La novia del monstruo

Bride of the Monster (1955)

*** (out of 4)

Cult classic from Edward D. Wood, Jr. about a mad scientist (Bela Lugosi), his over-sized assisstant (Tor Johnson) and their pet rubber octopuss. Only God really knows how many of these "Z" grade films I've seen over the years but there's no doubt in my mind that Wood's movies are the "best" of the bunch. The worst thing that could happen while watching this stuff is that you get bored but with Wood, and especially this film, boredom isn't a possibility since there's countless insane moments happening throughout the 69-minute running time. The film moves by very quickly and while I do enjoy the movie because it's bad, I will go out on the limb and say Lugosi gives his best performance in his later day roles.

AS others have commented on, BOTM is indeed a competent B-movie. After

seeing it on public domain video I was glad to buy the Image DVD which has

very good image quality. You can see the movie the way Ed Wood intended it.

The lighting is competent; the camera work is competent.

But what elevates BOTM to film nirvana is Bela Lugosi's performance as Dr. Eric Vornoff (sp?). To those who say that Ed Wood exploited Bela (including Bela Jr), I say, at least he didn't put Bela in white plastic go-go boots and give him no dialogue, like the director of The Black Sleep did.

Without exception Bela's performances are hypnotic. His strange intonation, his deliberate facial gesture, his gravitas -- he is always the magnetic center of his films. And BOTM gives a summary of his career -- the Dracula hands, the White Zombie hands -- and the pathos of his "I have no home" speech -- give his

performance a dimension most of his roles (though check out "Invisible Ghost" for another excellent role) lacked.

"Nuff said. I enjoy the delirium of Glen or Glenda? and Plan 9, but Bride of the Monster is Bela's show ALL THE WAY.

Ever since The Golden Turkey Awards chose Ed Wood as the world's worst director back in the 80s there have been a lot of people who automatically dismiss all Ed Wood movies as garbage. Even Tim Burton's terrific 'Ed Wood' has encouraged this. My opinion is that there are many, many worse directors out there, because at least Wood's movies were fun and entertaining, unlike many of those made by the likes of Roland Emmerich or Michael Bay, directors who are able to work with budgets a 1000 times bigger than Wood I might add! 'Bride Of The Monster' is one of Wood's most underrated movies. It was his second movie to star horror legend Bela Lugosi, but unlike the first, the truly mind blowing 'Glen Or Glenda', it isn't completely inept. True, some of the acting is terrible, especially the talentless leading lady Loretta King who is (I admit it) lousy, and Wood regular Paul Marco, who has a small supporting role as a cop. But, and this is a BIG but, Lugosi is terrific. Many fans regard this as his best performance. I wouldn't go that far but it's hard not to get choked up at Lugosi's immortal "I have no home" speech. 'Bride Of The Monster' is the first Wood film to feature the amazing Tor Johnson. He plays Lugosi's Tibetan servant/slave Lobo. All the scenes with Lobo are great fun to watch, especially when Lugosi whips him. Apart from Lugosi and Tor this movie is best remembered for the rubber octopus monster. Of course it's a hoot, but the rest of the picture isn't anywhere near as bad as many claim and is comparable to say 'The Devil Bat', which Lugosi starred in back in the 1940s. Both movies suffer from their minuscule budgets, but both are still worth watching to see Lugosi struggle for greatness. I recommend 'Bride Of The Monster' to all horror fans, especially those of Bela Lugosi.

This is a B feature movie (which goes without saying!), but the movie really isn't that bad. As another has commented about the "Bride of the Monster", Lugosi simply had a screen presence and was an watchable actor. Sure, it's a little hammy in parts, but both Wood's dialog and Lugosi's rendition are nowhere near as bad as folks make out (if you want to see badly acted and improbable dialog, attend any student movie season). Generally the dialog flows quite well. Given that this was Wood's second feature, and that he had no real technical apprenticeship for film-making, he did good. If he had been able to make more movies, who knows what the rest would have turned out like. So I savor these early Wood movies as the start of something that could have been even better, and as inspiration for not giving up in the face of no budget; he did have talent.

Okay...lets be honest. This film was just what is was expected to be: a poorly made film with little to no budget, terrible acting overall, a script that borders on insanity, and special effects that children in a school play could be proud of. Yet, the film has a certain charm to it and is a vehicle in which to see both Bela Lugosi and Tor Johnson madly overact and interact. Bela whipping Johnson and then getting into a wrestling match is definitely a high point. The rest of the cast strive to be mediocre...and fail...with the exception of character actor Harvey Dunn. Dunn plays the police chief and is humorous both intentionally and unintentionally. Watch his scenes and see him play with his parakeet in his office. It defies logic, time, and space...and is funny. Not Ed Woods best or worse...and a film that really has been given a boost by Tim Burton's Ed Wood. A fun picture to sit through with a group.