Ricardo Corazón de León

Based on Sir Walter Scott's "The Talisman" (which I own in a comic-strip version!), this was made in the wake of IVANHOE (1952) – adapted from another classic by the same author; however, given that that film was made by journeyman Richard Thorpe (followed, with leading man Robert Taylor in tow, by two other popular MGM adventures – KNIGHTS OF THE ROUND TABLE [1953] and QUENTIN DURWARD [1955]), Warners somewhat incongruously assigned musical comedy expert Butler to this one!

While clearly inferior to those three films, KING RICHARD AND THE CRUSADERS isn't nearly as bad as its reputation would suggest (though it must be said that most spectacles from this era, disregarded by the majority of critics when new, stand up surprisingly well today as entertainment!). Even so, there's some definite campiness to the film – notably when Rex Harrison as Saladin lullabies George Sanders, playing the wounded King Richard (the score by reliable Max Steiner being noteworthy apart from this)…and, in any case, the whole emerges to be even more fanciful than Cecil B. De Mille's THE CRUSADES (1935; which preceded this viewing), what with the Muslim leader insinuating himself into the enemy camp, providing a cure for the King, and even aiding him in routing the traitors (genre staple Robert Douglas and Michael Pate) among his own ranks!!

One similarity to the earlier epic is the fact that Saladin falls for a Christian woman – though, in this case, it's Richard's cousin (Virginia Mayo) as opposed to his wife (who gets very limited screen time here) – but ultimately relinquishes the heroine to her lover (a fiery Scots knight played by a young, blonde yet surprisingly effective Laurence Harvey). Incidentally, Sanders – while older than Henry Wilcoxon's incarnation of Richard in THE CRUSADES – is no less gruff and headstrong and, in fact, spends more time fighting Harvey (including a jousting duel) than Harrison!!

Saw it on its second release in 1962. I liked it then and recalling several scenes, I still like it. First, I fancied Sir Kenneth's very unusual armour which was a deep copper color. I had seen silver and gold finish armor in movies, even shiny black but this was the first time I saw copper colored armour. But wait, in Samson and Delilah (with Victor Mature) the shields and breastplates of the Philistines were made of copper.

Memorable is the scene when Sir Kenneth introduces himself to King Richard (portrayed by George Sanders) in Gaellic. Although used to foreign knights as the Crusades were after all a multinational mission of Christian kingdoms, the King nevertheless was surprised that he couldn't discern the language spoken by Sir Kenneth. When the latter informs him that it was Gaellic, George Sanders' blue eyes flashed and he said: "One of the Scotsmen! I swear as soon as this crusade is over and the Saracens are defeated, I will bathe their miserable country in their blood." Or something to that effect. Remember in the 11th century,England and Scotland were rivals in power and were constantly at war over borders with England always trying to subjugate the Scots.

I always enjoy listening to George Sanders' rich voice and very cultured but manly intonation which can sometimes be reassuring but at times menacing. His voice over of Bagheera the tiger in Disney's The Jungle Book with its range of moods is superb.

The battle and dueling scenes were very good.

KING RICHARD AND THE CRUSADERS is a Warner Bros. attempt to get folks away from their TV sets during the '50s and watch a spectacular adventure film in CinemaScope and Warner Color. Based on a story "The Talisman" by Sir Walter Scott (of "Ivanhoe" fame), it contains a lot of absurdly anachronistic dialogue ("Go squat on the Alps!"), and plot- heavy nonsense that gets more and more entangled as the film plods toward another saber-rattling conclusion.

REX HARRISON seems to be having a fine time as a turbaned Mideasterner (Saladin) under heavy dark make-up in a rather physically demanding role not characteristic of most of his work. And LAWRENCE HARVEY is more animated than usual in a cardboard assignment, in love with VIRGINIA MAYO who has little to do but look decorative in her colorful costumes.

The big mystery is why David Butler (who specialized in comedies and musicals) was chosen to do the sort of directorial chores that should have gone to Michael Curtiz. One can only yearn for a better film when listening to Max Steiner's well orchestrated background score, but even his music fails to save an inept script from seeming even the least bit credible. Most of the dialogue is unbelievably bad in a screenplay by John Twist.

No wonder this was a box office dud, in no way reaping the sort of rewards Warner Bros. hoped for or the sort of success that MGM had with "Ivanhoe" and "Knights of the Roundtable."

Summing up: At your own risk.

I give it a NINE as a 12-year-old. As a mature person, I can't say because it's not available, even on Netflix. At the time, I thought it a great adventure film. So they scrambled history a bit and the lines were corny; but with costumes, intrigue, and romance, plus Rex Harrison and the always impeccable George Sanders, what more could a kid want?

Especially loved the part "where King Richard meets Saladin and shows him 'the strength of English steel' by cutting through an iron mace placed across the backs of two chairs. Saladin responds in kind by throwing a silk veil in the air which separates as it falls across his scimitar, and he replies that 'sometimes it is not the strength of the steel but the sharpness of the blade.'"

Didn't you ever like some film as a kid for reasons known only to a 12-year-old?

King Richard I, known to posterity as the Lion Heart and, according to this script, to his friends and family as Dick, certainly has his work cut out on his Third Crusade. He faces a host of vicious and unscrupulous foes and they're just his fellow Crusaders. Lucky for him, that flashing-eyed rascal Saladin is a stickler for fair play as well as fancying cousin Edith, so things could be worse.

Though screen writer John Twist has supplied the more idiotic dialogue, the eccentric narrative stems from Sir Walter Scott's The Talisman itself. By the time of its publication in the 1820s, Richard had long become one of the great romantic legends of English history. In reality he was a ferocious warrior of the 'kill first and ask questions later' school, but a useless ruler. So when Virginia Mayo as the fictitious Edith utters the much mocked line: "War! War! That's all you think of Dick Plantagenet!" at the end of the movie, it's not far from the truth. Except that Richard's descendants did not adopt the name Plantagenet until a couple of centuries later.

Of course no-one expects factual accuracy in this kind of movie, but it's also rather dull in places. Too much time is taken up by the interminable feuding in camp at the start of the picture, while it ends in a frenzy of action in which it's hard to discern what's going on. Then there's the business of Sir Kenneth, hit in the chest by Saladin's arrow and falling from his horse, only to be prancing about with no harm done within a minute or two. I have seen similar films that are worse though, there is the lush photography and an excellent score from Max Steiner that's worthy of a more prodigious production and while some of the action scenes are very average, the joust and fight between Richard and Sir Kenneth is well done.

Rex Harrison as Saladin and George Sanders, looking less bored and cynical than usual, as Richard offer enjoyable performances, though the latter could have been played by a younger actor as the King was in his early thirties at the time of the Crusade. Laurence Harvey though is fairly dire as Sir Kenneth, not sounding remotely Scottish, and his love scenes with Barbara Mayo fall flat. Harvey always had his fans, but those who have speculated as to why an actor so lacking in talent and charisma became a star will find no answers here.