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Un joven príncipe vikingo se esfuerza por convertirse en un caballero en la corte del rey Arturo y restaurar a su padre exiliado al trono que le corresponde.Un joven príncipe vikingo se esfuerza por convertirse en un caballero en la corte del rey Arturo y restaurar a su padre exiliado al trono que le corresponde.Un joven príncipe vikingo se esfuerza por convertirse en un caballero en la corte del rey Arturo y restaurar a su padre exiliado al trono que le corresponde.
Robert Adler
- Brack's Man-at-Arms
- (sin créditos)
Lloyd Ahern II
- Young Valiant
- (sin créditos)
Chris Alcaide
- Knight
- (sin créditos)
Hal Baylor
- Prison Guard
- (sin créditos)
Neville Brand
- Viking Warrior Chief
- (sin créditos)
George Bruggeman
- Sligon's Guard
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
In my childhood Prince Valiant was one of my favorites. There was this film and also an album to fill in with cards related to the film. Henry Hathaway did a real good work with this film, very good for all ages, but more for children. One of the things I liked was the way Valiant (Robert Wagner or his stunt) jumped and ran. He was very active and with pride. The film had a good acting of James Mason as the villain Sir Brack, Sterling Hayden as strong Sir Gawain; two beauties of those days, Janet Leigh and Debra Paget, and the ex-boxing champion, the Italian Primo Carnera as the villain Sligon, who badly talked in the scenes he participated. Although the film was made in studios, the photography and the environment shown were good.
There is such a sense of childlike wonder and fun in Henry Hathaway's 1954 Camelot tale, PRINCE VALIANT, that it's easy to forgive the obvious incongruities in accents (Robert Wagner's broad American tones...hard to believe he plays Donald Crisp's son...Sterling Hayden, looking and sounding more like Wild Bill Hickok than Sir Gawain...Victor McLaglen as the most Irish Viking you'll ever see!), and concentrate, instead, on the energy, pageantry, and sweep of the adaptation of Hal Foster's classic comic strip.
Certainly, one would be hard-pressed to assemble a finer cast; in addition to Wagner, Hayden, McLaglen, and Crisp, you have James Mason as the villain, Sir Brack, dazzling, and far more believable than he had been as Rupert of Hentzau in MGM's remake of THE PRISONER OF ZENDA; Janet Leigh and Debra Paget, both ethereally beautiful as the sisters, Aleta and Ilene; and Brian Aherne, as King Arthur, so perfect in the role that you wish his part had been larger.
In the early 1950s, there was a resurgence of swashbuckling films in Hollywood, and a new sub-category appeared, 'Knights in Training', with Fox's PRINCE VALIANT, and Universal's THE BLACK SHIELD OF FALWORTH (starring Tony Curtis) both devoting ample screen time to the education of squires in the knightly skills of jousting and sword fighting. These scenes are great fun to watch, particularly for children (knights had to go to school, too!), and paint a far more accurate picture of the difficult work involved in mastering the required talents than did the recent film, A KNIGHT's TALE.
As we follow the adventures of the Viking Prince as he restores his kingdom, finds love, and wins a place at the Round Table, special credit must be given to Franz Waxman's spectacular music. One of the most memorable scores ever produced for a film, the theme has become a staple at the Hollywood Bowl, and for the Boston Pops. Once heard, it is not forgotten!
While the magical elements of the story are downplayed (the mystical powers of the 'Singing Sword' are more implied than actually shown), the story itself has such a sense of wonder that it isn't missed. The heroes of Camelot are all present (Arthur, Lancelot, Guinevere, Gawain, and Galahad), and the Round Table scenes are as majestic as any film has ever accomplished.
PRINCE VALIANT may not be in a league with EXCALIBUR, but it certainly holds it's own against KNIGHTS OF THE ROUND TABLE, CAMELOT, and FIRST KNIGHT, and as a family film it can't be beat!
Certainly, one would be hard-pressed to assemble a finer cast; in addition to Wagner, Hayden, McLaglen, and Crisp, you have James Mason as the villain, Sir Brack, dazzling, and far more believable than he had been as Rupert of Hentzau in MGM's remake of THE PRISONER OF ZENDA; Janet Leigh and Debra Paget, both ethereally beautiful as the sisters, Aleta and Ilene; and Brian Aherne, as King Arthur, so perfect in the role that you wish his part had been larger.
In the early 1950s, there was a resurgence of swashbuckling films in Hollywood, and a new sub-category appeared, 'Knights in Training', with Fox's PRINCE VALIANT, and Universal's THE BLACK SHIELD OF FALWORTH (starring Tony Curtis) both devoting ample screen time to the education of squires in the knightly skills of jousting and sword fighting. These scenes are great fun to watch, particularly for children (knights had to go to school, too!), and paint a far more accurate picture of the difficult work involved in mastering the required talents than did the recent film, A KNIGHT's TALE.
As we follow the adventures of the Viking Prince as he restores his kingdom, finds love, and wins a place at the Round Table, special credit must be given to Franz Waxman's spectacular music. One of the most memorable scores ever produced for a film, the theme has become a staple at the Hollywood Bowl, and for the Boston Pops. Once heard, it is not forgotten!
While the magical elements of the story are downplayed (the mystical powers of the 'Singing Sword' are more implied than actually shown), the story itself has such a sense of wonder that it isn't missed. The heroes of Camelot are all present (Arthur, Lancelot, Guinevere, Gawain, and Galahad), and the Round Table scenes are as majestic as any film has ever accomplished.
PRINCE VALIANT may not be in a league with EXCALIBUR, but it certainly holds it's own against KNIGHTS OF THE ROUND TABLE, CAMELOT, and FIRST KNIGHT, and as a family film it can't be beat!
There are only few - VERY few - classic sword & sorcery adventures out there which deserve more than a glance. Yes, this one's pretty ignorant of Hal Foster's original, and I pity that. But as far as 40's/50's first class adventure romps go, this one ranks right beneath the all-time classic 'The Adventures Of Robin Hood', bravely levels with 'Ivanhoe', and easily settles above 'Knights Of The Round Table'.
This is a classic Sunday afternoon couch with a bag of chips movie.
As long as you don't expect something else, this is the movie for you.
9 out of 10 for what it is and always will be.
* Schogger13
This is a classic Sunday afternoon couch with a bag of chips movie.
As long as you don't expect something else, this is the movie for you.
9 out of 10 for what it is and always will be.
* Schogger13
While not nearly as good as Hal Foster's comic strip, this film is not nearly as bad as some reviewers would have you believe. James Mason makes a fine villain, and the action scenes are well directed by Hathaway. The biggest problem is that it is, after all, a fifties film, with all the good and bad points of the fifties. I am a big fan of the fifties, because it is the decade in which I started watching movies, but I am also aware that relatively low budgets and heavy handed censorship made even the best fifties films somewhat dubious -- e.g. A Streetcar Named Desire without any hint of homosexuality. Comparing Prince Valiant to most modern knights in armor films, I find it more fun than, say, Black Knight or Timeline.
Ah, for the days of King Arthur and the Knights of the Round Table, when men were knights and boys wanted to be one. "Prince Valiant" is a fantasy swashbuckler film based on the long-time syndicated comic strip of the same name by Hal Foster. Robert Wagner isn't at the level of Douglas Fairbanks Jr. or Errol Flynn, nor is this film quite the actioner of those made by those actors. But, this is a fun and entertaining film from the mid-20th century when the tales of knights, pirates and adventurers were highly popular with Hollywood and audiences.
Foster's comic strip brought to life much of the lore of the legendary early British period. And, this is one of the first films about the main characters of the legend. The film has a fine cast. It's a picturesque story with great sets and costumes as imagined for the period.
The castles, coastal scenes, sword fights and tournaments of knights should still delight young audiences of the 21st century. And, the story isn't without romance with a couple of maiden beauties for whose hands in marriage most red-blooded knights would gladly vie.
This is a particularly good film for young boys well into the 21st century. The hero, Prince Valiant, is not an invincible knight who conquers all. Instead, he's a human being with faults who makes mistakes. Robert Wagner plays the part well as a young lad with dreams who stumbles and falls a couple of times in his pursuit of valor and honor. That makes a better lesson for today than the standard fantasies of super heroes that Hollywood cranks out.
Foster's comic strip brought to life much of the lore of the legendary early British period. And, this is one of the first films about the main characters of the legend. The film has a fine cast. It's a picturesque story with great sets and costumes as imagined for the period.
The castles, coastal scenes, sword fights and tournaments of knights should still delight young audiences of the 21st century. And, the story isn't without romance with a couple of maiden beauties for whose hands in marriage most red-blooded knights would gladly vie.
This is a particularly good film for young boys well into the 21st century. The hero, Prince Valiant, is not an invincible knight who conquers all. Instead, he's a human being with faults who makes mistakes. Robert Wagner plays the part well as a young lad with dreams who stumbles and falls a couple of times in his pursuit of valor and honor. That makes a better lesson for today than the standard fantasies of super heroes that Hollywood cranks out.
¿Sabías que…?
- TriviaSince Prince Valiant's years-in-the-telling story line in the comics was so sprawling and complex, the property is said to have languished at MGM, where no writer could get a handle on it. After MGM eventually allowed its option to lapse, it was picked up by Fox. There, Oscar-winning screenwriter, Dudley Nichols, devised a script by selecting panels from the comic strip to create a much more concise storyboard from which to work.
- ErroresIn this story set in the Middle Ages, Aleta and all the other women look as if they are wearing the notorious "torpedo bras'' of the 1950s.
- Créditos curiososOpening credits are shown with the color frames of the original Prince Valiant comic strip as wallpaper.
- ConexionesEdited into El tunel del tiempo: Merlin the Magician (1967)
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Detalles
Taquilla
- Presupuesto
- USD 2,970,000 (estimado)
- Total a nivel mundial
- USD 3,373
- Tiempo de ejecución1 hora 40 minutos
- Relación de aspecto
- 2.55 : 1
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