The Benny Goodman Story

Enjoyed this very entertaining film about Benny Goodman performed by Steve Allen who himself was a great composer, piano player and all around actor and late night show host. This was a very compact Hollywood story detailing the life of the great Jazz King of the 30's. Donna Reed, (Alice Hammond) gave a great supporting role as Benny's girlfriend and then his wife. The film was filled with all great jazz musicians, Gene Krupa, Lional Hampton, Harry James and Sammy Davis Sr. along with many other famous jazz musicians. In the 1950's you were able to go to the Roxy Theater, Paramont and Music Hall in New York City and see these great musicians in between the showing of their feature movies and at very low prices, especially at 10 AM for a price of $1.25 to $2.00. This is a great film and the musical selections will keep you glued to this film from beginning to end.

Writer, director Valantine Davies took on this musical challenge as a testimony to the legendary impresario Benny Goodman and what was then called 'Swing' music.' The film itself is called " The Benny Goodman Story " and it features the late great comic Steve Allen. The movie does a good job of incorporating the early life of the famed musician and the life-struggles he encountered. Striving from an early age to learn his instrument and then later to adapt it to create what he called a 'special' type of music for the era of Early Swing and later Jazz age. The movie does not lend itself any of Goodman's foibles or controversies as there were little in his life. Still it does take a few liberties with his personal history, but nothing which detracts from the established music which he help to initiate. Indeed, his ability to play his clarinet and entrance his audiences is what makes this movie and then the cast which includes Donna Reed, Berta Gersted and Barry Truex as Benny Goodman (at 16), is what marks this Bio-pic as a musical Classic and the late great Gene Cruppa on drums. In addition for any who love the legendary sounds of the Big Bands in the age which started them all, you can do no better than sit and enjoy this musical rendition which is a tribute to that era. Easily recommended. Well done.

This film is considered by many as being a pretty mediocre film, but I think this film is truly great. Maybe it's just a jazz-lover's point of view; Benny Goodman is my favourite artist, and is the man who inspired me to take up the clarinet. Steve Allen comes across as a likable Goodman, and manages to look the part. Donna Reed also does her job pretty well but the people in the film who will really catch your attention are the jazz musicians that are in the film, playing themselves. These musicians include: the very enthusiastic drummer Gene Krupa, the trombone player Edward "Kid" Ory, the vibraphone player Lionel Hampton and the famous band leader and drummer of the '20s Ben Pollack. Whether you like the film or not, you have got to like the music which includes such Goodman classics as "Don't be that way", "Sing, Sing, Sing", "Let's Dance" and "One o'clock jump". All in all, a highly enjoyable film which, as far as I am concerned, is better than the much acclaimed film "The Glenn Miller Story" starring James Stewart in the part of Miller. "The Benny Goodman Story" is a must-see for all jazz fanatics and all clarinet players. The film also features a very impressive rendition of Mozart's clarinet concerto (Goodman also gave classical music a try, as you can see, to great effect). I'd say that it is decidedly worth seeing. Enjoy!

Growing up in the 40's in Brooklyn, I heard the music of BG, Miller, Dorsey, Shaw, etc. on the family radio(Martin Block's "Make Believe Ballroom"). I became a big fan of Benny's in 1950, with the release of the Columbia LP of the Carnegie Hall concert and the 1937-1938 radio broadcast albums.The music on these live performance albums was outstanding and spontaneous as opposed to the sterile studio recordings locked into a 3 minute format for 78 rpm records. These albums resulted in a resurgence of Benny's popularity and, ultimately lead to the movie.

Steve Allen, while not a great choice, was probably the best at that time, since he was a popular TV personality and was a music lover and musician in his own right. As for Donna Reed, well what can anyone say except that she was as beautiful as ever and the consummate pro as the female lead. A fairly fast paced film with loads of musical guest stars and some pretty good tunes made famous by and played by BG for the soundtrack.

Benny was not an exciting or controversial guy, so how do you generate enough interest to draw people to the movie,as is the case today. In 1955, good music did the trick. About the only controversy about Benny was his reputation of staring down any band member who diverted from the the arrangement. One former musician described in an interview how "the old man gave me the evil stare for the whole number after hitting a wrong note early on".

Too bad they could not synchronize the actual concert music with the movie. In particular, the quartet version of "Stompin At The Savoy" in which Gene Krupa's cymbal flew off the stand and was hit by Lionel Hampton on the way by without missing a beat, or the concert rendition of "Sing,Sing,Sing", probably the best ever recorded.

If you like this film go out and buy the newly released CD of the Carnegie Hall concert complete with 2 numbers previously excluded from other releases with intros by BG and no interruptions between numbers allowing you to hear the sounds of the band setting up for the next number, etc. Just like being there.

Viewed from the point of view of a jazz fan interested in the history of swing, this movie is a treasure. There are moments all through when some of the true greats in jazz can be at least glimpsed, and some have ongoing parts: Buck Clayton, on trumpet, Teddy Wilson on piano, Gene Krupa, on drums, Lionel Hampton on vibes, Stan Getz on tenor saxophone (he was the farthest to the right on the front row--almost always cut out of the pan-and-scan print shown on TCM, but he has a great solo and closeup in one of the numbers, in the Palomar ballroom section). There are other stars who appear for one scene, but it's fun to see them, even briefly. Ziggy Elman plays his trumpet solo on "And the Angels Sing" glibly verbatim from the famous recording, but rushes, unfortunately. The plot is quite predictable, and there's no clinch at the end, just shining eyes. A must-buy for the jazz sentimentalist--but get the wide-screen version.