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I have to confess that back in the fifties Ronnie Shiner was one of my favourites.Looking at this film I can but wonder why.He really is far too broad a comedian for the screen.He lacks all subtlety.Furthermore it doesn't help if you have previously watched Good Morning Boys as you will know how well a great comedian,Will Hay,was able to transform the material into a very funny farce.There are many familiar actors in their twenties and thirties acting as schoolboys as was the case with the original film.There is only one genuinely funny moment in the film.Shiner goes into a cinema and sees himself on screen as a cowboy and does a double take.By the way this film was shown at least 5 years before Beyond Our Ken started on radio.Now that was funny..

Midway swindler Ronald Shiner has to go on the run and lands at a public school which is going under. Being rather free with his methodology, his boys cheat their way into a trip to France, which sets up the finale

The reliable John Paddy Carstairs does what he can with this Will Hay formula, with Shiner at his loudest and most obnoxious in the lead. It winds up, as you might expect, in a series of mini-skits that are put together adequately and shot and edited frenetically. I'm not a fan of Shiner but his old-fashioned elbow-to-the-rib fast talker has its fans. With Anthony Newley, Alfie Bass, Mary Jerrold, and Ronnie Corbett.

I watched the movie late the other night and it tugged the nostalgia strings. Yes Anthony Newley was a joy to watch as was a very very young Ronnie Corbett. Harry Fowler (later in the Army Game on TV) had a big part. Cant help but think he looks a lot like Robbie Fowler the footballer. Is that just a coincidence? Can anyone help? And what about sad old Alfie Bass also to star in the Army Game in 1960/61. What a face. I think they did a spin off later called Bootsie and Snudge (with Ronnie Fraser also from the Army Game.) Sadly it is all going to be forgotten. Its a fine example of English comedy before the influence of Monty Python when life was still so innocent and the Goons and Around The Horne were still on the Radio and Tony Hancock was making everyone laugh. Regards, Frank.

I was actually an extra in this film, as a schoolboy earning some holiday money. Even to me the scenes I was involved in seemed very contrived, and less funny than I would have hoped, following retakes. For instance Ronald Shiner had problems saying "Dickory Dock", rhyming slang for clock, and that scene was shot 21 times before Carstairs was satisfied. It was the first time I had seen Ronnie Corbett, and it is amazing how his stellar career has taken off since those early days. I filled in the school holidays with a lot of film extra work, and in my memory, this seemed the most laboured production, and reviewing the film after more than fifty years, this comes through on scree.

This extremely noisy and thoroughly predictable farce's limited quota of genuine humor is further undermined by director Paddy Carstairs. Not only does Carstairs handle the action in his usual ill-timed, ham-fisted manner, but he has seen fit to indulge his egotistical star with numerous close-ups. The film often resembles a television "comedy", an impression re-enforced by the script's seemingly endless parade of tediously-paced, elemental slapstick.

Fortunately, the obvious enthusiasm of the players (including Mr Shiner) does manage to overcome some of the inertia produced by both script and direction, although disappointingly, the lovely French star, Jacqueline Pierreux, has only a very small part.

Production values rate as modest and behind-the-camera credits rise no higher than steadfastly routine.