Agrega una trama en tu idiomaA policeman tries to protect a young woman against a hit man, when she flees New York after witnessing a mob killing.A policeman tries to protect a young woman against a hit man, when she flees New York after witnessing a mob killing.A policeman tries to protect a young woman against a hit man, when she flees New York after witnessing a mob killing.
- Dirección
- Guionistas
- Elenco
Trevor Bardette
- Kicking Bear Indian Chief at Schoolhouse
- (sin créditos)
Helen Brown
- Ms. Thorndyke
- (sin créditos)
Charles Cane
- Charlie Barrett
- (sin créditos)
John Carlyle
- Bellhop
- (sin créditos)
Robert Carraker
- Traskins
- (sin créditos)
Jack Chefe
- Party Caterer
- (sin créditos)
James Conaty
- Party Guest
- (sin créditos)
- …
Jerado Decordovier
- Indian
- (sin créditos)
Opiniones destacadas
This is a good movie.
It's the story of a good guy cop going West to find a killer. Mature is the good guy, and Price is the killer. The killer is also trying to execute a witness to a murder (Piper Laurie). Any male watching will be sure to notice the heroine's perfect looking girl friend, played by Betta St John. One watches this film and wonders how this eye popper didn't become the centerfold girl of all time.
But enough about going gaga over Betta. This is a good old fashioned, rootin tootin film. There's a lot we'd probably all like to change. For instance, I notice many say Bendix as the park ranger should have had more to do, and I certainly agree with that. It looks like maybe some of his lines were cut, or perhaps it was just a hastily put together job. Price, as the killer, probably wasn't the best choice, but as an icon, it's good to see Price in the role.
The action sequences and adventure are well thought out, and it has a little something for everybody. It just seems like a lot was cut out. Still, the cinema scenery is excellent, and it is a great popcorn and soda film.
It's the story of a good guy cop going West to find a killer. Mature is the good guy, and Price is the killer. The killer is also trying to execute a witness to a murder (Piper Laurie). Any male watching will be sure to notice the heroine's perfect looking girl friend, played by Betta St John. One watches this film and wonders how this eye popper didn't become the centerfold girl of all time.
But enough about going gaga over Betta. This is a good old fashioned, rootin tootin film. There's a lot we'd probably all like to change. For instance, I notice many say Bendix as the park ranger should have had more to do, and I certainly agree with that. It looks like maybe some of his lines were cut, or perhaps it was just a hastily put together job. Price, as the killer, probably wasn't the best choice, but as an icon, it's good to see Price in the role.
The action sequences and adventure are well thought out, and it has a little something for everybody. It just seems like a lot was cut out. Still, the cinema scenery is excellent, and it is a great popcorn and soda film.
A slightly different RKO Pictures movie to the normal - this one's in colour, with a bigger budget, and produced by disaster maestro Irwin Allen, no less. The story mixes in a little film noir with an outdoor action adventure template, and you can tell Allen's influence by the way an action scene has been shoehorned into the narrative at regular intervals. Avalanches, forest fires, you name it - they're here, although they have zero to do with the main storyline.
Said storyline sees a woman (Piper Laurie, decades before she became the domineering mother in CARRIE) witnessing a murder in New York, and fleeing the murderer by escaping to a national park in Montana. There, she meets up with various characters, including the butch and heroic Victor Mature, a mild-mannered photographer (Vincent Price, no less), the voluptuous Betta St. John (playing an Indian!), and the thickset William Bendix.
The narrative is a kind of whodunit, with the mystery angle played up for the first half or so (when the characters aren't contending with the random natural disasters, that is). Things become more wild and adventure-style in the second half, with a suitably exciting climax to finish things off. It's not a great film - to be honest, the plot seems all over the place at times - but it is a mildly engaging one nonetheless.
Said storyline sees a woman (Piper Laurie, decades before she became the domineering mother in CARRIE) witnessing a murder in New York, and fleeing the murderer by escaping to a national park in Montana. There, she meets up with various characters, including the butch and heroic Victor Mature, a mild-mannered photographer (Vincent Price, no less), the voluptuous Betta St. John (playing an Indian!), and the thickset William Bendix.
The narrative is a kind of whodunit, with the mystery angle played up for the first half or so (when the characters aren't contending with the random natural disasters, that is). Things become more wild and adventure-style in the second half, with a suitably exciting climax to finish things off. It's not a great film - to be honest, the plot seems all over the place at times - but it is a mildly engaging one nonetheless.
A man tinkering on the piano with one hand – "One for My Baby (and One More for the Road)" – is murdered by an unseen gunman. A woman, whom we also do not see, happens upon the site, screams, and runs before the killer can plug her too. The next set shows a New York City backdrop with Johnny Yonkers and two men in a room discussing the necessity of tracking down and killing the female witness, who is in hiding. Although the gunman is present we still do not see him. The very next scene is at the visitor's entrance to Glacier National Park in northern Montana, where Matt Hallett (Victor Mature) has just driven. He packs a pistol. The Park will be the setting – a most attractive one – for the remainder of the movie.
Louise Graham (Piper Laurie), originally from the east, runs a gift shop at the Visitors' Center. Converging there are amateur photographer Paul Adams (Vincent Price), Hallett, and chief ranger Joe Parker (William Bendix). Parker reminds Hallett that he needs to disclose to park authorities that he has a .38-caliber pistol on the grounds, even though it is legally registered. Hallett says he is an ex-marine. But is he a policeman or the killer hired by Yonkers? For it is obvious that either Adams or Hallett is the gunman. Louise is unaware that both Adams and Hallett are after her for different reasons. Neither of the two men knows her likeness.
This formerly 3D movie features an avalanche, forest fire, Indian dance/ceremony, and live wires (downed electrical power line), none of which is related to the plot. Katoonai Tiller (Steve Darrell), at large in the distant part of the National Park, is wanted for murder. His state of affairs also has nothing to do with the plot. Tiller's daughter Mary (Betta St. John) is the sexy Indian girl in love with Adams, who is much older. Dennis Weaver ("Gunsmoke," 1955-1964) has a small role as a park ranger. As of this writing Piper Laurie is still acting; she had silver screen parts in "The Hustler" (1961) and "Carrie" (1978). Victor Mature, who was decent enough, had good roles in "My Darling Clementine" (1946), "Cry of the City" (1948), and "The Robe" (1953). Also, Mature played such diverse historical figures like Sampson (Jewish), Hannibal (Carthaginian/North African), and Chief Crazy Horse (American Indian).
The editing of "Dangerous Mission" is quite choppy, and the character development is rather weak. For instance, at movie's end we still know very little about Louise Graham and Matt Hallett. And what is the story on Katoonai Tiller? Was he really guilty of murder? Then again there is the Cave of the Winds shootout and an exciting chase along the park glacier (even though it's a sound stage). The park setting, lovely ladies, and ending save the movie.
Louise Graham (Piper Laurie), originally from the east, runs a gift shop at the Visitors' Center. Converging there are amateur photographer Paul Adams (Vincent Price), Hallett, and chief ranger Joe Parker (William Bendix). Parker reminds Hallett that he needs to disclose to park authorities that he has a .38-caliber pistol on the grounds, even though it is legally registered. Hallett says he is an ex-marine. But is he a policeman or the killer hired by Yonkers? For it is obvious that either Adams or Hallett is the gunman. Louise is unaware that both Adams and Hallett are after her for different reasons. Neither of the two men knows her likeness.
This formerly 3D movie features an avalanche, forest fire, Indian dance/ceremony, and live wires (downed electrical power line), none of which is related to the plot. Katoonai Tiller (Steve Darrell), at large in the distant part of the National Park, is wanted for murder. His state of affairs also has nothing to do with the plot. Tiller's daughter Mary (Betta St. John) is the sexy Indian girl in love with Adams, who is much older. Dennis Weaver ("Gunsmoke," 1955-1964) has a small role as a park ranger. As of this writing Piper Laurie is still acting; she had silver screen parts in "The Hustler" (1961) and "Carrie" (1978). Victor Mature, who was decent enough, had good roles in "My Darling Clementine" (1946), "Cry of the City" (1948), and "The Robe" (1953). Also, Mature played such diverse historical figures like Sampson (Jewish), Hannibal (Carthaginian/North African), and Chief Crazy Horse (American Indian).
The editing of "Dangerous Mission" is quite choppy, and the character development is rather weak. For instance, at movie's end we still know very little about Louise Graham and Matt Hallett. And what is the story on Katoonai Tiller? Was he really guilty of murder? Then again there is the Cave of the Winds shootout and an exciting chase along the park glacier (even though it's a sound stage). The park setting, lovely ladies, and ending save the movie.
Plot line for "The Old Corral, 1936": Night club singer (Hope/Irene Manning) witnesses a gangland murder and heads West and is saved by Gene Autry; Plot line for "Dangerous Mission, 1954": Night club bookkeeper (Piper Laurie) witnesses a gangland murder and heads West and is saved by Victor Mature. RKO added 3-D, Technicolor, Glacier National Parks location and still came up short of the original. Not surprising, since the original had Gene Autry, the Sons of the Pioneers (when Roy Rogers was still a member), Smiley Burnette and Champion.
And even Gene Autry was more animated than Victor Mature. Come to think of it, so was Glacier National Park.
And even Gene Autry was more animated than Victor Mature. Come to think of it, so was Glacier National Park.
In the 1970s Hollywood brought the world a spate of disaster pictures including EARTHQUAKE, TOWERING INFERNO, ROLLERCOASTER, AVALANCHE, METEOR, CASSANDRA CROSSING, etc. That said, by 1954 two films (DANGEROUS MISSION and NAKED JUNGLE) came out that can now be seen as blueprints for the massively cataclysmic outpourings of two decades later.
DANGEROUS MISSION is a short 75-minute film with Victor Mature an undercover cop seeking a subject on a mission to kill Piper Laurie for witnessing a murder. A lively dance is interrupted by an avalanche, followed by a forest fire (pity it did not happen in the opposite order, the avalanche would have killed the fire) in which Mature saves Price from certain death, only to lose him later to a fall in the snow... after a Glacier National Park radio station warning that a killer is on the loose and targeting lovely Laurie, who promptly jumps off a moving car to save her life. Which she does for a happy ending in Mature's arms.
I know embarrassingly little about Director Louis King, but he certainly keeps the action ticking bomb style, and cinematography shows Glacier Park to great advantage.
Excellent cinematography by William Snyder. 7/10.
DANGEROUS MISSION is a short 75-minute film with Victor Mature an undercover cop seeking a subject on a mission to kill Piper Laurie for witnessing a murder. A lively dance is interrupted by an avalanche, followed by a forest fire (pity it did not happen in the opposite order, the avalanche would have killed the fire) in which Mature saves Price from certain death, only to lose him later to a fall in the snow... after a Glacier National Park radio station warning that a killer is on the loose and targeting lovely Laurie, who promptly jumps off a moving car to save her life. Which she does for a happy ending in Mature's arms.
I know embarrassingly little about Director Louis King, but he certainly keeps the action ticking bomb style, and cinematography shows Glacier Park to great advantage.
Excellent cinematography by William Snyder. 7/10.
¿Sabías que…?
- TriviaThe red tour buses shown are original and still in use today. They are Model 706 built by the White Motor Company from 1936-1939. Called Jammer buses, they do tours of the Going To The Sun across Glacier National Park. They were rebuilt in the early 2000s to run on propane and install automatic transmissions.
- ErroresWhen Joe shows Matt the wanted poster regarding Mary's father, Matt's thumb and forefinger hold the poster at the top in the upper left corner in the closeup but are a few inches lower in the continuous action reverse shot.
- ConexionesReferenced in The Kiss (1958)
- Bandas sonorasOne for My Baby (and One More for the Road)
(uncredited)
Written by Harold Arlen and Johnny Mercer
Heard as a theme during the film
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- How long is Dangerous Mission?Con tecnología de Alexa
Detalles
- Tiempo de ejecución
- 1h 15min(75 min)
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