The Angel Who Pawned Her Harp

Once you accept the premise, that an angel needs to pawn a harp in order to fund her good works on Earth, this film trundles along nicely. The cast performs commendably, with Alfie Bass and Jerry Desmonde adding their talents to the mix.

Diane Cilento positively 'glows angelically' on screen, in no small measure because of Arthur Grant (of Hammer Film fame, whose credits include 'Quatermass and the Pit') being in charge of the cinematography.

Every scene is beautifully lit in it's own way; it is a pleasure to see a nicely crafted film like this. I daresay the budget wasn't huge, but they made a really nice job of it. Many of the shots (both indoors and out) offer glimpses into how things would have looked at the time, making the film's look very much of its period. The story on the other hand is somewhat more timeless.

I have been fortunate enough to see this film on the 'Talking Pictures' UK freeview channel. The print used appears to be unrestored, but this did not mar my enjoyment of the film. Indeed the only real complaint I would make is that the sound and the film image were not synchronised properly when the film was broadcast.

Well worth watching.

The young Diane Cilento gives off a lovely glow in the title role of this good-natured Group 3 whimsy which became the first of a trio of 'kitchen sink' fantasies (the later pair comprising 'The Bespoke Overcoat' and 'A Kid for Two Farthings').

All three feature David Kossoff and Alfie Bass, but this is the least overtly Jewish; although Felix Aylmer's kindly old pawnbroker recalls his 'Mr Emmanuel' of ten years earlier. It's also interesting to see Jerry Desmonde playing the sort of bow-tied, fast-talking spiv usually associated with Ronald Shiner.

One of films reminding me why I prefer old fashion ( to classic ) movies. A film about an angel fixing few lives in gentle, fair, precise manner. With lovely result.

Well acted, nice story, seductive details ( the musical boxes demonstration as a pure good point, like the Paradis lost by John Milton) , it is just a lovely film, sweet for suggestions, humor and...miracles. And for a pretty innocence, reflecting the univers of lost time and a special way to discover and assume the life.

Diane Cilento is just inspired option for the main role like the young Philip Guard. But the great contribution is proposed by Felix Aylmer as lonely Mr. Webman.

So, sweet sounds just fair to define it.

I have been a fan of 'The Angel Who Pawned Her Harp' ever since I watched it on television as a child, and I consider myself fortunate to have the film on video. Based on a novel by Charles Terrot, it was shot partly on location at the Angel, Islington, and at Harringay Stadium, London. The plot concerns a beautiful blonde angel who arrives in Islington on a mission of goodwill. To raise some money, she pawns her harp at a second-hand store owned by Joshua Webman. Bringing out the best in the people she meets, she shows them the road down which their happiness lies. Combining ingenuity and sentiment, fantasy and realism, it is a consistently entertaining and often moving story. The acting of all involved is outstanding, especially Diane Cilento, Felix Aylmer, Jerry Desmonde, Joe Linnane, Philip Guard, Sheila Sweet, Edward Evans and Alfie Bass.

This is a delightful film, gentle and engaging. BUT I simply cannot recognise the lovely actress Diane Cilento in the Angel. Everything about her facially is changed from the Diane Cilento we came to know thriugh her later marriage to Sean Connery.