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IMDbPro

Londres ocho campanadas

Título original: Turn the Key Softly
  • 1953
  • 1h 21min
CALIFICACIÓN DE IMDb
6.9/10
757
TU CALIFICACIÓN
Londres ocho campanadas (1953)
CrimenDrama

El primer día de libertad de tres mujeres salen de la cárcel.El primer día de libertad de tres mujeres salen de la cárcel.El primer día de libertad de tres mujeres salen de la cárcel.

  • Dirección
    • Jack Lee
  • Guionistas
    • John Brophy
    • Maurice Cowan
    • Jack Lee
  • Elenco
    • Yvonne Mitchell
    • Terence Morgan
    • Joan Collins
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.9/10
    757
    TU CALIFICACIÓN
    • Dirección
      • Jack Lee
    • Guionistas
      • John Brophy
      • Maurice Cowan
      • Jack Lee
    • Elenco
      • Yvonne Mitchell
      • Terence Morgan
      • Joan Collins
    • 31Opiniones de los usuarios
    • 5Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos41

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    Elenco principal27

    Editar
    Yvonne Mitchell
    Yvonne Mitchell
    • Monica Marsden
    Terence Morgan
    Terence Morgan
    • David
    Joan Collins
    Joan Collins
    • Stella Jarvis
    Kathleen Harrison
    Kathleen Harrison
    • Granny Quilliam
    Thora Hird
    Thora Hird
    • Mrs. Rowan, landlady
    Dorothy Alison
    Dorothy Alison
    • Joan
    Glyn Houston
    Glyn Houston
    • Bob
    Geoffrey Keen
    Geoffrey Keen
    • Mr. Gregory
    Russell Waters
    • George Jenkins
    Clive Morton
    Clive Morton
    • Walters
    John Adams
    • Tube Train Passenger
    • (sin créditos)
    Edward Dentith
    Edward Dentith
    • Police Officer on Fire Brigade Ladder
    • (sin créditos)
    Edward Evans
    Edward Evans
    • Commissionaire
    • (sin créditos)
    Lyn Evans
    Lyn Evans
    • Butcher
    • (sin créditos)
    Hilda Fenemore
    Hilda Fenemore
    • Granny's Daughter
    • (sin créditos)
    Otto Friese
    • Subway Passenger
    • (sin créditos)
    Robert Gregory
    • Passer-by
    • (sin créditos)
    Fred Griffiths
    • Newspaper Seller
    • (sin créditos)
    • Dirección
      • Jack Lee
    • Guionistas
      • John Brophy
      • Maurice Cowan
      • Jack Lee
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios31

    6.9757
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    Opiniones destacadas

    7rss-2

    90 minutes entertainment

    Rather cliched plot, but some nice period detail, if your interested in old film of London, youll really enjoy this tearjerking melodrama. A very young Joan Collins is adorable as the easily led West End girl Stella. Plenty of other classic British Movie faces too.
    7planktonrules

    This one certainly features a unique story!

    "Turn the Key Softly" is an interesting film and well worth your time. It's the story about three women who are released from prison on the same day. It follows each through their first day out and is a very melancholy story...one that will NOT be leaving you happy! There...you've been warned.

    The three ladies (one of which is a very young Joan Collins) all leave prison and the story clearly illustrates that you just can't go back to your old life. In one case, it's because family no longer want anything to do with one of the women. And, in another case, one returns to her crook boyfriend...something which clearly is NOT in her best interests. As for the final one, her story is a bit hard to categorize other than she likes nice things.

    Overall, this is a very good film for three reasons. It's best quality is that it's unique in so many ways...a major plus. It also has some terrific acting as well as brilliant cinematography--particularly late in the film during a chase sequence. Overall, not a lot to complain about apart from the depressing nature of some of the stories.
    8Maverick1962

    Splendid 1953 sentimental thriller

    What an entertaining film! Glamour, thrills, romance, sentimentality. This is a British black and white film noir, if that's the correct description to give it, but it give a clue in the night time robbery scene, the stark prison scenes at the beginning, the clandestine meetings the leading players have in alleyways, etc. The stars all act well, particularly Kathleen Harrison as an old lag who on her release in reunited with Johnny, her little dog, who plays as leading a part as the humans here. Joan Collins in an early glamour role is as striking then as she is now over sixty years later. The leading actress is Yvonne Mitchell and her lover is the villainous Terence Morgan, a part he was adept at playing in the 1950's. I didn't want it to end, and maybe, that's the secret of a great movie, leave 'em wanting more. Films today are often too long and that's why they are rarely great any more. There is a scene where a woman very briefly walks down the stairs past Yvonne Mitchell, and I could swear it was Prunella Scales (from Fawlty Towers) but it was so brief and she's not listed.
    6boblipton

    Fine Performances and Visuals; Muddled Script

    Yvonne Mitchell, Joan Collins and Kathleen Harrison are released from prison into the hustle and bustle of London on the same day, with varying degrees of resolution to go straight. They agree to meet for dinner at a posh restaurant -- Miss Mitchell's treat. The movie covers the day and their varying success.

    It's well performed by three actresses: Miss Harrison plays her scrublady from SCROOGE, transported a century and a quarter into the future. jugged on fifteen counts of shoplifting; Miss Mitchell is an well-to-do young woman who loved unwisely but too well and took the fall for her burglar boyfriend; and Joan Collins.... well, she looks like a cheap piece of goods, but she's scheduled to marry a bus driver.

    It's based on a novel and the screenplay is, I fear, somewhat muddled, with the random nature of events leading to random outcomes. The actresses give excellent performances, and director Jack Lee, in cooperation with cinematographer Geoffrey Unsworth, sets up the final fifteen minutes in a striking manner. He clearly had a fine eye for the streets of the city, having worked for the GPO as assistant director to LONDON CAN TAKE IT! His abilities helming a fiction movie were shakier, but given the performances and visuals, this one is worth a look.
    10khunkrumark

    Sadly overlooked mini masterpiece.

    An overlooked masterpiece of direction, editing and photography... and Maurice Cowan's screenplay is a cracker, too. The writer went on to find bigger success scripting some Norman Wisdom gems soon after this movie was made. Throw in some of the finest British acting talents of the day and you can't go wrong.

    The title of the movie becomes apparent towards the end and it's a treat to discover.

    Three very different women are released from prison at the same time (eight o clock, precisely) and the movie follows the subsequent day and evening as they get used to their freedom.

    Monica (Yvonne Mitchell) has 'done' a year for something she didn't do yet she still carries a torch for the no-good spiv who put her inside. She gets a second chance at a new life and the film is largely focused on her story and whether or not she'll let her head rule her heart this time around.

    Stella (Joan Collins) faces a similar choice between good and evil but in her case, her devoted man is good and her previous lifestyle is bad. Who will win this tug of war? (Joan Collins looks beautiful and sexy! She was just 20 when this movie came out and this is one of her first credited parts.)

    Granny (Kathleen Harrison) is perhaps the most tragic character. She's a good-natured shoplifter who has lost her daughter's love and is kept going by her own affection for her dog, Johnny. (Kathleen Harrison may not be a name you recognize but you'll almost certainly know her face. Probably most famous as Mrs Thursday in the mid-sixties. She lived to the ripe old age of 103!)

    There is a lot to marvel at, even if the story doesn't do it for you. London in the fifties is shown off with extraordinary clarity and with plenty of subtle reminders of how London used to be. The sign in the butcher's shop reads 'You can re-register here!' and the Brylcreem ads dotted the scorched, red brick walls. Piccadilly Circus and London's West End are a treasure to see in the post-war capital.

    All the peripheral characters are a joy to watch and we shouldn't overlook the parts they play in bringing this movie to life. Thora Hird, Geoffrey Keen, Dorothy Alison... and many, many more!

    The three stories blend perfectly together with dollops of tragedy, drama and ultimately hope. There's so much going on in every scene that the usherettes will be sweeping up the peanut shells, Capstan butts and discarded Walls ice cream tubs before you've had a chance to get seated comfortably!

    Now showing on YouTube!

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    • Trivia
      The Coach & Horses pub, seen in the final scene, became famous later on as the bohemian meeting place for the personnel of the satirical magazine, 'Private Eye'; its infamously rude landlord, Norman Balon, appeared in the magazine. Richard Ingrams, who edited "Private Eye" for 23 years, often said, with relish, that the pub served "the worst food in London" - which is why it was used.
    • Errores
      Granny Quilliam buys a quantity of meat from the butcher although meat rationing was still in force at the time the film was released and didn't end until July 1954.
    • Conexiones
      Featured in The Secret History of Our Streets: Portland Road (2012)
    • Bandas sonoras
      Plaisir d'Amour
      (uncredited)

      Music by Jean-Paul-Égide Martini

      Arranged by Mischa Spoliansky

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    Preguntas Frecuentes13

    • How long is Turn the Key Softly?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 4 de junio de 1960 (México)
    • País de origen
      • Reino Unido
    • Idioma
      • Inglés
    • También se conoce como
      • Turn the Key Softly
    • Locaciones de filmación
      • Portland Road, Notting Hill, Londres, Inglaterra, Reino Unido
    • Productora
      • Maurice Cowan Productions
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 21min(81 min)
    • Color
      • Black and White
    • Relación de aspecto
      • 1.33 : 1

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