[go: up one dir, main page]

    Calendario de lanzamientosTop 250 películasPelículas más popularesBuscar películas por géneroTaquilla superiorHorarios y entradasNoticias sobre películasPelículas de la India destacadas
    Programas de televisión y streamingLas 250 mejores seriesSeries más popularesBuscar series por géneroNoticias de TV
    Qué verÚltimos trailersTítulos originales de IMDbSelecciones de IMDbDestacado de IMDbGuía de entretenimiento familiarPodcasts de IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalPremios STARmeterInformación sobre premiosInformación sobre festivalesTodos los eventos
    Nacidos un día como hoyCelebridades más popularesNoticias sobre celebridades
    Centro de ayudaZona de colaboradoresEncuestas
Para profesionales de la industria
  • Idioma
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de visualización
Iniciar sesión
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar app
  • Elenco y equipo
  • Opiniones de usuarios
  • Trivia
  • Preguntas Frecuentes
IMDbPro

El ocaso de un alma

Título original: Good Morning, Miss Dove
  • 1955
  • Approved
  • 1h 47min
CALIFICACIÓN DE IMDb
7.0/10
1.4 k
TU CALIFICACIÓN
Robert Douglas, Kipp Hamilton, Jennifer Jones, Peggy Knudsen, and Robert Stack in El ocaso de un alma (1955)
DramaDrama de ÉpocaDrama laboral

Tras su ingreso en el hospital, la maestra severa y famosa de la ciudad, la señorita Dove, recuerda con nostalgia su juventud y los alumnos a los que enseñó a lo largo de los años.Tras su ingreso en el hospital, la maestra severa y famosa de la ciudad, la señorita Dove, recuerda con nostalgia su juventud y los alumnos a los que enseñó a lo largo de los años.Tras su ingreso en el hospital, la maestra severa y famosa de la ciudad, la señorita Dove, recuerda con nostalgia su juventud y los alumnos a los que enseñó a lo largo de los años.

  • Dirección
    • Henry Koster
  • Guionistas
    • Eleanore Griffin
    • Frances Gray Patton
  • Elenco
    • Jennifer Jones
    • Robert Stack
    • Kipp Hamilton
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.0/10
    1.4 k
    TU CALIFICACIÓN
    • Dirección
      • Henry Koster
    • Guionistas
      • Eleanore Griffin
      • Frances Gray Patton
    • Elenco
      • Jennifer Jones
      • Robert Stack
      • Kipp Hamilton
    • 31Opiniones de los usuarios
    • 13Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos53

    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    + 46
    Ver el cartel

    Elenco principal92

    Editar
    Jennifer Jones
    Jennifer Jones
    • Miss Dove
    Robert Stack
    Robert Stack
    • Dr. Tommy Baker
    Kipp Hamilton
    Kipp Hamilton
    • Virginia Baker
    Robert Douglas
    Robert Douglas
    • John Porter
    Peggy Knudsen
    Peggy Knudsen
    • Billie Jean Green
    Marshall Thompson
    Marshall Thompson
    • Wilfred Banning Pendleton III
    Chuck Connors
    Chuck Connors
    • Bill Holloway
    Biff Elliot
    Biff Elliot
    • Reverend Alex Burnham
    Jerry Paris
    Jerry Paris
    • Maurice Levine
    Mary Wickes
    Mary Wickes
    • Miss Lorraine Ellwood
    Jean Andren
    • Bank Secretary
    • (sin créditos)
    Pamela Beaird
    • School Girl
    • (sin créditos)
    Linda Bennett
    • Margaret
    • (sin créditos)
    Steven Benson
    • Student
    • (sin créditos)
    Arthur Berkeley
    • Townsman at Bank
    • (sin créditos)
    Linda Brace
    • Jacqueline Wood
    • (sin créditos)
    Leslie Bradley
    Leslie Bradley
    • Alonso Dove
    • (sin créditos)
    Janet Brandt
    Janet Brandt
    • Mrs. Levine
    • (sin créditos)
    • Dirección
      • Henry Koster
    • Guionistas
      • Eleanore Griffin
      • Frances Gray Patton
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios31

    7.01.3K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Opiniones destacadas

    Richie-67-485852

    Good Morning Viewer

    Excellent entertainment guaranteed to get the weepy eyes out and the warm and fuzzies too. This movie reminds me of Goodbye Mr. Chips which was good but I thought they could have done more in that movie to stress the point of all the good Mr. Chips the teacher did. Here, they do just that via flashbacks which are highly entertaining and give good background to the story-telling. In a Twilight Zone episode titled "The Changing of the Guard", they also capture the theme of this movie quite well so if you like either example I gave you will love this movie as it takes its place among them. A couple of those flashbacks had me in tears as you realize that those people are you or someone you know who cannot only use a helping hand but also allow us all to contribute to a better world one person at a time. Who hasn't gotten to where they are today without help of some kind? Imagine if you turned that principal up a few notches. That's what is going on here only someone donates their life (literally) to the theme. Good investment by my tally. Good supporting cast too with familiar faces that became famous in their own time. The virtues acted out and displayed in this move are numerous. Humility, sacrifice, service, hope, charity, unconditional love, honesty and commitment all come on the screen throughout this movie and make their points. We are also reminded not to base everything we do solely on money outcomes but instead to invest in the bigger picture of life that build character and joins the everlasting properties into eternity. I am also reminded of the many who we don't hear about, who stay in the shadows doing their share of good happy to do so and going unnoticed for it but perfectly content and satisfied. Why? The simplest answer is found in a well known scripture that keeps teaching us this principal: When you did it to the least of them, you did it to me. I know you. Come forward faithful steward. That's all that counts in the end is that you are recognized by the one who sent you here just for that purpose. Good movie to snack with plus a tasty drink, Kleenex on standby and bring an open heart so your soul can be cleansed too. Enjoy! I did!
    9pzanardo

    More psychology than sentimentalism to depict a wonderful woman

    "Good morning, Miss Dove" was a major and pleasant surprise to me. I expected an over- sentimental, although well-made, movie. On the contrary, I discovered that there is a subtext of sense of humor, and the many psychological subtleties and finesses are even more relevant than sentimentalism. Of course, I do not deny that I was deeply touched by this extraordinary, wonderful woman, Miss Dove.

    Miss Dove is the essence of the movie, and even the sense of humor is based on her. Her pride, her aloofness, her deep conviction to be always right, her refined, elegant and slightly ironic way of talking that never weavers, not even in dire straits, make Miss Dove a comic character, in some sense. And we see that she looks at her own over-the-top strictness with a dose of self-irony.

    Miss Dove's mission as a teacher is based on a steel principle: all her pupils are equal. Any partiality is just inconceivable. Actually, she cannot help to have a particular love for some of them, especially for Bill. When, after his service in the Marine Corps, the grown-up Bill says to Miss Dove that he wants to use his saved money to complete his studies, she plainly hides her inner joy. Why? Clear: to show joy, even much time after the school-years, would mean to be partial toward her "William" (a delightful, even poetic subtlety is that Miss Dove never calls the kids by nick-name). However, at the hospital she finally affords herself to show a preference. She asks all her flowers to be distributed to the other patients, and she just takes in her room the flowers sent by her beloved, favorite "son" Bill.

    Miss Dove is a genius of psychology. The equal-for-all discipline is the canvas where she paints with masterly touches. She never preaches, her own behavior shows the right way. When she sees that the little Jewish Maurice is ill-used by the other kids, she doesn't utter a (probably useless) sermon on xenophobia. She just asks Maurice to accompany her, helping to bring her books, thus showing to everybody how much she cares for the little stranger. Then it's up to the kids to understand the lesson. This episode is related to a beautiful finesse of the movie. We see Mr. Levine, Maurice's father, terribly upset and worried at Miss Dove's illness. Thus we get that, less fortunate than his son, Mr. Levine has long experimented the horrors of anti-Semitism in Europe. So he is fully aware of and grateful for Miss Dove's precious job, even more than his son.

    Another great psychological job is the way Miss Dove, talking with Bill, praises Billie Jean's skills and humanity as a nurse. That's enough for Bill to learn the lesson, that is to overcome his prejudices (which coincide with her own prejudices; so, after all, even Miss Dove has something to learn). Particularly poignant is the shy, humble admiration and love paid by Billie Jean to her former teacher. That is mirrored by the nurse's naive attempts to imitate Miss Dove's elegant talk and perfect poise, which give rise both to fun and to emotion.

    Some characters are conventional, others are not fully convincing, like that of the gangster Makepeace. However, this guy is instrumental in showing that Miss Dove never condemns the human being. The film is permeated with positive messages: patriotism, dignity, respect, honor, love for learning, sense of community, gratitude. I will be the very last to be displeased by that. Sometimes the sentimentalism is far-fetched. I consider it a minor fault of the movie.

    Jennifer Jones as Miss Dove is just sensational. The remainder of the cast works very well, especially Peggy Knudsen as Billie Jean, in my opinion.

    Let me conclude remarking a great poetic image. The little girl, from the top of the tree she has climbed (a wonderful symbol of innocence and freedom), stares with a stunned look at Miss Dove carried away by the priest and the doctor. What's up? The indestructible teacher has something wrong? Impossible...

    Like the people of Liberty Hill, we all love Miss Dove, this wonderful woman, this mother of one thousand children. To enjoy this extraordinary character, I strongly recommend "Good morning, Miss Dove".
    8bkoganbing

    The Rock Of Her Community

    Good Morning, Miss Dove is a property that I'm surprised Frank Capra didn't think to direct. It's entirely possible that Capra was a male chauvinist who only thought in terms of men who sacrifice like George Bailey in It's A Wonderful Life. In many ways Jennifer Jones is the superior of Capra's George Bailey.

    Jennifer's crisis comes real early in the beginning, she's the daughter of a well bred and prominent family whose father has just died. She thinks she's come into it, but she finds she's inherited debts beyond belief because dad was borrowing and living well beyond his means. To keep his good name, she gives up the life she expected like George Bailey and in the process becomes the moral center of her small town.

    Her road was much harder than Jimmy Stewart's because Miss Dove never married, she instead devoted her life to teaching history and geography and never getting to see the faraway places with strange sounding names that she only read about. That song could have been written for her. George Bailey did have Mary Bailey and the kids, that was denied to Miss Dove.

    That's just one of the flashbacks in a film that has many. In fact the current story is the fact this rock of the community is undergoing a health crisis and is admitted to the hospital. As she deals with her health issues and the many people who wish her well, her mind reflects on just how much influence she's had on generations of kids passing through her class.

    She's a severe woman Ms. Dove, having denied herself a personal life. But she's also a kind and caring one and that comes through with all the people we see her interact with.

    Despite a fine cast of players, Jennifer Jones dominates this film in a fine portrayal of what is essentially an unglamorous part. It's the kind of role you might see someone like Bette Davis or Katharine Hepburn do, but Jones is just fine in it.

    If you're not a fan of Jennifer Jones, you will be after seeing Good Morning, Miss Dove.
    stryker-5

    "Hasn't She Something That Sets Her Apart?"

    A well-known schoolteacher in a little American town is taken ill, and this causes her to reflect on her life. This unabashed 'weepie' from 20th Century Fox will catch you out unless you have a crisply-laundered hankie pinned to your lapel!

    Nine years after her sex-kitten role in "Lust In The Dust", Jennifer Jones pulls off a tour de force as the prim Miss Dove. Henry Koster's direction plays it straight down the middle in this simple yarn of small town life.

    Liberty Hill, we hear, is a typical American town. There are a hundred like it, in which "a sense of life's continuity hangs in the air". It is not clear whether the narrator is describing Liberty Hill as 'snug' or 'smug', but it doesn't matter - both adjectives apply. In Cedar Grove School a graduation ceremony is attended by parents who were themselves pupils here. This is the deep complacent sleep of Eisenhower's America, a world in which everybody has a pre-ordained place and the doctor, the policeman and the pastor are all ex-pupils of Miss Dove.

    It is seemingly a day like any other. Miss Dove is enforcing classroom discipline when she starts to fall ill. Typically, she instructs a child, "I am indisposed. Mention this to no-one."

    The stricken teacher looks back on her life in a series of reveries, starting with her happy youth in the 1920's. We see her as a beautiful, vivacious young woman who shares her father's passion for geography. The two plan an overseas vacation together, ensconced in their improbably lavish parlour which is only slightly smaller than the Houston Astrodome. It seems odd that Miss Dove's father should command such opulence, and after his death certain banking irregularities come to light. To prevent a slur on her father's memory, Miss Dove undertakes to work to pay back the 'debt'.

    Miss Dove places duty before personal happiness, declining Wolf Pendleton's offers of marriage and an expedition to the Himalayas, because she must teach here in Liberty Hill. The stiff, correct character of Miss Dove is illustrated by the way she remains formal until Wolf has left, then collapses in grief, and coming out of her daydream, composes herself as Doctor Tom Baker arrives. Public displays of weakness just won't do. "It is not my custom to wobble."

    Tom Baker (Robert Stack) is, of course, an alumnus of Miss Dove. The classroom undergoes minor changes over the years, but the American kids keep being churned out like little Ford Thunderbirds. China was coloured orange on the wall map ten years ago, now it's purple (the communist bloodbath?) and Eisenhower's portrait has replaced Truman's. But Miss Dove never alters. She enumerates her symptoms to Doc Baker like a talking medical textbook and as she is carried to hospital she assures him, "You have defined my responsibility. I shall keep my spine rigid." No-one doubts that.

    We meet various ex-pupils who have thrived under Miss Dove's tutelary genius. Bill Holloway (Chuck Connors) was an impoverished kid whose true worth was recognised by Miss Dove - " a child in whom the ethical instinct was as innate as breathing". He adores his former teacher. He is now a police officer. Virginia was a pretty but confused youngster until a year ago, when under Miss Dove's guidance she met and fell for Doc Baker. She has found her vocation in motherhood.

    Maurice Levine and Fred Makepeace turn up. Fred is now a gangster, but he's an OK kind of guy. He breaks out of prison to be with his teacher in her hour of need. Thanks to Miss Dove, his American morality is pristine: "When I hear some commie jerk belittling this country ..." Maurice first comes to Cedar Grove in the 1930's (the wall portrait is Roosevelt). He is a jewish child, freshly escaped from Hitler's Germany, and speaking no English. Miss Dove protects him from Liberty Hill's ingrained xenophobia and nurtures his literary talent. Single-handedly, she cures her class of antisemitism, and Maurice goes on to become a Broadway playwright.

    This lady's influence reaches beyond the school gates. Mr. Porter was the incoming Bank President who handled Miss Dove's father's indiscretion so unsympathetically. Now he visits her in hospital, an older, humbler man. "She's always been a stiff-necked termagant," he says, but confesses that he owes everything to her. In the Depression, she acted with courage and authority and averted a run on the Liberty Hill Bank.

    As for the film's weaknesses, the script is cast in a quaint literary style which grates. Nurse Green shows the cop into the room, announcing "Police Officer Holloway begs to intrude." The sentimentality is laid on too thickly. Doc Baker recounts how he survived shipwreck and thirst thanks to a shining vision of Miss Dove - "She was right there with me all the time!" The hushed crowds on the hospital steps are 'over the top'.

    The establishing shot of the colonial church's spire, repeated as the hours pass, reinforces the film's themes of parochialism and continuity. Ex-pupils donate blood, symbolising their ties to Miss Dove and the reciprocity of the relationship.

    The sick woman contemplates death and concludes that, whatever people may think, her life has been happy. The dreams of world travel were never realised, but she knows the world through study. Learning has compensated her for lost opportunities. This is a metaphor for her having sacrificed love and a family. Yet in the last 30 years, every child in Liberty Hill has been 'hers'. She has touched every young life. "Kids?" says Officer Holloway, "She has a thousand of 'em!"
    10filmsfan38

    A touching movie about a dedicated teacher

    I can't understand why this movie was never put on DVD or at least video. I haven't even seen it on the TV for years, but I have seen it a couple of times years ago. It is a touching story about a dedicated schoolteacher with a passion for teaching. Miss Dove is played by Jennifer Jones. A young Robert Stack is in the movie and there are some very touching moments.

    Too bad it wasn't on DVD. If you see it listed on TV. jump at the chance to watch it if you like classics, because this is one good classic. Keep a hanky handy.

    Más como esto

    El mundo de la mujer
    6.9
    El mundo de la mujer
    Cartas a mi amada
    7.0
    Cartas a mi amada
    Separate Tables
    7.3
    Separate Tables
    El omnibus perdido
    6.5
    El omnibus perdido
    Nacida ayer
    5.2
    Nacida ayer
    Housewife, 49
    7.7
    Housewife, 49
    Jennie
    7.6
    Jennie
    Dare to Be Wild
    6.4
    Dare to Be Wild
    Los cuatro hijos de Adán
    6.6
    Los cuatro hijos de Adán
    De corazón a corazón
    6.9
    De corazón a corazón
    Carrie
    7.3
    Carrie
    Dos buscando un destino
    6.6
    Dos buscando un destino

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Six uncredited actors in this film played regular or semi-regular roles on TV's Leave It to Beaver (1957): Richard Deacon (played Fred Rutherford), Pamela Beaird (Mary Ellen Rogers), Cindy Carol (Alma Hanson), Stanley Fafara (Whitey Whitney), Tiger Fafara (Tooey Brown), and Ken Osmond (Eddie Haskell).
    • Errores
      After undergoing "prolonged" major surgery, Miss Dove awakens in her room, not in post-op, and no IVs are present. During the surgery, Miss Dove is said to need blood "and lots of it." Apparently, there is no blood bank and only two potential donors standing by to give blood (four pints max).
    • Citas

      Billie Jean: Now, we'll take our clothes off and we'll feel more comfortable.

      Miss Dove: The pronoun "we" is misleading unless you propose to take off your clothes too.

    • Conexiones
      Featured in Biography: Jennifer Jones: Portrait of a Lady (2001)

    Selecciones populares

    Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
    Iniciar sesión

    Preguntas Frecuentes16

    • How long is Good Morning, Miss Dove?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 26 de enero de 1956 (Portugal)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Polaco
    • También se conoce como
      • Good Morning, Miss Dove
    • Locaciones de filmación
      • 20th Century Fox Studios - 10201 Pico Blvd., Century City, Los Ángeles, California, Estados Unidos(Studio)
    • Productora
      • Twentieth Century Fox
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 1,470,000 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 47 minutos
    • Relación de aspecto
      • 2.55 : 1

    Contribuir a esta página

    Sugiere una edición o agrega el contenido que falta
    • Obtén más información acerca de cómo contribuir
    Editar página

    Más para explorar

    Visto recientemente

    Habilita las cookies del navegador para usar esta función. Más información.
    Obtener la aplicación de IMDb
    Inicia sesión para obtener más accesoInicia sesión para obtener más acceso
    Sigue a IMDb en las redes sociales
    Obtener la aplicación de IMDb
    Para Android e iOS
    Obtener la aplicación de IMDb
    • Ayuda
    • Índice del sitio
    • IMDbPro
    • Box Office Mojo
    • Licencia de datos de IMDb
    • Sala de prensa
    • Publicidad
    • Trabaja con nosotros
    • Condiciones de uso
    • Política de privacidad
    • Your Ads Privacy Choices
    IMDb, una compañía de Amazon

    © 1990-2025 by IMDb.com, Inc.