Evadido

A bank teller comes up $50,000 short and an investigator is determined to nail him for theft. The film is something of a mixed bag. The cinematography is pedestrian, the narration is hokey, and the ending is too neat to be satisfying. However, a story about someone being wrongfully accused always makes my blood boil in a way that holds my attention. Barry Sullivan is great as usual, but more interesting is Charles McGraw. McGraw usually plays a righteous character, but here he's such a relentless, contemptible bastard that you can't wait to see him get what's coming to him. The film could have paid off a little better in this respect, but it's an engaging performance. Dorothy Malone is unfortunately saddled with a dull good girl role that doesn't exploit her talents, but there is a small but delightful femme fatale part for Mary Beth Hughes. Ultimately the positives outweigh the negatives and it's a fun watch.

You know in five minutes how this film will end. But it is the journey, not reaching the destination that is the best part of this low-budget film noir piece. Barry Sullivan is miscast as a banker who has a bad day at the office. But Mcgraw is letter perfect in his Edward G imitation of "Double Indemnity". He plays the hard-nosed bond detective to a tee. The females do well in this film, also. I love the bank robber's moll, who was as evil as they get, and the good girl was predictably played well by good girl Dorothy Malone, who always suffered during love scenes (she could never convince the audience she was overtly sexy). She is fine in this role, however. Sullivan, who was famous for uttering one of the most famous lines that ever slipped through the censors in Hollywood with Barbara Stanwyck in "Forty Guns", when he tells Stanwyck that "she better not play with his gun or it might go off in her face". How the hell did that get through? Anyway, the direction is interesting and the production values are wretched, but somehow, the film works anyway. The idea is quite clever at the beginning. A watchable noir.

Barry Sullivan is the chief teller at a bank branch. Checking his figures at the end of the day, he comes up $50,000 short. He rechecks, and goes home to wife Dorothy Malone and his dog, and tells her what happened. She knows he should have reported the shortage before he went home. He tells his boss the first thing Monday, and the bonding company is told. They send Charles McGraw to investigate, and plays tough, finally dragging Sullivan and Miss Malone to the police station. The cops believe Sullivan, who remembers that the auditors had come by in the morning, and had done something odd, asking to recheck the big bills. They send Sullivan home, and try to figure out who the auditor was. Not McGraw. He believes Sullivan did it, and starts hounding him. Sullivan loses his bond and goes through a series of small jobs, each of which McGraw gets him fired from. When Sullivan gets a job at Richard Reeves' can company, he tells McGraw that as long as Sullivan keeps his nose clean, he'll keep his job until he goes to jail.

McGraw is brilliant as the brutal investigator, convinced he is Inspector Javert and suggesting the cops third-degree Sullivan. Miss Malone is the dutiful wife, a couple of years before she would win an Oscar.Don Beddoe, one of those familiar faces from hundreds of movies, is fine as the actual thief, and peroxided Mary Beth Hughes is fine as the viperish dame who has Beddo on the hook.

It's a fine shaky A production from Allied Artists that makes the most of its cast and script, an exercise in the tawdry underworld that Sullivan and perky Dorothy Malone fall into when suspicion falls on them.

If Loophole had starred a well known actor like Robert Mitchum this film would be better known. But Barry Sullivan good actor that he was never made it to the top tier. As it is it does have Dorothy Malone as Sullivan's loyal supportive wife, but this was two years away from Malone's Oscar performance in Written On The Wind which vaulted her career into the big time.

In fact had Malone already made Written On The Wind she would have gotten the part that Mary Beth Hughes had as the hard hearted dame who drives Don Beddoe into a life of crime.

I have to say that Beddoe and Hughes had one brilliant scheme for embezzlement. They take $50,000.00 from the bank where Sullivan works as a teller and suspicion falls on him. The whole movie is Sullivan trying to clear himself of suspicion.

He's in fact initially questioned by the police and FBI and let go for lack of evidence. But the insurance investigator Charles McGraw stays doggedly and Javert like on his trail. Sometimes Javerts have their uses, but only when they're right. McGraw is dead wrong and won't back off. He keeps hounding Sullivan hoping he'll lead him to the money that he doesn't have.

Beddoe is another interesting character. It's like they borrowed Alec Guinness's character from The Lavendar Hill Mob and used it here in a serious vein. He's this mild mannered teller who gets seduced by Mary Beth Hughes and then embezzles the money. Just a man thinking with his male member getting a taste of a sexy dame way out of his league.

It's Hughes however that really dominates this film. One of her best bad girl roles. But she's definitely one you might risk imprisonment for a little nookie.

Sullivan's a true tragic figure who fortunately had a couple of people believing in him. He's not arrested but he loses his teller job and then McGraw keeps on his trail getting him fired from every job he gets. I've known law enforcement people like that, won't explore other alternatives to a theory of a crime. I've known people who've suffered because of it.

Loophole is quite the sleeper noir film. Definitely do not miss this if it is broadcast.

This is a pretty interesting tale of an average Joe bank teller who is wrongly accused of masterminding a robbery at his bank. The story moves along, the acting is good, and the direction is adept. The movie really ignites flames when CHARLES MACGRAW, as a vengeful bail bondsman, and MARY BETH HUGHES, as a platinum blond femme fatale, are on screen. They both light up the screen with their world-wary, jaded, magnetism. I wish the film had been about them instead of rather dull BARRY SULLIVAN. And DOROTHY MALONE is wasted as the dutiful, loyal wife. In one particularly cringe-worthy scene, Sullivan's boss, Jim Starling (DAYTON LUMMIS), physically hold up his hand up to shush Malone when she tries to make a suggestion, and barks, "I'll handle this, Ruthie." That about sums up how Malone's character was written. Don Beddoe is great as the mild-mannered bank teller in over his head with Hughes, and Richard Reeves is a scene-stealer as Sullivan's new boss who has no time for MacGraw!