Miyamoto Musashi

This movie doesn't take much brainpower, but is a fine tale about two friends who leave their village in a quest for glory. Its set in feudal age Japan and the scenery is beautiful! Mountains, green pastures, lakes, forests with bamboo undergrowth and the cities and villages in typical style serves as the backdrop.

Takezo (Mifune) is the strong and wild character all the woman likes, but he cant handle the attention very well so he keeps running. All the characters as well as the story is not hard to get, so this is one to bring in the kids on.

Will defo check the rest of the series out, maybe the books as well.

This title is really only the first part of a three-part story of the early life of Musashi, the legendary Samurai. The three parts were released separately and Criterion DVD has released them on three separate discs, each disc about an hour and a half to two hours long. You can try to watch the first disc alone, it stand by itself, but it ends just as Mushashi starts out on his quest, and you'll miss Koji Tsuruta's serene and slightly creepy role as Kojiru, Musashi's arch-enemy, which for me was the best part of parts 2 and 3.

The DVDs feature not very well restored prints, maybe it was the best they could do, and there is no supplemental material.

The movie itself is a fun and lively retelling of the legend. Mifune is more wooden than usual, but this is a time when Japanese action films were taking their cues from westerns, and his Musashi grows from a wild spirit to the requisite strong, silent type. For a modern, charismatic, manga-style Musashi, try to get your hands on 2003's "Musashi" NHK miniseries.

The first of a trilogy that really should be viewed as a whole. This elegant film tells of the very humble beginnings of Miyamoto Mushashi, who has become a paragon of Bushido and Giri. A Samurai's Samurai.

However, you have no inkling of this at the beginning of the movie. What we see is dirt and squalor and a desperate chance to get out from beneath the mud. It all goes wrong and things look desperate.

As the movie progresses in the slow, methodical, often obtuse, Japanese fashion we become engrossed in the plot and the lives of our protagonists. Toshiro Mifune shows a vast range of emotion, power and character growth in these this movie. To get the full flavour of the story you must also watch the next two movies in this trilogy (2) "Duel at Ichijoji Temple"(1955) (USA)and (3) "Duel on Ganryu Island" (1956)(USA.

The importance of the Miyamo Musashi saga has been lost somewhat today, even in Japan. These were not just early high-quality color samurai movies, not just great films-- they were a nationwide event, and a milestone in Japanese social evolution. The early 50s were a time of postwar healing, and there were unsettled questions about the national character. The Miyamo Musashi saga used the past to dramatize issues of morality-- and, even more important at the time, morale. Japan had no problem westernizing and living under the rule of law under terms imposed by victors in war-- the knotty issue was, how much of the past do we keep alive in our daily thoughts and actions, and just how much of the real Japan, the one we remember, will our children and grandchildren inherit, once the aftermath of global war has subsided? Watch these films with such then-important issues in mind, and your experience will be deepened and enriched. All three episodes are directed by Hiroshi Inagaki and star Toshiro Mifune as Miyamoto-san, in a performance that is perfection. Miyamoto Musashi shows the young samurai aspirant as a hot-headed, imperfect man, neither hero nor monster-- but possessed of a fierce dark force that could impel him toward either outcome. The question of women looms large in this trilogy-- how to treat them, what kind of woman to honor and what kind to avoid, and just how the diametrically-opposite traits of women work in the world, whether at odds or in harmony with those of men. All these issues are played out without preachiness, in the actions of real people, well-drawn characters whom we meet and get to know before the episode ends in a series of parting of ways. (continued on the page for Ichijoji no Ketto)

Toshiro Mifune stars as a foolish young man who longs to run off to war to make his fortune and prove he is a man. When a battle looms, he runs off to volunteer and his friend, showing some initial reluctance, follows. Instead of glory, they barely escape with their lives. Their paths leads them to two women--an incredibly evil sociopathic mother and her daughter who is not yet as jaded and selfish as the mother. Mifune resists temptation and runs from them, while his friend succumbs to their pleas to stay--and in essence throws away his life and honor. Where Mifune's path takes him I'll leave for you to discover when you watch the film.

Despite having Mifune in the lead, this is NOT an Akira Kurasawa film and some may be disappointed that it is a little more stodgy than one of his films. Instead, I just see it as different but certainly worthwhile. The movie does have tremendous scope and is a very effective opening film to the Samurai Trilogy.

It is important to note that these movies were made nearly 50 years ago and existing copies on DVD are in poor condition--with fading and sepia tones instead of the vibrant original. This became VERY apparent when I saw the beginning of the 3rd film. The color was nearly perfect for the initial scene and that is great, as it's a beautiful and extremely artistic shot. At times throughout the movie, some of the scenes are once again vivid while others are faded and lose their impact. You can't blame the film for that, but you wish Criterion would try to digitally enhance the prints they've got to improve the colors and get rid of some scratchy cels.