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Rapsodia

Título original: Rhapsody
  • 1954
  • Approved
  • 1h 55min
CALIFICACIÓN DE IMDb
6.1/10
1.3 k
TU CALIFICACIÓN
Rapsodia (1954)
Spoiled heiress Louise Durant (Dame Elizabeth Taylor) decides to leave the comfort of her father's estate in southern France to study piano at the Music Conservatory in Zurich, despite knowing that she does not have the talent nor desire to be a professional pianist.
Reproducir trailer2:57
1 video
53 fotos
DramaMusicalRomance

Louise Durant, bella y rica, debe elegir entre dos músicos en un conservatorio de Zúrich: su amante violinista dedicado a la música y un pianista dedicado a ella.Louise Durant, bella y rica, debe elegir entre dos músicos en un conservatorio de Zúrich: su amante violinista dedicado a la música y un pianista dedicado a ella.Louise Durant, bella y rica, debe elegir entre dos músicos en un conservatorio de Zúrich: su amante violinista dedicado a la música y un pianista dedicado a ella.

  • Dirección
    • Charles Vidor
  • Guionistas
    • Ruth Goetz
    • Augustus Goetz
    • Fay Kanin
  • Elenco
    • Elizabeth Taylor
    • Vittorio Gassman
    • John Ericson
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.1/10
    1.3 k
    TU CALIFICACIÓN
    • Dirección
      • Charles Vidor
    • Guionistas
      • Ruth Goetz
      • Augustus Goetz
      • Fay Kanin
    • Elenco
      • Elizabeth Taylor
      • Vittorio Gassman
      • John Ericson
    • 35Opiniones de los usuarios
    • 6Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Videos1

    Trailer
    Trailer 2:57
    Trailer

    Fotos53

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    Elenco principal47

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    Elizabeth Taylor
    Elizabeth Taylor
    • Louise Durant
    Vittorio Gassman
    Vittorio Gassman
    • Paul Bronte
    John Ericson
    John Ericson
    • James Guest
    Louis Calhern
    Louis Calhern
    • Nicholas Durant
    Michael Chekhov
    Michael Chekhov
    • Professor Schuman
    Barbara Bates
    Barbara Bates
    • Effie Cahill
    Richard Hageman
    • Bruno Fürst
    Richard Lupino
    • Otto Krafft
    Celia Lovsky
    Celia Lovsky
    • Frau Sigerlist
    Stuart Whitman
    Stuart Whitman
    • Dove
    Madge Blake
    Madge Blake
    • Mrs. Cahill
    Jack Raine
    Jack Raine
    • Edmund Streller
    Birgit Nielsen
    • Madeleine
    Jacqueline Duval
    Jacqueline Duval
    • Yvonne
    Norma Nevens
    • Student Pianist
    Frank Arnold
    • News Vendor
    • (sin créditos)
    Max Barwyn
    Max Barwyn
    • Patron
    • (sin créditos)
    George Calliga
    George Calliga
    • Passerby on Street
    • (sin créditos)
    • Dirección
      • Charles Vidor
    • Guionistas
      • Ruth Goetz
      • Augustus Goetz
      • Fay Kanin
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios35

    6.11.2K
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    Opiniones destacadas

    soccermanz

    Compulsory Viewing for all those taking relationships with talented artists seriously

    This film should be compulsory viewing for all of those of either sex who want to be taken seriously by a talented artist whether a musician, stage, film or television actor, professional sports player and so on. Elizabeth Taylor is quite excellent as the rich, indulged young lady who still thinks that she can be the focal point of her chosen man's world in this case a self obsessed violinist who was still infinitely preferable to so many of her other male co-stars. And his fingering and bowing was quite superb - I only wish that I could have heard the sounds that he actually made and who actually made the beautiful music that forms the solid foundation of what was a thoroughly enjoyable film ? I agree that Louis Calhern as her father was superb - it is a pity that she listened to so little of what he said and in her case beauty was not even skin deep.
    8jotix100

    The sound of music

    "Rhapsody" is not the bad movie some of the comments to IMDb seem to indicate. While this was a film typical of the time when it was made, it offers some of the most glorious music ever heard in a Hollywood picture. The music takes center stage in the movie. As interpreted by Michael Rabin and Claudio Arrau, among others, Tchaikowsky, Liszt and Rachmaninoff were never given such loving tribute as in this film.

    Charles Vidor directed this adaptation of a novel that might have been well regarded, enough to be brought to the screen. Ruth and August Goetz are given credit for the screen play. The Goetzes wrote many plays, among them, "The Heiress". Fay and Michael Kanin also contributed to the adaptation.

    The story of Louise "Lulu" Durant, a spoiled rich girl, that defied her father into following what she thought was the love of her life, turns out to be a nightmare. Lulu was not prepared to play second fiddle, no pun intended, to anyone, let alone Paul Bronte, the talented, but egotistical violinist that is only in love with his career.

    The story, by the way, takes place in Zurich, and not Munich, as someone reported in another comment. Lulu, who has ambitions of becoming a pianist, promptly realizes she is a lousy player and heeds the advice of the wise professor Schuman, but she makes the mistake of staying around, getting bored because Paul has only time for his music and not for her.

    Enter James Guest, an American pianist. He falls in love with the beautiful Lulu, only to be rejected. When Paul becomes the toast of the music world, he breaks from Lulu, who in turn marries James on the rebound. Ultimately, Lulu realizes that James is the one that is real and the only one that cares for her and there's a happy ending when he makes a stunning debut playing Rachmaninoff's Second Piano Concerto.

    Elizabeth Taylor, in all her beauty, is seen as the ravishing creature she was in those years. She made an impression as the spoiled "papa's girl" that she was. In this film, as well as all those Ms. Taylor made during those years, she projects such a loving presence that is hard to find fault with her acting. This actress showed such magnetism and charisma in her films, something perhaps no one else can match.

    Vittorio Gassman was perhaps Italy's best modern actor. He was trying to break into American movies. As Paul Bronte, he makes quite an impression. He was dashing and had the presence and good looks to play opposite his gorgeous costar.

    John Ericson shows he had potential to go far in the business. Unfortunately he never made it big in Hollywood. He was an accomplished actor who deserved better. Louis Calhern as Nicholas Durant, Lulu's father had only a few scenes in the movie, so it is puzzling for one to agree with another comment about how he carried the film on his shoulders. If it was, it remains a mystery to us. Mr. Calhern was a fine actor who show a natural elegance to every thing he did in the movies.

    Ms. Taylor is dressed by Helen Rose, one of the best in the business. Ms. Rose designs are an asset; anything that Elizabeth Taylor wore in the film enhanced her figure and gave the viewer an opportunity to see her as the film goddess was always was.
    7jjnxn-1

    Beautiful music; ravishing Elizabeth; pedestrian script

    As far as the script for this ode to classical music goes it includes absolutely nothing you haven't seen before but it's presented with that inimitable MGM sheen.

    Made during that period when Elizabeth Taylor was at the very apex of her beauty she captivates as she drips in jewels and beautiful gowns in dazzling Technicolor. She's hard to pull your eyes from but she is teamed with two men, Vittorio Gassman and John Ericson, who are almost as beautiful as she. Excepting Louis Calhern who is just right as Liz's bon vivant father, the supporting cast blends into the woodwork.

    It's the music that matters and makes this picture however. Some of it is absurdly staged, i.e. the spontaneous performance of an entire violin symphony in a small restaurant, but what can you expect from a romantic drama in the 50's. Mostly though the music is played full out in the proper settings and is glorious and well worth muddling through the somewhat turgid proceedings that surround it.
    6dancopp

    Tedious but an interesting period piece

    Yes, Rapshody is somewhat tedious and quite melodramatic, but let me mention the positive offsets:

    1. The dazzlingly beautiful, voluptuous Elizabeth Taylor.

    2. Adult themes, and must have been considered quite risqué at the time.

    3. Emotionally charged classical music.

    4. Generally quite well acted.

    5. Good direction, cinematography, settings, and costumes.

    Whether or not the positive offsets overcome the somewhat tedious, melodramatic plot depends on one's tolerance for melodrama and how strongly one values the various offsets.
    edward-miller-1

    Just to correct some facts

    This is just to correct some misinformation in a previous comment. Maybe I'm splitting hairs, but facts are facts. In 1954, at the time of Rhapsody, the gorgeous Miss Taylor was 22, not 18. Her beautiful wardrobe is by Helen Rose, M-G-M's in-house designer of the 50's. (Yes, Virginia, there were other costume designers besides Edith Head!)

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    Argumento

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    • Trivia
      Included among the American Film Institute's 2002 list of 400 movies nominated for the top 100 top 100 America's Greatest Love Stories movies.
    • Errores
      Earlier in the film, Louise receives a telegram from her father, which is addressed to her at "62 Riflestrasse". Later in the film, when James enters her apartment building, the number is clearly seen to be "37".
    • Conexiones
      Featured in Legendy mirovogo kino: Michael Chekhov
    • Bandas sonoras
      Concerto In D Major For Violin And Orchestra
      Music by Pyotr Ilyich Tchaikovsky

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    • How long is Rhapsody?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 24 de noviembre de 1954 (México)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Francés
    • También se conoce como
      • Rhapsody
    • Locaciones de filmación
      • Florhofgasse, Zúrich, Cantón de Zúrich, Suiza(street scenes)
    • Productora
      • Metro-Goldwyn-Mayer (MGM)
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

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    • Total en EE. UU. y Canadá
      • USD 1,300,000
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      • 1h 55min(115 min)
    • Color
      • Color

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