CALIFICACIÓN DE IMDb
6.5/10
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TU CALIFICACIÓN
Tres marineros desembarcan y toman la ciudad por asalto, pero ¿pueden ganarse los corazones de tres mujeres cantando?Tres marineros desembarcan y toman la ciudad por asalto, pero ¿pueden ganarse los corazones de tres mujeres cantando?Tres marineros desembarcan y toman la ciudad por asalto, pero ¿pueden ganarse los corazones de tres mujeres cantando?
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado en total
The Jubalaires
- Themselves
- (as Jubalaires)
Jerry Antes
- Dancer
- (sin créditos)
Jimmy Brooks
- Dancer
- (sin créditos)
Buddy Bryan
- Dancer
- (sin créditos)
Opiniones destacadas
HIT THE DECK is a 1955 cinema scope mop up of MGM stars and talent whose contracts would have been soon to expire. A bit like a aircraft carrier version of DEEP IN MY HEART it hangs together a roster of singing and dancing talent but this time with ultimately fairly just-OK songs and energetic dance numbers. Still, even at its most bland it is still unable to be made in Hollywood today. The women are the most interesting talent on offer and whoever said Tony Martin had an audience apart from Mummas in delicatessens was truly misled. He is the most annoying part of this B grade musical with A grade MGM production values. Like he did with the Marx Bros films in the 30s. Kelly was making ITS ALWAYS FAIR WEATHER another 'sailors on leave' 1955 cinema scope MGM musical at the same time and that film with its Comden Green script and songs is light years ahead in sophistication and quality. Still HIT THE DECK has a two of very entertaining 'big' dance numbers, in particular the "finale" and the "Bayou" sizzler with its very erotic and blatant imagery and choreography. It is so out of place in this 'suburban' film as it is sooo good. The color is also very good for Eastman since MGM saw the error of their ways and stopped using horrible Ansco color which visually marred several big films in 53 and 54. This must have been as safe a bet in which MGM could expect to play out as many stars as possible in yet one more sailor musical. Russ Tamblyn and Debbie Reynolds are always cute in this era though.
This may have been made in the dying days of MGM musicals. No Sinatra. No Kelly. But it has some spectacular classic songs by Vincent Youmans. Plus 2 of the finest voices of all time singing together:
Tony Martin & Vic Damone. AND superior musical arrangements & Russ Tamblyn dancing.
Never mind the negative reviews elsewhere. They do not make them like this any more. For sure. So enjoy it! Great musical!!
Tony Martin & Vic Damone. AND superior musical arrangements & Russ Tamblyn dancing.
Never mind the negative reviews elsewhere. They do not make them like this any more. For sure. So enjoy it! Great musical!!
Three sailors can't stay out of trouble. Be it with the girls, mom, or conniving dandies. Plenty of action is provided through song and dance routines where everyone gives fine performances. While this was not a great musical, it was still a nice little story with some good funny spots supplied by J. Carroll Naish and Alan King.
Danny Xavier Smith (Russ Tamblyn), Rico Ferrari (Vic Damone), and William F. Clark (Tony Martin) are Navy buddies going from one bad assignment to another. The three sailors get a two day shore leave in San Francisco. Bill checks up on his fiancée Ginger (Ann Miller) who is angry with waiting six years stuck in engagement. Rico visits his widowed mother who has a new boyfriend. Danny meets up with his father (Walter Pidgeon) who is an admiral from a long line of admirals. His older sister Susie (Jane Powell) is dating a playboy. He falls for theater dancer Carol Pace (Debbie Reynolds) and joins her rehearsal without even an invitation.
Jane Powell dances with a toy penguin. Debbie Reynolds dances adorably. Ann Miller dances up a storm. I do recognize Russ Tamblyn. With so many characters, the movie tends to jump around and give each story short-shrift aside from the musical numbers. It's a lot of characters to keep track. It has its fun but it's too rambling. It's a very 50's musical and feels a bit old fashion.
Jane Powell dances with a toy penguin. Debbie Reynolds dances adorably. Ann Miller dances up a storm. I do recognize Russ Tamblyn. With so many characters, the movie tends to jump around and give each story short-shrift aside from the musical numbers. It's a lot of characters to keep track. It has its fun but it's too rambling. It's a very 50's musical and feels a bit old fashion.
Having watched this recently on TCM and not being familiar with the film beforehand, I was drawn in by the quick pace and competent acting, not to mention the pretty leading gals Reynolds and Miller.. quite satisfying eye candy. But then.. came the "fun-house" musical number towards the end and that just blew me away: I mean 'psychedelic' before the word existed, perhaps surreal in contemporaneous nomenclature. That segment stood out as the perhaps the very best part, it was a thrill to watch the choreographed-to-the-second, wild and unpredictable ride of a dance routine! That film was a lot of fun to watch on a lonely night home. So reviewer whoever-you-are that hates every movie unless it has something blowing up every twelve seconds, perhaps stick to writing up Popeye cartoons where the plots and characters aren't too complex for your limited imagination. I recommend movie this as essential viewing for every musical fan.. it won't disappoint.
¿Sabías que…?
- TriviaBased on his athletic dancing in films such as this one and Pulgarcito (1958), most audiences assume that Russ Tamblyn was a trained dancer. In fact, the actor had no history of dance training. He was a skilled tumbler, and that was originally slated to be his singular contribution to Siete novias para siete hermanos (1954), but his natural movement ability was so accomplished that he was incorporated more and more into the dance sequences. This would ultimately culminate in his being cast as Riff in Amor sin barreras (1961), one of the most dance-heavy musicals in Broadway history.
- Citas
Chief Boatswain's Mate William F. Clark: Ginger, baby, I worship the ground you walk on!
Ginger: Now he's talking real estate!
- Créditos curiososAnd Introducing Kay Armen
- ConexionesFeatured in 1955 Motion Picture Theatre Celebration (1955)
- Bandas sonorasOverture (Join the Navy)
(1927) (uncredited)
Music by Vincent Youmans
Lyrics by Leo Robin and Clifford Grey
Performed by the MGM Studio Orchestra and Chorus Conducted by George Stoll
Selecciones populares
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- How long is Hit the Deck?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 2,300,000 (estimado)
- Tiempo de ejecución
- 1h 52min(112 min)
- Mezcla de sonido
- 4-Track Stereo(original master sound track)
- Relación de aspecto
- 2.55 : 1
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