Miyamoto Musashi

This movie doesn't take much brainpower, but is a fine tale about two friends who leave their village in a quest for glory. Its set in feudal age Japan and the scenery is beautiful! Mountains, green pastures, lakes, forests with bamboo undergrowth and the cities and villages in typical style serves as the backdrop.

Takezo (Mifune) is the strong and wild character all the woman likes, but he cant handle the attention very well so he keeps running. All the characters as well as the story is not hard to get, so this is one to bring in the kids on.

Will defo check the rest of the series out, maybe the books as well.

One can watch this film and learn a lot. The philosophy woven throughout, mainly by the Priest Takuan (Kuroemon Onoe), about what it means to be a man and honor your family (community) is the hidden jewel of this film.

Takezo (Toshirô Mifune) represents all the rebellious youth that only think of themselves. He cares nothing for the damage he does. To the entire village, he is a dangerous animal. But, the Priest finds that he is worthy of rehabilitation and proceeds to make him into a Samurai warrior in service to the castle.

This is a slow and thoughtful film, full of swordplay for those looking for that, but it is so much more for those who take the time to discover it.

Kaoru Yachigusa plays Otsu, who is abandoned by her fiancé (Rentaro Mikuni) and falls in love with Takezo. Unfortunately, his training, after she waits for him for three years, has only begun as he begins a journey across Japan to get in touch with the people.

I can't wait to see the next installment of this trilogy, which is cinematically brilliant, as one would expect from a Criterion disk, and features outstanding acting from all concerned.

"Miyamoto Musashi" (1955): by Hiroshi Inagaki, starring Torshiro Mifune. This is an EPIC story of one man who sets out to travel far and wide throughout the land and himself in search of his identity and purpose. It has something of the feel of Herman Hesse's book "Siddhartha", but with Samurai battle scenes… (no, it is NOT a silly martial arts film). Having won the Academy Award for Best Foreign Film of 1955, this is 97 minutes of serious life dramas, with the priorities being Japanese, of course. One must think that with less than a decade having passed since Japan's defeat in WWII, this film's considerations (set in the 16th century) - about identity, goals, love, war, status, and true purpose - were nearly unavoidable. Beautiful photography, good color (considering the era), music that occasionally over-swelled the scene, believable sets, and again, a serious story line, make this one worth seeing. This will sound odd, but I found lots of parallels to the early Marlon Brando film, "The Wild One'". Feel free to disagree.

The importance of the Miyamo Musashi saga has been lost somewhat today, even in Japan. These were not just early high-quality color samurai movies, not just great films-- they were a nationwide event, and a milestone in Japanese social evolution. The early 50s were a time of postwar healing, and there were unsettled questions about the national character. The Miyamo Musashi saga used the past to dramatize issues of morality-- and, even more important at the time, morale. Japan had no problem westernizing and living under the rule of law under terms imposed by victors in war-- the knotty issue was, how much of the past do we keep alive in our daily thoughts and actions, and just how much of the real Japan, the one we remember, will our children and grandchildren inherit, once the aftermath of global war has subsided? Watch these films with such then-important issues in mind, and your experience will be deepened and enriched. All three episodes are directed by Hiroshi Inagaki and star Toshiro Mifune as Miyamoto-san, in a performance that is perfection. Miyamoto Musashi shows the young samurai aspirant as a hot-headed, imperfect man, neither hero nor monster-- but possessed of a fierce dark force that could impel him toward either outcome. The question of women looms large in this trilogy-- how to treat them, what kind of woman to honor and what kind to avoid, and just how the diametrically-opposite traits of women work in the world, whether at odds or in harmony with those of men. All these issues are played out without preachiness, in the actions of real people, well-drawn characters whom we meet and get to know before the episode ends in a series of parting of ways. (continued on the page for Ichijoji no Ketto)

The first of a trilogy that really should be viewed as a whole. This elegant film tells of the very humble beginnings of Miyamoto Mushashi, who has become a paragon of Bushido and Giri. A Samurai's Samurai.

However, you have no inkling of this at the beginning of the movie. What we see is dirt and squalor and a desperate chance to get out from beneath the mud. It all goes wrong and things look desperate.

As the movie progresses in the slow, methodical, often obtuse, Japanese fashion we become engrossed in the plot and the lives of our protagonists. Toshiro Mifune shows a vast range of emotion, power and character growth in these this movie. To get the full flavour of the story you must also watch the next two movies in this trilogy (2) "Duel at Ichijoji Temple"(1955) (USA)and (3) "Duel on Ganryu Island" (1956)(USA.