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Escudado en la muerte

Título original: Shield for Murder
  • 1954
  • Approved
  • 1h 22min
CALIFICACIÓN DE IMDb
6.8/10
1.9 k
TU CALIFICACIÓN
John Agar, Marla English, Carolyn Jones, and Edmond O'Brien in Escudado en la muerte (1954)
When a brutal police detective Lt. murders a bookmaker's runner for $25,000 in cash, a deaf mute sees him do it and now he finds he must kill again to cover his tracks.
Reproducir trailer1:47
1 video
77 fotos
Film NoirCrimeDramaThriller

Agrega una trama en tu idiomaWhen a brutal police detective Lt. murders a bookmaker's runner for $25,000 in cash, a deaf mute sees him do it and now he finds he must kill again to cover his tracks.When a brutal police detective Lt. murders a bookmaker's runner for $25,000 in cash, a deaf mute sees him do it and now he finds he must kill again to cover his tracks.When a brutal police detective Lt. murders a bookmaker's runner for $25,000 in cash, a deaf mute sees him do it and now he finds he must kill again to cover his tracks.

  • Dirección
    • Howard W. Koch
    • Edmond O'Brien
  • Guionistas
    • Richard Alan Simmons
    • John C. Higgins
    • William P. McGivern
  • Elenco
    • Edmond O'Brien
    • John Agar
    • Marla English
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.8/10
    1.9 k
    TU CALIFICACIÓN
    • Dirección
      • Howard W. Koch
      • Edmond O'Brien
    • Guionistas
      • Richard Alan Simmons
      • John C. Higgins
      • William P. McGivern
    • Elenco
      • Edmond O'Brien
      • John Agar
      • Marla English
    • 46Opiniones de los usuarios
    • 17Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Videos1

    Official Trailer
    Trailer 1:47
    Official Trailer

    Fotos77

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    Elenco principal28

    Editar
    Edmond O'Brien
    Edmond O'Brien
    • Barney Nolan
    John Agar
    John Agar
    • Mark Brewster
    Marla English
    Marla English
    • Patty Winters
    Emile Meyer
    Emile Meyer
    • Capt. Gunnarson
    Carolyn Jones
    Carolyn Jones
    • Girl at Bar
    Claude Akins
    Claude Akins
    • Fat Michaels
    Lawrence Ryle
    • Laddie O'Neil
    • (as Larry Ryle)
    Herb Butterfield
    Herb Butterfield
    • Cabot
    • (as Herbert Butterfield)
    Hugh Sanders
    Hugh Sanders
    • Packy Reed
    William Schallert
    William Schallert
    • Assistant D.A.
    John Beradino
    John Beradino
    • Gambler Being Booked
    • (sin créditos)
    William Boyett
    William Boyett
    • Policeman Cooper
    • (sin créditos)
    Robert Bray
    Robert Bray
    • Detective
    • (sin créditos)
    Richard H. Cutting
    Richard H. Cutting
    • Manning
    • (sin créditos)
    Richard Deacon
    Richard Deacon
    • The Professor
    • (sin créditos)
    Duke Fishman
    Duke Fishman
    • Man in Crowd
    • (sin créditos)
    Mickey Golden
    • Alley Crowd Member
    • (sin créditos)
    David Hillary Hughes
    David Hillary Hughes
    • Ernst Sternmueller
    • (sin créditos)
    • Dirección
      • Howard W. Koch
      • Edmond O'Brien
    • Guionistas
      • Richard Alan Simmons
      • John C. Higgins
      • William P. McGivern
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios46

    6.81.8K
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    Opiniones destacadas

    7abooboo-2

    No Miami, But Still Blues

    There are some similarities here with a great B-level film made close to 40 years later "Miami Blues". Both focus on desperate, lawless men with soft spots for a pretty, child-like woman, who abuse the power of a police badge in a violent, supremely ill-advised attempt to settle into a comfortable, anonymous existence in the "paradise" of America's suburbs. And as with "Blues", the last 30 minutes are as frantic and exciting and darkly comic as anything you will see.

    The film isn't perfect. There are weak links in the cast: Marla English is unremarkable as the trusting girlfriend, Herb Butterfield doesn't register as a pesky reporter (and John Agar's nagging conscience), and I found snarling Emile Meyer to be a disproportionately cynical police captain consumed with disgust for mankind. But Edmond O'Brien is suitably sweaty and hard-boiled as the corrupt cop (though damn, he is one puffy and bloated leading man), Agar is fine as his conflicted protegee (just before Agar moved into his mostly bad sci-fi phase) and Carolyn Jones spices things up big-time as a spaghetti loving floozy.

    Starts off looking sort of cheap and routine but it's one of those films that sneaks up and surprises you. Not bad at all. A little like Richard Gere's "Internal Affairs" too, come to think of it.
    8twhiteson

    Taut and well-scripted with a good performance by O'Brien

    Middle-aged "Detective Barney Nolan" (Edmond O'Brien) is a bad cop out to make a score for his retirement fund. He finds it by murdering a "bagman" bookie of a local mobster who was carrying $25,000 in mob-money. Nolan stages the scene to make it look like an arrest that deteriorated into an attempted escape, leaves some chump-change on the corpse, and pockets the $25k. Initially, it looks like Nolan will get away with his callous scheme and eventually retire to suburban track-house comfort with his much younger girlfriend, "Patty" (Marla English).

    However, he has three things going against him. First, he already has too many shootings "in the line of duty" for this one to be completely shrugged-off by his captain (Emile Meyer), the local crime beat reporter (Herbert Butterfield),and his fellow detectives. Secondly, the mob boss, "Packy Reed" (Hugh Sanders), wants his $25k and sends two goons (one of them a young Claude Akins)after Nolan to get it back. And, finally, there was a witness to the murder. Still, Nolan has his partner, "Sgt. Mark Brewster" (John Agar), who is willing to give his friend every benefit of the doubt, but as the evidence of Nolan's guilt mounts even Sgt. Brewster starts to wonder.

    The best thing about "Shield for Murder" is the character of Barney Nolan. He's a violent brute. The beast underneath the badge is never far from the surface. He murders for money. He roughs-up his girlfriend's boss for no reason other than his outrage at her skimpy cigarette girl costume. He brutally pistol-whips two men in front of a bar full of shocked and horrified patrons. Yet, we see glimpses of a man who was not always a monster- his sweetness towards his girlfriend and a scene where he lets a young shoplifter off the hook which was apparently a repeat of something he done in the past to good effect.

    Edmond O'Brien probably aged more quickly and badly than any leading man actor of his era. In 1939's "The Hunchback of Notre Dame" he was thin, had a mop of wavy hair, a pencil mustache, and the chiseled features of a handsome Hollywood matinée idol. Yet, within fifteen years, he was badly overweight, puffy-looking, and sweaty. It looks like he didn't give a hoot about his physical appearance which is unusual for an actor. In "Shield for Murder," though, O'Brien's disheveled appearance actually fits his character very well.

    However, his scenes with 19 yr old budding starlet Marla English are a bit of a stretch. While one can definitely see what an overweight, middle-aged man would like about Ms. English's "Patty"- she looks like a combination of young Elizabeth Taylor and Joan Collins- we have no idea what she sees in him. Ms. English is OK in the role, but her character could have been played by almost any young actress. It appears Ms. English was chosen by the producers just so they could briefly show-off her physical assets in that cigarette girl costume.
    kong-7

    solid b film of not so solid cop

    One of those B movies of the fifties, while not great, that is always enjoyable. O'Brien plays detective who is sick of struggling and wants some big dough quick and easy. He murders a stoolie who has $25,000 on him. His longtime partner and friend, Agar, doesn't want to believe his friend could commit such a heinous crime, but all evidence points in that direction. Agar is good as frustrated detective. The funniest scene in the film is Akins pursuing O'Brien through school corridors with his head all bandaged up from blows O'Brien inflicted earlier. Marla English is almost Elizabeth Taylorian in her looks as girlfriend of O'Brien, although I'm not sure what his appeal is.
    7telegonus

    good cop goes bad

    I cannot say that this is one of the better films noir, but it's a good example of the way this kind of film was drifting in the early fifties: away from the studios; toward independent production; more cars, fewer subways; a vaguely documentary air, ala Jack Webb, rather than the more elegant stylization we associate with the forties; more outdoor scenes, fewer cramped rooms; and overall a movement away from the Gothic and toward a more contemporary, which is to say paranoid mood. Having said this, it ain't a bad picture. Edmond O'Brien (who also had a hand behind the camera) plays a basically decent and fair cop who gives in to temptation and steals some money from a bad guy. He pays dearly for his transgression. O'Brien is edgier and tougher than usual; the rest of the cast is okay. This is an extremely watchable film. It involves you more than most police thrillers. I enjoyed it thoroughly.
    7bkoganbing

    Tired of being a straight arrow

    In Shield For Murder Edmond O'Brien is tired of being a straight arrow cop. One night he murders a numbers runner and steals %25,000.00 from him. Of course his official version is that he was resisting arrest, but the bookmaker played by Hugh Sanders knows he's out all that money and he'll get it back one way or another.

    O'Brien is perfectly cast as the aging detective sick and tired of seeing crooks grow rich. His problem is that he's grown such contempt for the human race he thinks that he's the smartest guy out there. Never credits the crooks or the cops with an ounce of intelligence. That is his downfall.

    John Agar is his protégé and still a straight arrow. The undercurrent running through the film is that while Agar is trying to catch O'Brien will he fall victim to the same cynicism?

    Some other noteworthy performances in Shield For Murder are from Marla English as O'Brien's troubled girlfriend, Carolyn Jones as a bar girl he has a small fling with, Claude Akins as one of Sanders's hoods and Emile Meyer as the precinct captain.

    But Edmond O'Brien is something to see here. In a really crackerjack noir thriller.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      When Noland shows Patty the new model house, the sign out front says "Castle Heights Tract Homes". Castle Heights is an actual Los Angeles neighborhood where such homes were being built at the time. It is situated between Chevoit Hills, Beverlywood and the Santa Monica Freeway.
    • Errores
      At the beginning of the movie, as Nolan pulls his first victim into the alley, the shadow of the boom mic is clearly visible on the wall behind them.
    • Citas

      [last lines]

      Capt. Gunnarson: [to police reporter] Write his story good.

    • Créditos curiosos
      Only the film's title and three stars appear at the beginning. All other credits are at the end.
    • Conexiones
      Featured in Noir Alley: Shield for Murder (2017)

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    • How long is Shield for Murder?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • septiembre de 1954 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Sitios oficiales
      • Streaming on "Broken Trout" YouTube Channel
      • Streaming on "Classictbone" YouTube Channel
    • Idioma
      • Inglés
    • También se conoce como
      • Shield for Murder
    • Locaciones de filmación
      • Beverly Hills High School - 241 Moreno Drive, Beverly Hills, California, Estados Unidos(as Union High School, poolside shootout)
    • Productora
      • Camden Productions Inc.
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 22 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.75 : 1

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