Londres ocho campanadas

An overlooked masterpiece of direction, editing and photography... and Maurice Cowan's screenplay is a cracker, too. The writer went on to find bigger success scripting some Norman Wisdom gems soon after this movie was made. Throw in some of the finest British acting talents of the day and you can't go wrong.

The title of the movie becomes apparent towards the end and it's a treat to discover.

Three very different women are released from prison at the same time (eight o clock, precisely) and the movie follows the subsequent day and evening as they get used to their freedom.

Monica (Yvonne Mitchell) has 'done' a year for something she didn't do yet she still carries a torch for the no-good spiv who put her inside. She gets a second chance at a new life and the film is largely focused on her story and whether or not she'll let her head rule her heart this time around.

Stella (Joan Collins) faces a similar choice between good and evil but in her case, her devoted man is good and her previous lifestyle is bad. Who will win this tug of war? (Joan Collins looks beautiful and sexy! She was just 20 when this movie came out and this is one of her first credited parts.)

Granny (Kathleen Harrison) is perhaps the most tragic character. She's a good-natured shoplifter who has lost her daughter's love and is kept going by her own affection for her dog, Johnny. (Kathleen Harrison may not be a name you recognize but you'll almost certainly know her face. Probably most famous as Mrs Thursday in the mid-sixties. She lived to the ripe old age of 103!)

There is a lot to marvel at, even if the story doesn't do it for you. London in the fifties is shown off with extraordinary clarity and with plenty of subtle reminders of how London used to be. The sign in the butcher's shop reads 'You can re-register here!' and the Brylcreem ads dotted the scorched, red brick walls. Piccadilly Circus and London's West End are a treasure to see in the post-war capital.

All the peripheral characters are a joy to watch and we shouldn't overlook the parts they play in bringing this movie to life. Thora Hird, Geoffrey Keen, Dorothy Alison... and many, many more!

The three stories blend perfectly together with dollops of tragedy, drama and ultimately hope. There's so much going on in every scene that the usherettes will be sweeping up the peanut shells, Capstan butts and discarded Walls ice cream tubs before you've had a chance to get seated comfortably!

Now showing on YouTube!

Everybody deserves another chance. Newly released from prison, three women face the challenges of reformed life on the "outside". Each have their own plans for moving on with life. The youngest (played by a stunningly beautiful Joan Collins in her first leading film role) is determined to marry a sincere young man with whom she had kept in correspondence. The second one appears to have been innocently convicted due to a shifty boyfriend who left her to take the wrap for the crime he had committed. The third is a sweet little old lady who routinely got convicted of shop lifting. - The film follows all three women through their first day of freedom. Young Joan Collins is excited when her fiancé suggests a very near wedding date. The innocent one finds employment, and the old lady goes back to her modest boarding house where her beloved little dog "Johnnie" was waiting for her return. - Of course there are complication, lots of drama, and a heart breaking ending. The grim realities of early 1950s life in London make for a believable backdrop to the individual character studies. Life was tough, and for single women even tougher. Adding a prison record only adds to the challenge. - I was very much entertained by this film. A simple story told with warmth and empathy. Be sure to have your Kleenex box handy, it's a mushy one!

Rather cliched plot, but some nice period detail, if your interested in old film of London, youll really enjoy this tearjerking melodrama. A very young Joan Collins is adorable as the easily led West End girl Stella. Plenty of other classic British Movie faces too.

Yvonne Mitchell, Joan Collins and Kathleen Harrison are released from prison into the hustle and bustle of London on the same day, with varying degrees of resolution to go straight. They agree to meet for dinner at a posh restaurant -- Miss Mitchell's treat. The movie covers the day and their varying success.

It's well performed by three actresses: Miss Harrison plays her scrublady from SCROOGE, transported a century and a quarter into the future. jugged on fifteen counts of shoplifting; Miss Mitchell is an well-to-do young woman who loved unwisely but too well and took the fall for her burglar boyfriend; and Joan Collins.... well, she looks like a cheap piece of goods, but she's scheduled to marry a bus driver.

It's based on a novel and the screenplay is, I fear, somewhat muddled, with the random nature of events leading to random outcomes. The actresses give excellent performances, and director Jack Lee, in cooperation with cinematographer Geoffrey Unsworth, sets up the final fifteen minutes in a striking manner. He clearly had a fine eye for the streets of the city, having worked for the GPO as assistant director to LONDON CAN TAKE IT! His abilities helming a fiction movie were shakier, but given the performances and visuals, this one is worth a look.

Atmospherically shot by veteran cameraman Geoffrey Unsworth (who later shot '2001'), this melodrama detailing the adventures of three women released from Holloway the same morning probably looks a lot better today than it did when it originally came out, aided by picturesque London location work as it looked in the chilly fifties and the noble features of Yvonne Mitchell in ravishing close-up while led astray by louse Terence Morgan.