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IMDbPro

The French Line

  • 1953
  • Approved
  • 1h 42min
CALIFICACIÓN DE IMDb
5.1/10
744
TU CALIFICACIÓN
Jane Russell in The French Line (1953)
When her fiancé leaves her, an oil heiress takes a cruise incognito in order to find a man who will love her for herself and not for her money.
Reproducir trailer2:11
1 video
59 fotos
Classic MusicalHoliday RomanceComedyMusicalRomance

Agrega una trama en tu idiomaWhen her fiancé leaves her, an oil heiress takes a cruise incognito in order to find a man who will love her for herself and not for her money.When her fiancé leaves her, an oil heiress takes a cruise incognito in order to find a man who will love her for herself and not for her money.When her fiancé leaves her, an oil heiress takes a cruise incognito in order to find a man who will love her for herself and not for her money.

  • Dirección
    • Lloyd Bacon
  • Guionistas
    • Mary Loos
    • Richard Sale
    • Matty Kemp
  • Elenco
    • Jane Russell
    • Gilbert Roland
    • Arthur Hunnicutt
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.1/10
    744
    TU CALIFICACIÓN
    • Dirección
      • Lloyd Bacon
    • Guionistas
      • Mary Loos
      • Richard Sale
      • Matty Kemp
    • Elenco
      • Jane Russell
      • Gilbert Roland
      • Arthur Hunnicutt
    • 23Opiniones de los usuarios
    • 7Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Videos1

    Trailer
    Trailer 2:11
    Trailer

    Fotos58

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    Elenco principal99+

    Editar
    Jane Russell
    Jane Russell
    • Mary 'Mame' Carson
    Gilbert Roland
    Gilbert Roland
    • Pierre DuQuesne
    Arthur Hunnicutt
    Arthur Hunnicutt
    • 'Waco' Mosby
    Mary McCarty
    Mary McCarty
    • Annie Farrell
    Joyce Mackenzie
    Joyce Mackenzie
    • Myrtle Brown
    • (as Joyce MacKenzie)
    Paula Corday
    Paula Corday
    • Celeste
    Scott Elliott
    Scott Elliott
    • Bill Harris
    Craig Stevens
    Craig Stevens
    • Phil Barton
    Kasey Rogers
    Kasey Rogers
    • Katherine 'Katy' Hodges
    • (as Laura Elliot)
    Steven Geray
    Steven Geray
    • François, Ship Steward
    John Wengraf
    John Wengraf
    • Commodore Renard
    Michael St. Angel
    Michael St. Angel
    • George Hodges
    Barbara Darrow
    Barbara Darrow
    • Donna Adams
    Barbara Dobbins
    • Kitty Lee
    Carlos Albert
    • Reporter
    • (sin créditos)
    Suzanne Alexander
    Suzanne Alexander
    • Model on Staircase
    • (sin créditos)
    Suzanne Ames
    • Maid
    • (sin créditos)
    Virginia Bates
    • Model
    • (sin créditos)
    • Dirección
      • Lloyd Bacon
    • Guionistas
      • Mary Loos
      • Richard Sale
      • Matty Kemp
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios23

    5.1744
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    Opiniones destacadas

    7DEMILLE-2

    RUSSELL IN 3D

    This is one of those obscure musicals that RKO made in the 40's and 50's. But in its day it was a box office winner. The publicity behind this picture was fantastic. Jane Russell was a knock-out in 3D but without this new screen process it was still enjoyable. Wonderful charactor Arthur Hunnicut steals the show as was his custom. Gilbert Roland is good as Jane's romantic interest in a different role for him. The songs are good for the most part. Give "The French Line" a try. If you are a Jane Russell fan, you'll love it.
    5moonspinner55

    "He's interested in community fun, not community property!"

    Oil heiress from Texas, tired of being a one-woman corporation and falling for men who are allergic to her millions, takes a cruise to France posing as a fashion model. Tatty romantic comedy with musical interludes does have some smart lines, Gilbert Roland trying his best as a lovestruck playboy (of French descent!), and Jane Russell in the lead, alternately beaming and scowling, her tall frame self-consciously hunched to make up for everyone else's shortcomings. Russell is very natural and appealing on screen, yet she has a bad habit of filling in the blanks by making silly, exaggerated faces--some of which are funny intentionally as well as unintentionally! A blowsy piece of fluff, the movie does have its pleasures, particularly in the writing department, which is a notch above the fashion show norm. ** from ****
    7HotToastyRag

    Cute sentimental favorite

    I bought a copy of The French Line before I'd even seen so much as a trailer for it. I knew right away it was going to be a sentimental favorite, because of the Cameron Crowe flick Singles in 1992. Bridget Fonda isn't happy with her body, and when she watches an old musical on tv with the big-busted Jane Russell and Mary McCarty, she decides to get breast implants. It's a very funny scene, and I'd always wanted to watch the full version of the 10-second clip featured in Singles.

    If you don't already have a heart attachment to this movie, you might think it's silly and that I need to get my head examined. However, since it's my review, and since I do have a heart attachment to it, I'm going to praise it. Jane Russell stars as a Texas gal who goes on an ocean liner to France. She's literally on "The French Line" and has to dodge playboys who give her "the French line"; get it? Gilbert Roland is the suave Frenchman who tries to win Jane's affection. Jane sings in very revealing clothes to show off her beautiful figure, and in one number she's even in the bathtub! But perhaps even better known than the "Any Gal from Texas" number is Jane's striptease-the dance was so risqué they had to film her standing behind a plant to get the number past the censors!
    jarrodmcdonald-1

    Jane Russell as a sassy southern belle

    It is difficult getting past the terrible condition of the RKO Technicolor print for The French Line. It is even more difficult believing that nobody has wanted to do something about it. Someone: please clean it up, restore it, do whatever needs to be done.

    Jane Russell is superb as a sassy southern belle on a cruise to Europe. Adding to the fun is character actor Arthur Hunnicutt and leading man Gilbert Roland. The musical numbers are indeed risqué but the lyrics and choreography are not to be missed. Neither is Miss Russell's costuming which one must see to believe.

    Aside from a better print, the only way this film could have possibly been better: if Robert Mitchum had been in it.
    5FANatic-10

    Time hasn't been too kind

    "The French Line" was a Howard Hughes-produced opus in 3-D, designed to showcase star Jane Russell (you can make your own guesses what the purpose of putting this innocuous musical in 3-D was...I'll give you two!). To be kind, its no "Gentlemen Prefer Blondes", to which it has some similarities.

    Jane plays a Texas girl who is a reluctant millionairess - she has inherited her late father's ranch, which happens to be sitting on copious oil fields. But poor Jane only wants a man who will love her for who she is, not her money. She bewails her lot to her friend and guardian, ranch hand Arthur Hunnicutt, when her latest beau, Craig Stevens, jilts her before heading to the altar because he, like all the others, can't handle having a rich wife. Hunnicutt talks her into not canceling her planned wedding cruise to Paris on the French line, the Liberte (as pronounced by Jane, the Li-burr-tay), only she decides to go incognito so she can catch a man who knows nothing about her money.

    Well, first of all, do you really think a millionairess who happens to look like Jane Russell would have such problems? This is purely a confection of a film and not worth worrying about plot lines, but its all just pretty damn silly. And unfortunately, someone decided it should be a musical except all the blah numbers are staged very awkwardly. Jane is beautiful, but hasn't much to work with here and leading man Gilbert Roland seems both a bit too mature as a match for her and definitely too Spanish to play a Frenchman (they try to pawn it off by giving him a Spanish mother). It all ends with a fashion show which just may be the most ludicrous of many far-fetched Hollywood fashion shows. And by now, all the naughtiness which got this opus condemned by the League of Decency and denied a Production seal (Jane's skimpy costumes and bumps & grinds) seem fit for a toddler to watch.

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    Argumento

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    • Trivia
      Although El hijo de Simbad (1955) marked Kim Novak's first screen assignment, The French Line was her first released picture in a bit part as a fashion model.
    • Errores
      When in NYC Pierre asks Waco for the time; Waco says 5 PM and 3 PM in Texas. This is factually wrong. Texas is predominantly in the Central Time Zone with a few cities in the Mountain Time Zone. Waco and Mame are from Paris, Texas which is the Central Time Zone, therefore, it would have been 4 PM there.
    • Citas

      Mary 'Mame' Carson: [This is the cut out speech that Jane Russell makes during her song, "Lookin' for Trouble"] That's all I need, is a man! Any type, any style! Just so, he's a man! Now, he can be short, tall, or elongated! He can be thin, muscular, obese... that's fat, you know! Any direction will do. He can be sweet, sensitive, intelligent, a little coy, but not a boy! Now, don't get me wrong! 17 to 70 will do! It ain't the age, it's the attitude! However, there is one requisite I must make: he has to be... brief! So bring him on, stand back, and watch my own private chemical reaction start to work!

    • Versiones alternativas
      Due to a censorship controversy over 'Jane Russell' 's "Looking for Trouble" number, the film was briefly released without a Production Code seal. The final version (with seal) features a much tamer performance with relatively little breast exposure. The initial UK version omits that sequence entirely. Both versions survive, and are easily distinguishable: the "hot" version includes a spoken narration midway through in which Mary talks about what she wants from a man; in the shorter release version, some of the dance is performed with Mary positioned behind a figure-obscuring planter, and without the closer, high-angle cleavage shots.
    • Conexiones
      Featured in Hollywood the Golden Years: The RKO Story: Birth of a Titan (1987)
    • Bandas sonoras
      WELL! I'LL BE SWITCHED
      (uncredited)

      Music by Josef Myrow

      Lyrics by Ralph Blane and Robert Wells

      Performed by Jane Russell and Theresa Harris

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    Detalles

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    • Fecha de lanzamiento
      • 8 de febrero de 1954 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Francés
      • Español
      • Inglés
    • También se conoce como
      • Die lockende Venus
    • Locaciones de filmación
      • Pier 88, Manhattan, Nueva York, Nueva York, Estados Unidos(French Line pier at end of West 48th St.)
    • Productora
      • RKO Radio Pictures
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      1 hora 42 minutos

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