CALIFICACIÓN DE IMDb
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TU CALIFICACIÓN
Un trío de aventureros estadounidenses varados en las zonas rurales de México son reclutados por una hermosa mujer para rescatar a su esposo atrapado en una cueva en territorio Apache.Un trío de aventureros estadounidenses varados en las zonas rurales de México son reclutados por una hermosa mujer para rescatar a su esposo atrapado en una cueva en territorio Apache.Un trío de aventureros estadounidenses varados en las zonas rurales de México son reclutados por una hermosa mujer para rescatar a su esposo atrapado en una cueva en territorio Apache.
- Dirección
- Guionistas
- Elenco
Víctor Manuel Mendoza
- Vicente Madariaga
- (as Victor Manuel Mendoza)
Antonio Bribiesca
- Antonio, bartender
- (sin créditos)
- …
Manuel Dondé
- Cantina Waiter
- (sin créditos)
Arturo Soto Rangel
- Priest
- (sin créditos)
Salvador Terroba
- Victim
- (sin créditos)
Fernando Wagner
- Steamboat Captain
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
While Garden of Evil is not known to most film fans, it is a favorite of many. Everything about this film is great. The scenery, the music, the incredible cast. Unlike today's films it has lots of say about greed, heroism, love between men, loyalty, and betrayal. It also has more great lines than most movies - all
delivered brilliantly by Susan Hayward, Gary Cooper and Richard Widmark.Here are some as I remember them (not necessarily accurate). Susan to Coop: You need me. Because without me, Mister, you're lost. And when you're lost in this country, you're dead. Widmark to Coop: See that. Every night the sun goes down, and it always takes someone with it. Tonight it's me. Coop to himself: If the earth would made of gold, men would kill for a handful of dirt.
This should be on list of the ten best westerns, right up there with Shane and The Searchers
delivered brilliantly by Susan Hayward, Gary Cooper and Richard Widmark.Here are some as I remember them (not necessarily accurate). Susan to Coop: You need me. Because without me, Mister, you're lost. And when you're lost in this country, you're dead. Widmark to Coop: See that. Every night the sun goes down, and it always takes someone with it. Tonight it's me. Coop to himself: If the earth would made of gold, men would kill for a handful of dirt.
This should be on list of the ten best westerns, right up there with Shane and The Searchers
This is a hugely underrated western as eccentric and individual as anything by Peckinpah or Boetticher. One of the early Cinemascope adventures from Fox, GARDEN OF EVIL has a superb cast at the top of their respective games, fantastic special effects, wonderful widescreen photography, and one of house composer Bernard Herrmann's very best scores (which is saying a mouthful). Best of all, it showcases an utterly unique screenplay full of strange, world-weary philosophy that sounds like Hemingway on acid. (Ironically, the chief writer, Fred Frieberger, is best known for producing the third and weakest season of the original STAR TREK -- notorious for its bad writing). At any rate, check this one out the first chance you get. Years of bad pan & scan showings on TV have destroyed its reputation -- but if you ask me, GARDEN OF EVIL is a gem waiting to be discovered, if not a cult waiting to be born!
Some people complained about the Indian's role.I think that the first thing to bear in mind is that this western is more a fable than a realist story:the Indians ,whom we almost never see -a little more than the Arabs in Ford's "the lost patrol" or Duvivier's "la bandera",but not much more-:they are silhouettes in the landscape .The real danger is man's endless greed who ,were the earth made of gold,would die for a handful of it.That's what Gary Cooper's character says.
I think that Hathaway's 1957 movie "Legend of the Lost" is more convincing than "Garden" .This search for a treasure in the desert does not need an outside threat:no hostile tribe here.Men are finally on their own and madness is around the corner.
Try to see both movies in a row,mainly if you do not think that Henry Hathaway is an auteur.He is.
I think that Hathaway's 1957 movie "Legend of the Lost" is more convincing than "Garden" .This search for a treasure in the desert does not need an outside threat:no hostile tribe here.Men are finally on their own and madness is around the corner.
Try to see both movies in a row,mainly if you do not think that Henry Hathaway is an auteur.He is.
... and I always round up when I'm at the halfway mark, just to explain. This is a fine watch in spite of the choppy script.
Cooper and Widmark's characters' boat breaks down on the way to the California gold fields--they have to stop in Mexico. They head to a local cantina. Susan Hayward comes in and says she is offering one thousand dollars in gold to anyone who will help her save her husband, who was trapped in a cave-in. She says the mine is right in the middle of cursed country called "Garden of Evil" - The film proceeds from there.
The uneven screenplay is credited to Frank Fenton. Bernard Herrmann contributed a score that supplies more drama than the screenplay; the handsome cinematography is credited to Milton Krasner and Jorge Stahl. Jr.
Widmark is especially good as the man who's not used to being a good guy. Cooper and Hayward are as effective as the script allows. The rest of the cast is adequate. Look for a young Rita Moreno in the cantina.
Critics yawned when the film was released, but it made a healthy profit, especially considering it cost around two million dollars to film. This is probably the most beautiful film Cooper made in the 1950's, and the most underrated.
Cooper and Widmark's characters' boat breaks down on the way to the California gold fields--they have to stop in Mexico. They head to a local cantina. Susan Hayward comes in and says she is offering one thousand dollars in gold to anyone who will help her save her husband, who was trapped in a cave-in. She says the mine is right in the middle of cursed country called "Garden of Evil" - The film proceeds from there.
The uneven screenplay is credited to Frank Fenton. Bernard Herrmann contributed a score that supplies more drama than the screenplay; the handsome cinematography is credited to Milton Krasner and Jorge Stahl. Jr.
Widmark is especially good as the man who's not used to being a good guy. Cooper and Hayward are as effective as the script allows. The rest of the cast is adequate. Look for a young Rita Moreno in the cantina.
Critics yawned when the film was released, but it made a healthy profit, especially considering it cost around two million dollars to film. This is probably the most beautiful film Cooper made in the 1950's, and the most underrated.
I'm having a problem understanding all the reviewers who call this film 'under-rated'.
In fact, for me at least, the reviews it received are, if anything, a little too high.
I love Cooper and Widmark generally as actors but Cooper's performance is wooden and he seems to be just reading his lines in places while Widmark is a caricature of the gambler/adventurer and comes across as unreal.
Hayward is HORRIBLY miscast as a tough, resourceful woman and we never do see the love and devotion that is supposed to be driving her to rescue her 'husband'...she sure doesn't otherwise act like a devoted wife.
The writing, despite the normally skilled writers is quite lackluster and bland and there are far too many long shots which do nothing for the story development and are just window dressing and filler using the lovely landscape shots.
The scene involving Cooper putting a whooping on our young bounty hunter is laughably pathetic as he falls and STAYS down in the fire over and over......cringingly terrible and I couldn't help but laugh out loud.
I think this movie was justifiably overlooked by time....it's a second rate effort by otherwise skilled actors and it's clear they didn't 'gel' at all.
¿Sabías que…?
- TriviaThis was the fourth film telecast on "NBC Saturday Night at the Movies," the first television program to exclusively broadcast post-1948 theatrical films on US network television. This one was first telecast 14 October 1961, and like the opener of the series, How to Marry a Millionaire, and several others which followed, had been filmed in CinemaScope, at its original 2.55:1 ratio, and so had to be "formatted to fit your screen" i.e. shown pan/scan in the conventional 4:3 TV ratio, losing nearly half of the image in the process, and literally destroying the composition of each scene. But viewers didn't seem to mind. The idea proved so successful that NBC soon followed it up with another series with the identical format, "Monday Night at the Movies," and it wasn't long before the format was taken up by both CBS and ABC.
- ErroresThe film is set in Mexico and the Indians are being called Apaches. However, they are dressed as Northeastern American Mohawks. In addition, the men of the Apache nations were traditionally long-haired. In this film, the "Apache" Indians are sporting Northeastern Mohawk haircuts.
- ConexionesEdited into Verifica incerta - Disperse Exclamatory Phase (1965)
- Bandas sonorasLa Negra Noche
by Emilio D. Uranga
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- How long is Garden of Evil?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 2,070,000 (estimado)
- Tiempo de ejecución1 hora 40 minutos
- Color
- Relación de aspecto
- 2.55 : 1
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By what name was Garden of Evil (1954) officially released in India in English?
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