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A strong supporting cast and good writing make this one of Audie's better efforts from this period before westerns devolved into parodies of themselves.

Dan Duryea and Russell Johnson (the professor from Gilligan) have surprisingly interesting roles. Duryea plays the bad guy with the good heart. Johnson plays an apparent weak drunkard who surprises.

Audie plays it straight as a naive young man, Clay Omara, seeking justice for the slayers of his brother and father but every once in a while shows he's tougher and smarter than the average bad guy.

Abbe Lane and Susan Cabot add a dash of spice. Lane is the saloon girl with the heart of gold. Cabot is the sheriff's niece engaged to the town lawyers who it is immediately apparent will fall for Clay.

Someone guns down Audie Murphy's father and brother and steals their cattle, so Audie pins on a badge and goes hunting Dan Duryea. After he brings in his man, giggling madman Duryea is cleared in court by corrupt lawmen Paul Birch and Russell Johnson. Duryea takes a shine to Murphy's naive honesty.

It's a well written western, and if Duryea dominates the movie, it's all offered pretty much in the wheelhouse of the leads. It's another of Universal's "shaky A" westerns, focusing more on character and story than the declining B westerns of the era. Jesse Hibbs, in his second time wielding the megaphone, does a good job, and seems to have established enough of a rapport with Murphy to direct half a dozen of his movies over the next four years. He was born in 1906. By the time he was 30, he was an assistant director, and was that on more than fifty films. With the decline of lesser productions, he shifted to directing TV westerns and episodes of THE FBI. He died in 1985.

This is a classic style western with Audie Murphy as the good guy seeking out the killers of his father and brother. Fortunately, he's got experience in the field of "troubleshooter", and can handle things better than the killers, the town's most respected men, think. They send him on suicide missions against the likes of wild cards Dan Duryea, the professor Russell Johnson, and Jack Elam, only to be stunned by Audie's survival against these odds.

In making this, you could see that all involved allowed Duryea's overwhelming persona to take control. And that was the key. A great work relies not only on the great persona, but also the others to be willing to work off of him. "Great actors are great reactors" is known well to the acting community. A pity that many of the plebes who post on IMDb will laud the wrong actor.

Anyone can play a sadist. The real actors are the ones who can react to the sadist, and let him come across with power. Anyone can shout "That ain't no country I ever heard of", but the real actor is the one who is willing to stutter "What?" over and over.

However, here, Duryea deserves his praise. He's not your cliché bad guy. He's Duryea, full of fun and laughter, and each film he manages to make the character a little different. Just saying that the others deserve respect, too, for their cooperation.

Full of thrills, the film seems to last only a few minutes. And that's the sign of a good director. You get your bang for the bullet here.

Plus the classic combo of Murphy and Duryea. The only thing more magical than that would be to add in Stewart with an accordion.

A pretty routine Audie Murphy vehicle made infinitely watchable by Dan Duryea's colorful and totally against type performance as the notorious black clad outlaw Whitey Kincaid. A gem for Duryea fans.

This is probably one of my top 3-4 favorite Audie Murphy movies, and I've seen about 20 of them--or about 50% of what he made. Dan Duryea as Whitey Kinkaid is a very interesting and amusing character who plays nicely off Audie's very credible performance. Russell Johnson (later the Professor on Gilligan's Island) as Jed Ringer and the lawyer and sheriff have some great lines that offset the B picture sets. All in all, this is a highly watchable movie, along with another Murphy/Duryea team-up, "Six Black Horses." Duryea and Murphy appeared together again in Jimmy Stewart's "Night Passage," but I like Ride Clear of Diablo and Horses better. Would pay $500 to have Audie's full filmography on DVD.