Asesinos del espacio

And, when William Raynor takes a screenplay credit as Bill Raynor, that is an instant tip-off one is about to visit the Land of the Gobblers. First rattle out of the box Peter Graves, as a nuclear scientist, is inspecting his handiwork flying over a bomb test area and crashes, and the next thing he knows he awakens in a California cavern. His host, John Merrick, bulb-eyed and dressed in pea-green, introduces himself as an Astronian scientist from Astrol Delta, and is on a mission to destroy the human race. He explains that the sun if falling on his home planet and the billion or so Astronians must take over another planet---Earth. Astro Delta and Earth evidently do not share the same sun or else their master plan would just be a short-term solution to a long-term problem.

So old Daneb-Tala shows Miles, or Doug, some gigantic reptiles and insects of the hair-lice variety---these are really, really big mothers---and the main and only item produced on Astro Delta must be these monsters because they have a bunch of them. A really, really big bunch of these really, really big monsters. But they need a bunch as their master plan to take over Earth is to have these monsters traveling around and about and killing off all the earthmen. Daneb-Tala does not mention women, so one can only shudder at the thought of what the Astronians have in mind for them. And Daneb-Tala seems to be unaware of the danger that an American housewife with a can of Flit and a flyswatter---albeit a really, really big flyswatter--- could pose for his master plan.

And Daveb-Tala informs Doug that oh-by-the-way you were killed in the plane crash but us Astrolians, with skill, knowledge and instruments beyond the current knowledge of man---and he doesn't even capitalize man, just to show we ain't much in the bulb-eyes of the Astrolians. But they are going to use Doug as their unwilling-but-helpless slave in supplying the Astrolians with top-secret atomic-energy information. Gee, they can bring a dead guy back to life but can't split an atom?

Doug can't tell what he has seen, heard and been through, for fear of being locked up in a Nervous Place, but the Army slams him with a needle full of truth serum and hears his story. They of course don't believe it---we must of overdosed him---and proceed to prepare Nervous Place papers on him, but government red tape being what government red tape is allows Doug to get away. And Doug has a plan of his own. He has learned that the Astrolians are all holed up in caves scattered all over California, and their diet is an all-electric one and if they don't have electricity they will blow up. They are stealing it naturally because even Astronians couldn't afford to pay California electricity bills. And, as soon as Cable TV came available, they intended to steal it also. So Doug plans to pull the one switch that supplies all of California with electricity.

Not wishing to write a "spoiler", even for a movie that a spoiler would be a surprise for any viewer with an I.Q. of anything over 29, the ending will not be given away here.

But since California has gone to rolling-blackouts, has anyone seen any Astrolians anywhere in the state...Carmel, O.J. Simpson houseguests and the Golden Globe Awards show excepted.

I get the horrible rating on here. But...

The cold war, guys in suits smoking cigarettes half of this movie is great. The cast is great and the story is interesting. A 6 or 7.

The aliens underground part of the movie is truly atrocious. Even if you enjoy close up footage of insects it is still trash. So bad. A 1 or 2.

But i find this movie overall enjoyable, hence I gave an almost respectable 5.

predatory aliens with the worst cases of ex opthalmis in medical history are lurking under the desert in the Southwest, and it's up to Peter Graves to stop them before we all laugh ourselves to death. The effects in this stinker are embarrassingly bad and very, VERY cheap. Lots of stock footage, glaringly obvious blow-ups of various insects, spiders, etc., model airplanes that look like model airplanes, a creaking plot. . .well, we could go on all day, but you probably get the picture by now. While we like Peter Graves, this is almost certainly one of those projects that he would like to forget. The one intriguing item in this otherwise rotten film are the alien physicians (at least we think they're physicians) who successfully perform open heart surgery on Peter by waving incense sticks over him. How did they DO that?

You want to blackmail Peter Graves? Get a copy of this turkey.... The story is about a scientist whose plain crashes. He is supposed to be dead but returns unexpectedly weeks later and behaves rather strange. No points for originality but one for good use of stock footage. I actually thought this was your average boring 50s sci-fi B turkey and was about to switch off when the aliens appeared. This has to be the most pathetic attempt at make up I have ever seen. The aliens have bushy eyebrows and ping pong balls cut in halves as eyes. This is actually where the entertainment value of the film comes from. Not even Ed Wood would have presented us aliens like that. So all in all the film is fairly boring (even for sixty odd minutes) but definitely has camp value.

Before Seventh Heaven, before Mission Impossible, before even Fury, Peter Graves spent a lot of his time doing science fiction films, some of the best and some of the worst. This one falls in the latter category.

This was a cheaply based low budget thriller with no thrills where Graves has been monitoring atomic bomb tests out in the New Mexico desert by air. Some nasty old aliens are out in the caverns laying plans for a billion of their people to come take over the earth from the folks who live here now. I won't say more, but it involves a scheme of creating monsters who will destroy mankind and then the aliens will destroy the monsters without spilling too much human blood.

The miracle here is that Peter Graves as an actor had a career after some of the films he appeared in back in his salad days. This is one great example of what he survived.

Stock footage from other films, cheap black and white photography, imbecilic plot. Peter Graves looks stoically earnest throughout though. I guess that is a tribute to his talent.

Ed Wood would have looked down on this one.