films...heck, it's hardly ever even mentioned! So, from the onset, I was pretty happy about the setting of this film.
Burt Lancaster plays an outdoorsman--sort of a Davy Crockett or Daniel Boone sort of fellow. The main difference is that he also has a young son AND doesn't want to abandon him (Crockett and Boone should have taken note NOT to do this). The problem, however, is money. He and his son love the carefree outdoor life--but it takes money to get to this promised land. In the meantime, the two are forced to hang around civilization (at least what approximated it out on the frontier). Here in town, Lancaster's brother (played by John McIntyre--a guy who looked nothing like Burt and seemed too old for the part) pushed for him to go into business with him--and get rid of his buckskin clothes and settle down. In addition, two women wanted him--the school teacher (who represented domesticity) and the indentured servant (who believed in his dream). What will happen? Will Burt and son become domesticated and civilized or will they eventually make it to the wide open lands of Texas? Overall, this is not one of Burt Lancaster's best acting performances. He's good--but also pretty unremarkable. But, the film is different and reasonably well made--and it's hard to dismiss it. A nice film, at least from a history teacher's perspective, and well worth seeing.
Burt Lancaster plays an outdoorsman--sort of a Davy Crockett or Daniel Boone sort of fellow. The main difference is that he also has a young son AND doesn't want to abandon him (Crockett and Boone should have taken note NOT to do this). The problem, however, is money. He and his son love the carefree outdoor life--but it takes money to get to this promised land. In the meantime, the two are forced to hang around civilization (at least what approximated it out on the frontier). Here in town, Lancaster's brother (played by John McIntyre--a guy who looked nothing like Burt and seemed too old for the part) pushed for him to go into business with him--and get rid of his buckskin clothes and settle down. In addition, two women wanted him--the school teacher (who represented domesticity) and the indentured servant (who believed in his dream). What will happen? Will Burt and son become domesticated and civilized or will they eventually make it to the wide open lands of Texas? Overall, this is not one of Burt Lancaster's best acting performances. He's good--but also pretty unremarkable. But, the film is different and reasonably well made--and it's hard to dismiss it. A nice film, at least from a history teacher's perspective, and well worth seeing.
Burt Lancaster starred in, and directed, this story of a well meaning traveller ("Big Eli") and his young son "Little Eli" (Donald MacDonald) heading to Texas hoping to make a decent living for him and his son. Along the way he encounters (and buys) an indentured slave "Susie" (Diana Lynn) who only complicates their already interesting journey as he fights his own demons with women, booze and a particularly nasty Walter Matthau ("Bodine"). It's a beautifully shot piece of cinema, this, and the mischievous charm of the star is writ large. It's too long, though - frequently sagging as the romantic elements go quickly from humorously hostile to schmaltzy just a bit too quickly. Matthau and his whip are the stuff of cinema legend though, and the young MacDomald plays his part well. Fans of Burt will love this, but I found I was bored by the half way mark as what pace it does have it doesn't really sustain.
¿Sabías que…?
- TriviaThe first movie directed by Burt Lancaster. Due to the unfavorable critical response he did not direct again for almost 20 years, until El hombre de la medianoche (1974).
- ErroresAt the beginning, Eli is sitting near a campfire. We can clearly see its flames, showing it is burning. When Eli stands up, the flames have disappeared, and we haven't see him extinguishing the fire.
- Citas
Big Eli Wakefield: The way to start off new is to shuck off what's old.
- ConexionesFeatured in Walter Matthau: Diamond in the Rough (1997)
- Bandas sonorasPossum Up a Gum Tree
(uncredited)
Traditional folk song
Performed by Diana Lynn, John McIntire, Una Merkel, and Burt Lancaster
[The song Susie, Zack, Sophie and Big Eli eventually sing when Little Eli requests Susie play it on the spinet]
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- How long is The Kentuckian?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 2,600,000
- Tiempo de ejecución1 hora 44 minutos
- Relación de aspecto
- 2.55 : 1
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