The Adventures of Hajji Baba

Miss Kitty from Gunsmoke as the savage leader of a band of scantily clad, horse back riding amazon warriors.

One very mean princess.

A trick horse.

Arab barbers.

Harem girls.

Camels, donkeys and lots of horses.

Desert sands, rugged mountains, oasis.

Colorful wardrobes of many brilliant colors.

All of this set to the wonderful and haunting lyrics of Nat King Cole.

Anyone who has been married to both Ursula Andress and Bo Derek, must have something… Now in a white or orange turban and playing a brave young barber called Hajji Baba, in Isphahan, Persia, John Derek is still attractive to women and especially to Princess Fawzia (Elaine Stewart).

In the Fifties, Derek was the dashingly good-looking young hero of adventure films, rated by his teenage female fans as a 10 on the scale of male beauty…

In "The Adventures of Hajji Baba," Derek helps an insolent princess – disguised as a boy – on her way to marry a distant powerful prince (Paul Picerni) against the wishes of her father… Once they arrive to meet him, in the desert, they soon discover he is a rogue, whose plans for marriage are purely for one ambitious purpose… Hajji Baba then rebels against the prince, rescuing and winning the heart of the beautiful princess by believing in himself…

The glamorous Elaine Stewart looked cool, lush and marvelous as the spoiled selfish cruel princess who walks through the entire motion picture expressing her bad temper, and silencing everyone by threat…

By the early Seventies and despite public interest in her, Stewart's career did not fulfill its potential… Her phase was over, but she had certainly proved that she could be a star and, 35 years later, fans of Fifties' movies are still enamored of her

John Derek was ahead of his time in the movement to uplift the status of women. This movie is really about women claiming their power and not being relegated to a status unequal with men. In his own life, he was so appreciative of the feminine ideal and he served the women he loved quite devotedly. I believe that he was more invested in life than in movies. I believe that he was as handsome as any of the great swashbucklers, and as good a performer. It is such a grace that he played Joshua in the Ten Commandments. Joshua is a true hero of the Bible - of the Hebrew and Christian traditions, both. He was an artist of high integrity and profound passion. This movie shows him in one of his best moments, career-wise, and in our insatiable appetite for entertainment, let us not overlook his travail in this life.

Sure, many of the performers read their lines as if they had just learned them five minutes before. The plot had already been used to death by 1954, and it was quite juvenile to begin with. But:

It had a catchy Nat Cole song which had been a hit when this movie was released In its own way, it is a protofeminist film Female desert brigands attacked on horseback, many of then standing on their horses, wearing only bra type tops Preternaturally attractive leads; exotic looking feature players (esp. Blake and Stack) Some great lines (e.g. Female outlaw leader to captured woman dancer: can you ride and use a sword? Dancer: I have other ways of conquering men) Nice color Quick and simple entertainment.

What is impressive about this not-very-expensive looking film is that all stunts were done by real people. Much more fun than computer generated effects.

At least, in France, this adventure film from One Thousand and One Nights tales was very famous, and I understand why after watching it. Full of charm because of the photograpjy, production design, music score and above all Nat King Cole's song. No matter the story, the plot, focus only on the overall film, not details. The best material from director Don Weis, forget the rest. Anyway this director was especially a TV director, more than a big screen film maker. Even if his real influence was not important for this film, it is still a good adventure film and it is very important to consider it in terms of other movies of this kind, as good - but different though - as the Universal ones from the forties and fifties, starring Maria Montez and Jon Hall or Yvonne De Carlo or Maureen O'Hara.