Will Any Gentleman...?

I wonder if the director of this film went to see a stage performance of this film and decided to keep all the stage directions and mannerisms in the film.It seems that every line is shouted and the actors indulge in the most cringe worthy mugging.perhaps the only actor exempt from this criticism is George Cole.Incidentally the poor put upon member of the audience in the music hall sitting next to George Cole is none other than Richard Massingham who made public information shorts.There is a good cast including John Pertwee,James Hayter,Sid James,Diana decker but they are all wasted.It is woefully unfunny,although the technicolour photography gives a certain freshness to the picture.

A romping Technicolor farce vaguely indebted to Jeckyll & Hyde adapted by Vernon Sylvaine from his own West End hit of 1950, that basically extends to feature length the section in 'Laughter in Paradise' in which George Cole is forced to publicly make a fool of himself.

A once-in-a-lifetime supporting cast ranges from Alan Badel to Richard Massingham (and two future Doctor Whos); and there are some quite naughty jokes like the provenance of the paper used to replace the banknotes (while what George Cole does to Joan Sims, in her film debut, would get him fired and ostracised today...)!

If you like classic British comedy's this could be for you a great cast with George Cole as a mild mannered henpecked man who get hypnotised which completely changes his character. Two future Doctor Who actors Jon Pertwee & William Hartnell appear together on screen with support from Joan Sims.

Story of what can happen when hypnosis goes all wrong. Timid bank clerk henry sterling ends up on stage, gets hypnotized, and has no memory of flirting with angel, the hypnotist's assistant. Apparently, he was never brought out of the hypnosis. And now he doesn't even want to go to work. Pretty similar story to office space, from 1999. This one stars george cole, jon pertwee, veronica hurst. It's okay. The first twenty minutes are actually a bit annoying. All running around, no-one really listens to anyone. No likeable characters. The incompetent doctor, flitting about. But it calms down, and comes to a happy place. It's okay. An old fashioned farce. Nobody wakes up dead! Office space did a much better job with it. This story started as a play. The film directed by michael anderson... he was nominated for around the world in eighty days. Based on the play by vernon sylvaine.

While this film version of a then popular stage show never quite gathers the momentum to be a full success, it's likable and fitfully amusing.

The biggest weakness is how the key plot function of George Cole's character turns from a meek bank clerk to an unstoppable force of nature in an instant. There's no trigger for this to occur so it seems like it only exists when it's convenient for the plot and therefore feels contrived and forced. As a lot of humour and narrative is reliant on this, it's a significant problem for the film.

Still, after a slow start the film becomes increasingly fun. This is mainly due to an excellent cast. Cole is good, but some of the supporting performances are even better. Joan Sims is a delight as Cole's maid and Alan Badel - completely unrecognisable from his usual upper- class persona - is a delight as the hypnotist who begins all of Cole's problems.

Worth a look.