Un desertor del ejército se encuentra con una caravana que necesita protección frente a los indios. Decide entonces hacerse pasar por un oficial muerto y lleva a los viajeros hasta su destin... Leer todoUn desertor del ejército se encuentra con una caravana que necesita protección frente a los indios. Decide entonces hacerse pasar por un oficial muerto y lleva a los viajeros hasta su destino. Entonces se presenta a las autoridades.Un desertor del ejército se encuentra con una caravana que necesita protección frente a los indios. Decide entonces hacerse pasar por un oficial muerto y lleva a los viajeros hasta su destino. Entonces se presenta a las autoridades.
- Dirección
- Guionistas
- Elenco
- Cavalry Corporal
- (sin créditos)
- Chief Rasacura
- (sin créditos)
- Cpl. Demington
- (sin créditos)
- Barfly
- (sin créditos)
- George Owsley
- (sin créditos)
- Tillotson Man
- (sin créditos)
- Wagon Train Member
- (sin créditos)
- Lem
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Bart Laish (Hayden) is an army deserter, a gambler and a killer, but soon he is going to get a shot at redemption...
It's all very formulaic in plotting, yet there's some thought gone into the screenplay, whilst Selander wastes no chances to keep things brisk by inserting another finely constructed action sequence. Laish (a typically robust Hayden) finds himself in command of a wagon train, with soldiers and civilians, all now looking to him to stave off the wave after wave of Indian attacks, which interestingly sees the Pawnee and the Apache teaming up.
Naturally there's trouble in the camp, not only via some suspicious business men whose motives will reveal a key narrative thrust, but also by way of Gray's Christella Burke. She wanders in from some Estée Lauder advertisement (we don't care, we love 50s Westerns!), and pulses quicken for protagonist and viewers alike. Thematically the narrative is honourable, with decent amounts of angst and tortured heroics. There's some nifty war tactics, plenty of splendid gun play, and of course there's a human redemptive beat pulsing away - just begging to be found?
There's the usual "B" Western issues, such as weakly choreographed fighting between man versus man, dummies being flung over cliffs, and some average acting in support slots (not Lee Van Cleef, though, who is pottering around with menace). However, the Burro Flats location filming is beautifully photographed - in sync with Skiles' genre compliant score, while Hayden does enjoyable stern backed machismo, which plays off of Gray's sensuality perfectly, and Tully does grizzle to actually provide the film's best performance.
One for fans of this era of Western genre film making. Not a waste of time. Good show. 6.5/10
An efficiently made B-western finds Sterling Hayden looking broody and acting angsty and suitably conflicted over running for the hills or warning the wagon train of impending attack. It has a redemptive type of storyline and it's done well with plenty of skirmishes, well-staged action and exciting moments in the backdrop of great location. Of course, there's stock footage, a dummy thrown over the cliff and the formula is working like clockwork, however that's minor criticisms. Personally, I have always enjoyed this good b-western, which delivers that neat 80 min of action, but I also found the story quite thoughtful, and the acting - even Sterling Hayden who I'm not too keen on - quite satisfactory.
A great western will have a great lead/s that you can root for or rally against. They hunt down the killer, complete the impossible drive or defend the town/farm/girl etc.
Hayden lacks the charisma (in this film) to make you care about the cause and the supporting cast don't really fill you with a need to want them to get to safety.
You feel indifference.
The film has some good action along with some poor scenarios, the outcome being a sense of ho-hum.
Watch it but be warned it won't stir your emotions :)
Hayden plays a guy named Bart Laish. When the film begins, you learn that Bart is a deserter from the Cavalry and is hiding out west. However, as fate would have it, he comes upon a group of dying soldiers that were attacked by Indians. The dying leader just happens to be Bart's cousin and begs Bart to take his place and assume command of the rest of his outfit--which is a few miles away from this massacre! And, the deserter DOES!!! Later, after proving himself against wave after wave of faceless and stupid natives (who seem to just ride by hoping to get shot), all is forgiven with the US Cavalry and Bart is once again allowed to legally wear the uniform. Talk about impossible and ridiculous! In addition to a ridiculous plot and faceless Indians, it's also one of Hayden's relatively flat performances. I guess the other two were right after all....
By the way, in one scene it's supposed to be at night but it appears to be daylight! Huh?!
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- TriviaArrow in the Dust includes numerous wagon train and battle scenes from the 1952 movie El caravanero indómito (1952). The shots of the wagon train going down a steep hill and several of the fighting sequences are obviously matches to the earlier movie. The most noticeable is when one of the pioneers is narrowly missed by an arrow.
- ErroresAbout 45 minutes into the movie Major Pepperis has his pants leg cut off by Stella so that she can bandage his leg. Then he goes to solve a problem with one of the wagons. When he returns his pants leg is un-torn and his leg is not bandaged.
- Citas
Maj. Andy Pepperis: Gambler, gunfighter and now deserter?
Bart Laish: Yeah
Maj. Andy Pepperis: It looks like you added coward to the list.
- ConexionesEdited from El caravanero indómito (1952)
- Bandas sonorasTHE WEARY STRANGER
By Jimmy Wakely
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Detalles
- Tiempo de ejecución1 hora 19 minutos
- Relación de aspecto
- 1.85 : 1