Contrabando fatídico

I watched this on the talking pictures channel as there was nothing of quality elsewhere, and was I in for a very watchable treat. It had a sterling cast ranging from Joyce Grenfell as a scatty upper class birdwatcher through to Nigel Patrick as a dogged customs detective prepares to risk his life to get the smugglers. If you grew up with quality such as this, you'll find the modern "movies", dull and predictable by comparison. I gave it a 10.

Leonard Maltin has described this film as 'a modest affair enlivened by a solid cast.' Modest it certainly is and in common with all of director Harold French's output, is sorely in need of enlivening. The film's title promises much but the film itself alas delivers little.

Excellent Nigel Patrick with his trademark trilby is always good value and there is a delightful cameo from Joyce Grenfell as an aristocratic ornithologist. The dastardly drug smuggler is of course a European and is played by Theodore Bikel.

The Inspector Kenyon of Mr. Patrick foils a ring of brandy smugglers but then has to navigate more treacherous waters when tracking international drug smugglers to Cannes, not forgetting to pack his dinner suit of course. We see so little of the playground of the rich however that it might as well be Walton-on-Thames. There is a tantalisingly brief scene in a casino which could have been filmed anywhere. He dices with death in a singularly unexciting underwater sequence at the hands of sneaky Terence Morgan and manages to appeal to the better nature of Morgan's sister, the far from femme fatale Elisabeth Sellars, thereby preventing thirty pounds of heroin from wrecking the lives of a legion of dope fiends.

This is a quaint, harmless period piece which simply lacks an 'edge' and is ultimately defeated by its 'Englishness'. The subject matter warrants a far grittier treatment.

Depressingly, it is timeless in one respect only. It is a grim reminder that although the occasional battle against the evil of drugs may be won, the war is well and truly lost.

This is an entertaining smuggling yarn with an excellent cast.Nigel Patrick is good in the lead role ably supported by Jack Warner,then at the height of his Dixon of Dock Green fame.The chief villain is Terence Morgan assisted by American,Theodore Bikel.Even smaller roles are well cast.The inimitable plays the aristocratic birdwatching,and is hilarious as usual.Eric Pohlman is a gang member who wants to spill the beans to get a shorter sentence.There is a lot of cars dashing around dark London streets.Strangely the package of drugs is supposed to be at Victoria Station but it is clearly Waterloo.Shame that this film now seems to be virtually forgotten.

It doesn't give much indication in the beginning of what is to be, but after the first smuggling incident with the bird woman, an interesting drama starts to build up. Nigel Patrick is the elegant investigator, who soon finds himself up against a professional team of gangsters, where Theodore Bikel has a key role, first appearing as a charming musician with his honeyed voice. No one can suspect anything about what this intriguing character actually is working with, while Jack Warner on his way to alcoholism alarmingly reacts against him from the start, which should raise the suspicion that he feels stuck in a racket that he cannot handle. It is difficult to suspect his sister Elizabeth Sellers of having any part of it, and she actually ultimately saves or tries to save the situation. There are some impressing diving sequences as well, but the main thing is the very intelligent plot and story. It's a great and efficient criminal drama of drug traffic in the early 50s and certainly much ahead of its time.

Nigel Patrick is a customs man who gets wind of a major smuggling operation. Soon, they'll be bringing in 30 pounds of heroin.The pursuit takes him from quiet London flats, to yachts anchored off Cannes.

It's a fine movie, lavishly produced by Sidney Box, with a strong set of actors, including Jack Warner, Elizabeth Sellars, Greta Grynt, Theodore. Bikel, and Joyce Grenfell in an amusingly toothy, eccentric role.

There's little here that hasn't been done before, but a good script, a good director, Good performers and good camerawork.... what more do you need?