Grand National Night

It's a big day for racing stables owner Nigel Patrick. His horse wins the Grand National, and his mare foals. Of course, his bored wife, Moira Lister, leaves him, and then returns to quarrel with him, and then her body is found next morning in a car in Liverpool, but these things tend to balance out. Of course, a very suspicious and ambitious Police Inspector Michael Hornden come by to quiz everyone, and it's clear enough what he thinks has happened. It's especially clear to the audience when Patrick insists Miss Lister never returned.

Even with that, there are a few surprises in this movie. It's been opened up from a stage play, and a good job of it has been done. Even so, the incredibly posh names, like Colin Gordon's upper-class twit "Babs Darling" and Patrick's sympathetic sister-in-law, "Pinkie Collins", portrayed by Betty Ann Davies, clutter the screen. With Noel Purcell and Gibbs McLaughlin.

This is a nifty little movie that surprised me, having come to it without great expectations. It centers about a racehorse owner and his playgirl type wife who doesn't even like horses. The Grand National for those that don't know is probably the worlds most famous steeplechase type race which is held every year at Aintree near Liverpool.Its a very demanding race bringing great kudos to the winner. The marriage of the principals and the wife storms off to a party on Grand National night and what develops from then on is a more than decent thriller with a couple of slick twists. It has a rather unexpected ending for its time, and is well worth watching if you get the chance.

An enjoyably twisty thriller set in the usual country mansion in which the event described in most plot synopses doesn't even happen on camera, loyalties and assumptions constantly shift and detective Michael Hordern is thwarted at every turn in his attempts to nail Nigel Patrick.

Among the supporting cast Gibb McLaughlin is given more to do than we're accustomed to; and Betty Ann Davies is startlingly made a platinum blonde the better to resemble Moira Lister's sister.

Many films clearly betray their stage origin. Here most action involves people entering and leaving the same room. However the strength of the story is the tension between the characters as they stand in close proximity which a stage version would have amplified, this film version largely dissipates with its many outside scenes. Also the flat footed direction short changes a good cast and reasonable story. Hitchcock would surely have added red herrings and more visual drama - close-ups, silences, glances and deliberate mis-direction. Hitchcocks "Rope" as one example. It was also, for 1953, rather old fashioned with horsey people, country house and butler (the butler didn't do it but plays a major and interesting role. Doubt if you can get such staff these days unfortunately) It occurred to me that the play could make a good Am-Dram project? 6.5/10

I loved this B picture, black & white from 1953 and very English of it's time. It takes place in Liverpool and involves a race horse owner (the always underrated Nigel Patrick) whose horse wins the Grand National. His blowsey but beautiful wife (Moira Lister) isn't interested in him, his lifestyle of managing horses or anything which has given them the grand lifestyle they have, other than indulging in the rewards that the money available gives her, to party all night and get drunk constantly and go around with other men. One night she comes home and a row ensues leading to a fight. She grabs a knife, and that's all we see until the following morning. The rest of the film follows the investigation of her disappearance, involving her sister, a police officer played by the excellent Michael Hordern, and various other friends. Eventually, Nigel Patrick is rumbled, he confesses to a family friend (a woman who seems to like him more than she should) and it is clear to us the audience that his number is up. I was expecting him to be led away to justice and the film to end. Just keep watching, I was totally fooled.