CALIFICACIÓN DE IMDb
6.6/10
2.2 k
TU CALIFICACIÓN
Mientras buscan nuevos compañeros, un ex matrimonio no deja de cruzarse por toda la ciudad.Mientras buscan nuevos compañeros, un ex matrimonio no deja de cruzarse por toda la ciudad.Mientras buscan nuevos compañeros, un ex matrimonio no deja de cruzarse por toda la ciudad.
- Dirección
- Guionista
- Elenco
- Nominada a1 premio BAFTA
- 1 premio ganado y 2 nominaciones en total
Shirlee Allard
- Secretary
- (sin créditos)
Leon Alton
- Nightclub Patron
- (sin créditos)
Merry Anders
- Marsha
- (sin créditos)
Mylee Andreason
- Dance Teacher
- (sin créditos)
Frank Arnold
- Art Teacher
- (sin créditos)
Fay Baker
- Nurse Serena
- (sin créditos)
Eugene Borden
- Teddy - Maitre d'
- (sin créditos)
Paul Bradley
- Nightclub Patron
- (sin créditos)
Sue Carlton
- Minor Role
- (sin créditos)
Harry Cheshire
- Nina's Divorce Lawyer
- (sin créditos)
Sayre Dearing
- Nightclub Patron
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I never heard of this movie until I saw it on AMC. It's a funny sex comedy about Oscar-winners Judy Holliday and Jack Lemmon realizing they were better off before they divorced. It really hasn't received as much acclaim as Holliday's other comedy, Born Yesterday (winner Best Actress Oscar - 1950) and deserves a video release.
Don't you love it when the title of a film has no vowels? And when it has an exclamation mark, too! It makes pronouncing it even more fun. Never mind spelling it correctly. (And I am usually a decent speller.)
At any rate, Judy Holliday (whose last name I finally learned how to spell) enjoys an easy chemistry with costar Jack Lemmon in this film. She may very well be one of the zaniest comediennes ever. Her expressions, the way she uses her voice, and the mambo dance number where she contorts her body-- make watching this movie almost illegal. Add Kim Novak to the mix as a light-headed chick that Lemmon dates on the rebound from Holliday and you have a criminally good time.
At any rate, Judy Holliday (whose last name I finally learned how to spell) enjoys an easy chemistry with costar Jack Lemmon in this film. She may very well be one of the zaniest comediennes ever. Her expressions, the way she uses her voice, and the mambo dance number where she contorts her body-- make watching this movie almost illegal. Add Kim Novak to the mix as a light-headed chick that Lemmon dates on the rebound from Holliday and you have a criminally good time.
It's sort of like "The Awful Truth" as re-imagined by a '50s screenwriter with a smutty mind: Married couple divorce, try other partners, reunite. The high-school-boy-giggling-about-sex tone gets pretty heavy, but try to overlook that, because the film has so much to recommend it: New York location filming, early Kim Novak in a small part, and most of all, Judy Holliday and Jack Lemmon. Was there ever a greater romantic comedy team? She's hysterically funny and amazingly touching at the same time, and he partners her perfectly. They're even sexy together -- it's not a quality you usually associate with either actor. Watch the "mambo" sequence, with their shifting feelings about each other played out in dance: a classic scene.
I'd rate these two over even Tracy and Hepburn. How sad that they made only two movies together.
I'd rate these two over even Tracy and Hepburn. How sad that they made only two movies together.
You wanna know why? Cause she doesn't play Judy Holliday.
Normally of all the Holliday films that get bounced around as great, Born Yesterday and It Should Happen to You are usually what gets mentioned. This one, to me, is her best. She actually plays a character that's not the dumb ditzy blonde. There's no trace of the Born Yesterday character in this. I loved it.
There doesn't have to be a whole lot mentioned about Jack Lemmon because...well...he's just great in just about anything he does. This one is no exception. The chemistry between these 2 is pretty amazing. I'm a little surprised they didn't do more films together.
Watch this on a rainy day with an ice cold glass of milk and a box of doughnuts. It's one of those films you'll fall into on the couch and smile when the credits role.
Normally of all the Holliday films that get bounced around as great, Born Yesterday and It Should Happen to You are usually what gets mentioned. This one, to me, is her best. She actually plays a character that's not the dumb ditzy blonde. There's no trace of the Born Yesterday character in this. I loved it.
There doesn't have to be a whole lot mentioned about Jack Lemmon because...well...he's just great in just about anything he does. This one is no exception. The chemistry between these 2 is pretty amazing. I'm a little surprised they didn't do more films together.
Watch this on a rainy day with an ice cold glass of milk and a box of doughnuts. It's one of those films you'll fall into on the couch and smile when the credits role.
6jhkp
One summer night as a high-school-age teen with nothing to do, I watched this movie on TV. I had never seen Judy Holliday before and I suppose part of my enjoyment of the film was discovering how good she was. I already knew Jack Lemmon was good. I thought the film was funny and delightful from start to finish.
At any rate, a lot of years later, I watched Phffft again, and was very disappointed. I really want to see it a third time, now, because I wonder if I was just in a bad mood, or something. I don't understand how my reaction could be so different. I found it dull and slow-moving, and most surprisingly, not very funny. It also looked kind of cheaply made, and it probably was (cheapness being sort of a hallmark of Columbia Pictures, unless it was a big, important film - and even then, sometimes).
I can usually get into an older film and appreciate the humor based on what was humorous then, but I found a lot of the wit too dated to enjoy, and even at times in bad taste (although nothing like the bad taste of some current movie humor).
I like all four of the main actors a lot, so I'm sorry to report I didn't really get into this listless and rather strained marital comedy this time around.
At any rate, a lot of years later, I watched Phffft again, and was very disappointed. I really want to see it a third time, now, because I wonder if I was just in a bad mood, or something. I don't understand how my reaction could be so different. I found it dull and slow-moving, and most surprisingly, not very funny. It also looked kind of cheaply made, and it probably was (cheapness being sort of a hallmark of Columbia Pictures, unless it was a big, important film - and even then, sometimes).
I can usually get into an older film and appreciate the humor based on what was humorous then, but I found a lot of the wit too dated to enjoy, and even at times in bad taste (although nothing like the bad taste of some current movie humor).
I like all four of the main actors a lot, so I'm sorry to report I didn't really get into this listless and rather strained marital comedy this time around.
¿Sabías que…?
- TriviaColumbia Pictures approached George Axelrod to produce a film version of his very popular play, "The Seven Year Itch," but the film rights were tied up as long as it was running on Broadway. He instead offered them "Phffft," an earlier play of his dealing with a similar subject.
- ErroresLate in the movie when Charlie is visiting Nina at her home, Charlie and Nina walk over to the couch. It is too dark there and when Nina begins to sit down, the crew turns on an extra light to brighten the scene.
- Citas
Charlie Nelson: A mustache is a very important thing. That's part of the famous Charlie Nelson theory in the efficacy of face hair in dealing with the opposite sex.
Robert Tracey: [Slightly taken aback] What?
Charlie Nelson: Always remember this: dames become unpredictable when faced with a mustache. It both arouses, and angers them, because... being as it is a symbol of masculinity, they feel drawn toward it.
- ConexionesFeatured in The Lady with the Torch (1999)
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- How long is Phffft?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 28 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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By what name was Y fueron felices (1954) officially released in India in English?
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