La esposa y la amante de un detestado director de colegio traman un plan para asesinarlo y contar al mismo tiempo con la coartada perfecta. Llevan a cabo el plan pero su cuerpo desaparece.La esposa y la amante de un detestado director de colegio traman un plan para asesinarlo y contar al mismo tiempo con la coartada perfecta. Llevan a cabo el plan pero su cuerpo desaparece.La esposa y la amante de un detestado director de colegio traman un plan para asesinarlo y contar al mismo tiempo con la coartada perfecta. Llevan a cabo el plan pero su cuerpo desaparece.
- Dirección
- Guionistas
- Elenco
- Premios
- 5 premios ganados en total
- Christina Delassalle
- (as Vera Clouzot)
- Le photographe
- (as Camille Guerini)
- Le garçon d'hôtel
- (as Jean Temerson)
Opiniones destacadas
I must admit I found Clouzot's earlier WAGES OF FEAR(1953) slightly disappointing and therefor temporarily held back from watching any other films he made but how wrong I was! This much discussed classic was one of the most frightening and disturbing films I've ever seen. The music theme played during the opening credits with the organ and the singing schoolchildren still makes the hairs in my neck stand up, even at this very moment.
The story revolves around the tyrant schoolmaster Delasalle (Paul Meurisse) of a seedy boarding school, his wife (Vera Clouzot) and his mistress (Simone Signoret). An he maltreats them both, they decide to work together to murder him. They drown Delasalle in the bathtub and dump the corpse in the abandoned swimming pool next to the school. But then, eerie things start to happen. When the pool is drained and no body is found, the two women grow increasingly fearful that Delasalle is still alive. When subsequently his suit is returned from the dry-cleaners and the schoolchildren repeatedly testify they've seen Delasalle, they start to panic and the strange occurrences surrounding his supposed resurrection slowly drive them into insanity and complete paranoia.
Justifiably hailed as one of the most suspenseful films ever made and often compared to Hitchcock's work. Clouzot lacks the master's wit but as far as suspense goes, he is incomparable. Very much opposed to Hitchcock, this film - like most of his work - has a very cynical and misanthropic feel to it. Perhaps largely due to this very dark tone and Clouzot's excellent eye for detail, even today it still has the power to drive you right up the wall. And Simone Signoret, whom I've never (consciously) seen before in other films, greatly added to my admiration of this film. A sublime actress and an absolutely hypnotizing screen presence. The entire cast is terrific for that matter with Charles Vanel as inspector Fichet another standout.
Clouzot takes his time to build up the story very precisely but once the mysterious things start to happen every scene adds to an almost unbearable tension. You'll watch every facial expression and every detail on screen with increasing paranoia yourself, in order to understand what on earth could have happened. And the ending is so surprising that I wasn't quite sure anymore about the things I just saw, even right after the film's ending. A genuinely great movie that more than lives up to its status and has lost none of its impact over the last five decades.
Camera Obscura --- 10/10
Like most murder mysteries, the story is highly improbable; nevertheless, the film is still hugely entertaining, thanks in part to plot twists and turns that even Agatha Christie would admire, and to the film's B&W lighting, that renders a noirish, sinister atmosphere.
The first half is interesting and tightly plotted. But the real strength of the film's underlying premise begins at the mid-point plot turn. The second half is riveting, because the tight plot begins to ooze with mystery and suspense. It builds to a final ten minutes that are as frightening as almost any ending in film history; dark interiors, shadows, ominous light at the end of a long hallway, a general absence of sound, a gloved hand, a scream, and an unexpected image. It's the very definition of spine-tingling suspense.
There is a clue to help solve the story's mystery in the film's first ten minutes; but like any good mystery, that clue is very subtle. All the film's acting is excellent, even down to the children actors. And, Simone Signoret is as wonderful here as she is in all of her other movies.
English subtitles require a little more work for viewers who cannot understand the French dialogue; yet, the story, the acting, and the cinematography should more than offset this minor irritation. Background music occurs only during the film's title sequence and closing credits; this general absence of music thus enhances suspense.
Although not strictly speaking a whodunit, "Les Diaboliques" is a classic murder mystery that has earned a well-deserved reputation for setting the standard for cinematic suspense. The story is riveting, and the film is technically well made. More recent films have tried to copy it; but this is the original.
If you enjoy quality mysteries or thrillers, you will almost certainly enjoy this one - and if you have not seen it yet, you might just want to buy or rent it now, before you read any more reviews. This comment will avoid any discussion at all of the actual plot itself, because the less you know in advance, the more you will enjoy it. The few implausible elements in the story do not detract at all from the enjoyment.
A great plot does not all by itself make a good movie, and everything works especially well here because of the expert pacing by director Henri-Georges Clouzot and good, mostly understated acting by the main actors. We are drawn into their world very nicely. Everything about the characters and events is built up perfectly, to give the brilliant climax its full effect. Once again, see it before you find out any more.
Even if you do not normally watch black-and-white films or foreign movies (this is in French), if you enjoy thrillers, watch "Les Diaboliques" as soon as you have the chance.
This movie does not offer cheap, pop out and scare you tactics. Rather, it makes the viewer expect things to happen that don't. You wait on the edge of your seat for the quick jump out and scare you event to take place, but instead, it sneaks up from behind you. What an effect!
Les Diaboliques is a classic film that delivers the complete suspense package. It's not surprising that many suspense movies of the modern era have tried to copy the plot. This movie is well worth renting in a video store, if you can find it.
¿Sabías que…?
- TriviaAfter director Henri-Georges Clouzot bought the film rights to the original novel, he reportedly beat Alfred Hitchcock by only a matter of hours.
- ErroresWhen Christina is watching the caretaker from her class as he inspects the swimming pool, she is calling out English irregular verbs for her pupils to recite the forms. As the caretaker turns to the pool, she calls out 'turn' and then as he looks in the water, she calls out 'find'. 'Turn' is not an irregular verb.
- Citas
Plantiveau, le concierge: Watch out, ma'am. That's the deep part where you are.
Christina Delassalle: There is no danger. I can swim.
Plantiveau, le concierge: That don't mean a thing. It's always the ones who know how that get drowned. The ones who can't, don't go near the pool.
- Créditos curiososThe movie ends with a text screen commenting on what the viewer has witnessed, and a request not to spoil the ending for those who are planning to see the movie.
- Versiones alternativasUSA release in 1955 ran 107 minutes rather than 116 minutes.
- ConexionesFeatured in Siskel & Ebert & the Movies: What's Wrong with Home Video (1988)
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Las diabólicas
- Locaciones de filmación
- Château de L'Étang-la-Ville, 8 Rue de Fonton, L'Étang-la-Ville, Yvelines, Francia(doubling for the Delasalle private school)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total a nivel mundial
- USD 12,498
- Tiempo de ejecución
- 1h 57min(117 min)
- Color
- Relación de aspecto
- 1.37 : 1