Experimente la emoción de la caza y la conmovedora diversión de una madre leona cuidando a sus cachorros juguetones mientras los expertos en vida silvestre.Experimente la emoción de la caza y la conmovedora diversión de una madre leona cuidando a sus cachorros juguetones mientras los expertos en vida silvestre.Experimente la emoción de la caza y la conmovedora diversión de una madre leona cuidando a sus cachorros juguetones mientras los expertos en vida silvestre.
- Premios
- 3 premios ganados en total
Opiniones destacadas
Alfred and Elma Milotte spent three years filming the African Wildlife in three countries in Africa, Kenya, Tanganika (Now part of Tanzania) and Uganda. Their film focuses on African Lions and their behaviours but widens to show the rest of the ecosystem and how the animals interact with one another. Though the film is edited to provide a narrative of sorts, it's (thankfully) not the same cloying method as utilised with "A Tale of Two Critters".
Honestly, despite its age, I found myself sticking with "The African Lion" through to its conclusion and appreciating a lot of what I saw. It was edited to a really impressive orchestral score that I enjoyed and had some truly stunning visuals. The sky so full of locusts they reflect the sun and look like a flowing silver sea is something I hadn't seen before and that will stay with me.
Hidden cameras and High definition have, of course, surpassed this film in terms of showing the animal kingdom, but this was impressive for it's time and still retains some of that power today.
Near the beginning, the narrator says; "This is Africa, The Lions Realm.." which would have been a more appropriate title. The film covers a lot of different species, and it does so in a way that enables the viewer to both absorb specific insights into the daily existence of individual creatures, while at the same time experience the essence of the wild as a whole.
Now admittedly, I love nature and wildlife type shows; and my opinion is that this production made over 50 years ago, is amongst kings of nature films.
Having really liked the previous two True Life Adventures feature films 'The Living Desert' and 'The Vanishing Prairie', and taking all the above into account, expectations were high. And they were definitely met, as was the case with pretty much all the True Life Adventures series, feature films and short subjects (with only 'White Wilderness', which still had a huge amount to recommend, disappointing a little). It is not the definitive documentary on lions or one of the best of this particular series, but 'The African Lion' is incredibly well made and interesting and holds up very well.
'The African Lion' isn't perfect. The True Life Adventures feature films, oddly enough the short subject films didn't have this problem, did have the common problem of having some too cute and too jokey moments. 'The African Lion' is no exception, especially with the birds and the hippos. Some of the jokiness was again a bit forced and not needed.
On the other hand, a huge amount is done right and outweighs what could have been done better. 'The African Lion' looks great, the colour photography is so vivid in colour and never static. Showing the majestic scenery, both beautiful and uncompromising, in all its glory. Really liked the music on the whole, which was a mix of grand and catchy even if it occasionally over-emphasised the humorous moments. The animals, wonderfully varied, are a mix of adorable, sinister and fun to watch.
Moreover, the cubs are so playful and cute and the mother's love was very touching to watch. The hunting does thrill and doesn't get dumbed down. The material is familiar, ground-breaking actually back then but if you have seen similar footage or similar themes in documentaries made in the past forty or so minutes it's recognisable, but it doesn't feel tired. One of my favourite scenes of the True Life Adventures series is the jaw dropping locust blizzard, that is the closest the series gets to the sensation of "wonder at how this was filmed". Winston Hibler's delivery was not an issue to me, nicely deadpan at times but also always good natured.
Very good on the whole. 8/10.
¿Sabías que…?
- TriviaAfter the scene where the rhino was stuck in the mud was shot, the filming team rescued the animal, but it charged at them after being freed.
- Citas
[first lines]
Narrator: From ancient times, the great landmass of Africa has been called the dark continent. The name came from the early map makers. They knew so little of this unexplored region, they left it a blank on their charts. For centuries it remained a land of mystery, for Africa - like an ancient fortress - was surrounded by natural barriers that kept civilization out. Across the north, a vast desert: the impassible Sahara. On the west, a dense jungle; a wall of tangled underbrush along the Congo. In the south, an arid bush country. And on the eastern shore, fever ridden swamps became a barricade to all who would invade this land. In time of course, explorers penetrated nature's blockade; and in the dark heart of Africa, they found a primitive paradise. It was neither desert nor jungle, but a broad plain broken by forests, deep lakes, and towering peaks. The dominating landmark is the highest mountain on the continent. It stands practically on the equator. This is Mount Kilimanjaro, rising 19,000 feet into the African sky. Its crest - thrusting through the clouds - wears a permanent mantel of snow. Here in its shadow, our story begins, for this is the realm of the African lion.
- ConexionesEdited into Disneylandia: His Majesty, King of the Beasts (1958)
Selecciones populares
Detalles
- Tiempo de ejecución1 hora 15 minutos
- Relación de aspecto
- 1.37 : 1