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Dementia

  • 1955
  • Not Rated
  • 56min
CALIFICACIÓN DE IMDb
6.7/10
2.8 k
TU CALIFICACIÓN
Dementia (1955)
This film, with no dialogue at all, follows a psychotic young woman's nightmarish experiences through one skid-row night.
Reproducir trailer0:57
1 video
57 fotos
Film NoirDramaMisterioTerror

Agrega una trama en tu idiomaThis film, with no dialogue at all, follows a psychotic young woman's nightmarish experiences through one skid-row night.This film, with no dialogue at all, follows a psychotic young woman's nightmarish experiences through one skid-row night.This film, with no dialogue at all, follows a psychotic young woman's nightmarish experiences through one skid-row night.

  • Dirección
    • John Parker
    • Bruno VeSota
  • Guionistas
    • John Parker
    • Bruno VeSota
  • Elenco
    • Adrienne Barrett
    • Bruno VeSota
    • Ben Roseman
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.7/10
    2.8 k
    TU CALIFICACIÓN
    • Dirección
      • John Parker
      • Bruno VeSota
    • Guionistas
      • John Parker
      • Bruno VeSota
    • Elenco
      • Adrienne Barrett
      • Bruno VeSota
      • Ben Roseman
    • 60Opiniones de los usuarios
    • 43Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Videos1

    Teaser Trailer
    Trailer 0:57
    Teaser Trailer

    Fotos57

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    Elenco principal15

    Editar
    Adrienne Barrett
    • The Gamin
    Bruno VeSota
    Bruno VeSota
    • Rich Man
    • (as Bruno Ve Sota)
    Ben Roseman
    • Law Enforcer…
    Richard Barron
    • Evil One
    Lucille Howland
    • Mother
    Ed Hinkle
    • Butler
    • (as Edward Hinkle)
    Gayne Sullivan
    • Wino
    Jebbie VeSota
    • Flower Girl
    • (as Jebbie Ve Sota)
    Shorty Rogers
    Shorty Rogers
    • Shorty Rogers
    • (as Shorty Rogers and his Giants)
    Shelley Berman
    Shelley Berman
    • Stoned Beatnik
    • (sin créditos)
    Duane Grey
    Duane Grey
    • Policeman
    • (sin créditos)
    Jonathan Haze
    Jonathan Haze
    • Character
    • (sin créditos)
    Faith Parker
    • Nightclub Dancer
    • (sin créditos)
    Angelo Rossitto
    Angelo Rossitto
    • Newsboy
    • (sin créditos)
    Aaron Spelling
    Aaron Spelling
    • Nightclub Patron
    • (sin créditos)
    • Dirección
      • John Parker
      • Bruno VeSota
    • Guionistas
      • John Parker
      • Bruno VeSota
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios60

    6.72.8K
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    Opiniones destacadas

    withnail-4

    One of A Kind, Don't Miss It

    Powerful visual style highlights this noir nightmare film, originally made in 1951. Is it Freudian, Surreal, or just plain fugged up? This is outsider film making, a one of kind rarity(the director's only film)that either discards standard film technique, or is totally ignorant of it. But the photography and music are both weird, wild, and quite well done. No dialog!!

    The original director's version (Dementia)is much better than the one with some of the gore cut out, and an intrusive, idiotic Ed McMahon voiceover(Daughter of Darkness).They are both on the DVD, so don't make the mistake of watching the censored "Daughter" version first.

    Don't miss the highly suggestive "chicken eating" scene. It's hilarious!!
    dougdoepke

    Welles Meets Corman

    Thanks be to TMC for reviving this curiosity for a popular audience. I can't imagine what the movie's producers foresaw in the way of audience potential. I gather the film was shot in 1953, certainly not a promising period for an experimental feature of any kind. I also gather the atrocious narrative was added later to maybe give the package commercial appeal. But not even a 50's drive-in farthest from town would book a weirdo like this. Perhaps college area theatres would have booked it as a midnight feature, playing up the sex angle. Anyway, to me, its origins appear puzzling, indeed.

    All in all, the end result is about as schizoid as the lead female character, combining striking visuals and special effects with amateurish acting and brain-dead narration. Someone in production certainly had an artistic eye for visual composition—check out the long shot of the gamin entering and exiting the spacious hotel lobby. They're beautifully composed. Actually, the visuals suggest that perhaps Welles saw the production before filming Touch of Evil (1957), especially Dementia's skid-row area that resembles Evil's Venice beach locations.

    Certainly the movie has its cheesy elements. But to call the movie itself cheesy is to miss the artistic undercurrent that kept me hooked.
    6lastliberal

    Guilty! Guilty! Guilty!"

    I watched Daughter of Horror, not the original version called Dementia. Of course the newer version has a voice over by Ed McMahon of Star search/Johnny Carson fame. Dementia had no voice over.

    Neither film had dialog. The only thing you heard was the music of George Antheil. You watched as the faces of the actors gave the story. A woman (Adrienne Barrett) possessed by madness; the daughter of a philandering mother and a drunken father who murdered her, even as she murdered her father.

    It was Luis Buñuel and Orson Welles throughout. Even the character of the rich man (Bruno VeSota) was channeling Orson Welles.

    It is a bohemian rhapsody wrapped in madness. A strange but compelling film.
    Rockster-2

    A cult item that can't be easily dismissed.

    Never heard of it, knew nothing about, watched it on a friend's recommendation and was struck by how daring and experimental it was for the time it was made. I was expecting a real piece of 50's cheese, but the further I got into it the more I realized it could not be so easily dismissed. Some of the nighttime black and white photography of the Gamine being pursued through city streets is right up there with THE THIRD MAN, and many of the images (especially the hacking off of a dead man's hand) are shockingly indelible. I'd place it many rungs above Ed Wood and perhaps only a rung or two below Herk Harvey (director/co-star and primary creative force behind the great ultra low budget masterpiece CARNIVAL OF SOULS, recently reissued on a gorgeous Criterion Collection DVD). Included on the DVD presentation is the re-cut version DAUGHTER OF HORROR, with Ed McMahon (!) providing a hilariously pretentious voice-over that was meant to make the film more accessible to a mainstream audience. It's a real hoot, one to play at parties to give your cinephile guests a laugh.
    10sirarthurstreebgreebling

    AT Last !

    Finally after a long wait we can see the original version of "Dementia" which was re released two years later as "Daughter of Horror" , cut by two minutes and featured the notoriously bad voice over by the unknown (outside america) Ed McMahon , which was added as the re releasers thought that the public would not understand what was going on , it did the opposite and has unfairly given the film a bad reputation. Since the re release was shown , the film itself has pretty much disappeared and only terrible prints on the 1957 version have been available , giving a brief glimpse of what this film could have been. But now the full version has been released by Kino Films on DVD. The print is stunning (compared to the previously available anything would be preferable), and the restoration of the nightmarish "jazzey" score is fault less. "Dementia" and "Daughter of Horror" (it was given a more salatious title to get audiences in) are both on the disc...with some great extras its worth a look. The story itself is a living/dreaming nightmare , the boundaries are jarred from the first scene as we pan in from the empty street into the apartment window and track up to the bed. The Gammin wakes and looks as if she has just had a bad nightmare , she gets up and walks over to a drawer , opens it and pulls out a switchblade , she looks down and sneers , pockets the knife and goes out into the night. From here on we either know that she it totally insane or that she is out to protect herself or both. We follow her journey into bars and meetings with pimps and flower sellers. I wont tell you anymore about it , otherwise it will spoil the fun of finding out for yourself but this film is a must and belongs on any serious collectors shelf.

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    Argumento

    Editar

    ¿Sabías que…?

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    • Trivia
      This is the movie playing in the theatre in the original version of "The Blob"
    • Citas

      Narrator: Come with me into the tormented, haunted, half-lit night of the insane. This is my world. Let me lead you into it. Let me take you into the mind of a woman who is mad. You may not recognize some things in this world, and the faces will look strange to you. For this is a place where there is no love, no hope...in the pulsing, throbbing world of the insane mind, where only nightmares are real, nightmares of the Daughter of Horror!

    • Créditos curiosos
      In the Preston Sturges quotation before the opening credits, several instances of the word "Italicized" appear, spelled out in regular type in parentheses, rather than actually employing any italic type.
    • Versiones alternativas
      The original version, released as 'Dementia', had no narration; that was voiced by Ed McMahon and added for the re-release under title 'Daughter of Horror.'
    • Conexiones
      Featured in La mancha voraz (1958)
    • Bandas sonoras
      Wig Alley
      Music by Shorty Rogers

      Performed by The Giants

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    Preguntas Frecuentes13

    • How long is Dementia?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 22 de diciembre de 1955 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Ninguno
    • También se conoce como
      • Daughter of Horror
    • Locaciones de filmación
      • Windward Ave, Venice Beach, Venice, Los Ángeles, California, Estados Unidos
    • Productoras
      • H.K.F. Productions
      • J.J. Parker Productions
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 56min
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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