En mi casa mando yo

I saw this film for the first time recently and it is a delight.

All of the performances are top rate, and especially noteworthy is the relationship between Maggie (Brenda de Banzie) and Will (John Mills.) Maggie starts out by simply informing the mouselike Will, in a very businesslike manner, that "You'll do for me," recognising that he is both the key to her economic security and that she can see potential in him that nobody else can.

With an arrogance that she can only have inherited from her father (Henry Hobson, played by Charles Laughton), she dispatches Will's current girlfriend and sets to work on their private and business partnership. Under her firm grip, Will's confidence blossoms, and the 'before and after' scenes of their wedding night are a delight to watch. As the film progresses, their partnership becomes less dominated by Maggie, and develops into one of equality and mutual respect. You get the impression that this was Maggie's objective all along.

This wonderful relationship between two of the main characters, along with Charles Laughton's brilliant comic turn and David Lean's beautiful direction, makes this film a firm favourite for me.

David Lean's last film in black and white, and his last set in England, is a gentle comedy about class mobility, marriage, and curmudgeonly old men making way for a generation of independent women. Lean had been adapting plays for the screen since the beginning of his career, and he'd already done a comedy with Blithe Spirit in 1945, but his experience by the time of Hobson's Choice is showing. His confident direction coupled with a top-notch cast and a great script make this a real treat.

The starting point of Hobson's Choice is a typically memorable comedy performance from Charles Laughton. Every film he is in is at risk of turning into The Charles Laughton show – rather a mixed blessing because he tends to overshadow everything else – but here his exuberant performance is offset by strong turns from lead players John Mills and Brenda De Banzie. Mills was in his mid-40s by this point, but with his fresh face and innocent manner he was still just about believable as the archetypal young lad. De Banzie was a stage actress who was unfortunately rare on the big screen. She makes another memorable performance in Hitchcock's second version of The Man Who Knew Too Much. Mills and De Banzie make such likable characters out of the central couple and it is their performances that hold the viewer's attention as much as Laughton's blustering buffoonery.

He wasn't known for his comedy direction, but Lean's sense of rhythm, particularly in the opening sequences and later in the famous scene in which Laughton drunkenly chases the moon's reflection in a puddle, is perfectly in step with Laughton's comic timing. The romantic scenes between Mills and De Banzie are directed with as much tenderness as any other love story Lean made, although he brilliantly punctures the sentimentality with a joke whenever there is a danger of them slipping into mawkishness.

Hobson's Choice is undoubtedly the happiest picture Lean ever made and, in keeping with the sweet tone, he has a real aesthetic approach to shot composition, with some pretty landscape shots in the park, and a focusing on facial close-ups. There is a real sense of harmony to many of the images, for example a recurring motif with leaves (and leaflets) blowing across the street, confetti at the wedding, and snow falling over the town.

When all's said and done though, it's the charming story and witty dialogue that makes Hobson's Choice a winner. Lean clearly knew by this point that the job of a director is to serve the screenplay and, avoiding the occasionally distracting expressionism of his earlier films, presents a story full of human warmth and gentle humour.

From a movie I had absolutely never heard of, Hobson's Choice has quickly flown to the top third of my all-time favorite film list. I happened upon this little gem by doing a Charles Laughton search in the video data bank of our university library computer system. I had been hoping we might have The Hunchback of Notre Dame. We didn't, but we DID have this wonderful period comedy.

Set in Salford, England in the 1890s, this David Lean film brims with good humor, spunk, fine black and white cinematography and absolutely first-rate acting. Charles Laughton plays Henry Horatio Hobson, a typical successful late Victorian Era businessman. One can almost picture him singing `A British bank is run with precision; a British home should expect nothing less,' as David Tomlinson would croon a decade later in Mary Poppins. A widower with three grown daughters, Hobson fancies himself to be king of his castle. Of course the daughters really wield the power-especially Maggie (Brenda de Banzie), the oldest.

When Hobson determines to marry off the two younger daughters, but declares Maggie too old for marrying (at 30), she takes it as a challenge. Virtually demanding marriage and a business partnership with her father's best shoemaker, Willie Mossop (John Mills), she engineers not only her own marriage but that of her sisters, as well.

Laughton was a true talent. I had never seen him do comedy. His round, rubber face is as expressive in Hobson's Choice as any comedian I have seen. His commanding stage presence is obvious. Many scenes stick in the mind, such as Hobson marching huffily toward his favorite watering hole, his lackey right behind him. With spirited march music playing, they stride through the street, making an amusing visual contrast. Laughton is tall, erect, and extremely rotund. He is headed straight forward, head held high and back arched proudly, as any proper self-made English gentleman of his day would be. His friend is perpetually hunched toward his benefactor, his thin, frail frame turned partially toward Laughton as he walks, intent on hearing and agreeing with every word Hobson utters. Others have already commented on the moon scene and his charge up the stairs after a night of drinking, both of which were delightful.

Of course de Banzie is magnificent as Maggie and Mills is great as Willie. His growth as the movie goes along is gradual and natural. The excitement of going out on their own, getting a loan and buying the needed supplies to open a business certainly connects with me. I have been there twice, although ultimately failing (at least on the bottom line) both times. Had I had a Maggie to support, encourage and inspire me, as well as to tend to the business side of things, I really believe I would have succeeded like Willie does. (Any Maggies out there???)

Daphne Anderson and Prunella Scales are very good as the attractive, but spoiled younger sisters. Obviously Maggie was raised in the earlier days when Hobson was building up his business and Vicky and Alice after he had acquired much of his affluence. The whole cast is extremely sound and Lean's direction is superb. I find myself surprised that I had NOT heard of Hobson's Choice. This is a dandy little film and a real plumb to have found as I found it. If you want to see a great film, either watch Hobson's Choice or watch another film with the VCR/DVD player unplugged. How's THAT for a `Hobson's choice?'

Hobson's Choice is a delightful old play that is set in Manchester in the United Kingdom during Edwardian times. Among other things we see during this film adaption of it are temperance marchers and suffragettes, reminders that women were too often looked on as chattel, especially if the man of the house is one Henry H. Hobson.

Hobson's pretty typical of the male Britisher in Edwardian times. As written by Harold Brighouse and played Charles Laughton, he's a blustering old tyrant who dominates his three daughters in every way possible. His wife is gone and the three daughters as he views it seem to have been put on earth to serve him. He pays none of them wages to live independently, but without realizing it he's grown quite dependent on them. Especially on his eldest played by Brenda DaBanzie.

She's practically running his custom made boot&shoe establishment so he can spend time lounging at the pub. But DaBanzie has had quite enough of that. If Laughton had his way she'd be living with him permanently. Brenda's got different plans. She's got her idea on a husband, a skilled craftsman who works in Hobson's shop named Willy Mossop. He's a mild mannered fellow who doesn't realize his own worth. But before the film ends, the worm does indeed turn.

If Hobson's Choice has a fault it's that the whole film centers around the three principals, no other characters are really developed here. But Laughton, DaBanzie and John Mills as Willy Mossop give absolutely perfect characterizations in their respective roles.

Charles Laughton gives one of his best screen performances for David Lean in Hobson's Choice. Imagine Captain Bligh as a comic character and you've got Hobson. My guess is that Hobson was very typical of his age in his sexist views of life. What his late wife must have put up with. His scenes with Brenda DaBanzie have a lot of the same spark that characterize his work with his wife Elsa Lanchester in other films.

Brenda DaBanzie was at the height of her career, this and her work in The Man Who Knew Too Much the following year are her best known roles. She matches Laughton every step of the way, they are really a delight to see and listen to, in fact the dialog in their scenes is so good you can enjoy just turning away and listening to the film.

John Mills also gets one of his best roles. He's a man who grows in confidence in himself through DaBanzie's efforts. In the end watch who is dictating to whom.

A friend of mine who's from the Manchester area said that the film was shot in the nearby town of Selford because it looked more like Manchester of the Edwardian era than Manchester of 1954 did. He also says that Laughton and the rest of the cast got the dialog and idiom of the Lancashire area down perfectly and were quite believable in their parts for a British audience, let alone an American one.

Hobson's choice is a great film from David Lean and should be seen again and again whenever it's broadcast.

You're the owner of a shop that sells fine shoes, you have three daughters, lots of cash, and like to booze, but these girls they will not wed, you're hard earned stash will not be shed, as they're left without illusion, of your views. In response the oldest Maggie takes a chance, grabs the lad who's down below, leaves you askance, off she trots to set up shop, a little later you then drop, to find yourself in quite an awkward, circumstance. It's not too long before you're backed into a corner, as your Maggie has become quite a reformer, an ultimatum is presented, steams discharged, released and vented, then you retire to be placed, on the back burner.

Absolutely wonderful!