Thunder Over the Plains

Thunder Over The Plains is directed by André De Toth and written by Russell S. Hughes. It stars Randolph Scott, Lex Barker, Phyllis Kirk, Charles McGraw, Henry Hull & Elisha Cook Jr. Filmed in WarnerColor the exterior photography is by Bert Glennon at the Warner Ranch in Calabasas, and David Buttolph scores the music.

It's 1869, and Texas is still not part of the Union. Carpetbaggers rule the state and criminal activity is high. Captain Porter (Scott), a proud Texan himself, finds he has to carry out orders against his own countrymen. When a man in town is murdered in cold blood, suspicion falls on rogue cowboy Ben Westman (McGraw), but Porter believes he's innocent and strikes a deal to bring him in for a fair trial. However, this sets off a chain of events that leads to Porter himself becoming a wanted man.

Knowing direction, fine acting and a darn good script, all make Thunder Over The Plains essential viewing for the 50s Western fan. The bonus, aside from the impressive support cast, is the story itself. This was a troubled time, a time when only two states were not yet accepted back into the Union post the Civil War. Toth and Hughes paint a murky town, one of corruption, tax oppression and shifty shenanigans. There's even room in the story for strains on the family home of Porter and an attempt at adultery. Throw in the nice colour and scenery, pace it briskly with enjoyable action set-pieces (the shoot out at the end is familiar but excellently done), and it's a fictionalised winner. 7/10

Thunder Over The Plains starts with the same premise as John Wayne's Red River and Randolph Scott's earlier film, The Texans. That is the corrupt rule of carpetbaggers post the Civil War. But there are no large herds of cattle to be driven north for profit to escape the burdensome taxes laid down by the occupying carpetbagger civil servants and the army to back them up.

Randolph Scott is a Union army captain, but also a Texan and he sees both sides. Henry Hull is his put upon commanding officer and Charles McGraw plays a leader of a local gang who have risen up like Robin Hood among the oppressed. These guys aren't Ku Klux Klan nightriders by any means though.

Our villains are Hugh Sanders and Elisha Cook, Jr. a pair of scurvy lowlifes if there ever were. They've got quite the little self perpetuating racket. The more they extort, the more McGraw raids, the more Sanders and Cook cry that the army has to stay in Texas. Just about anything is blamed on McGraw and his men.

There's also a domestic crisis of sorts with newly arrived captain Lex Barker, an arrogant sort who was on duty in Washington and would like to get back there. Barker's bored and he makes a play for Phyllis Kirk who is married to Randolph Scott. Since they don't like each other from the beginning that only increases the problem.

Andre DeToth who did several westerns including a few with Randolph Scott brought home a good one here. With themes like an attempt at adultery here, this was not a western for the Saturday matinée kiddie trade. DeToth's best in my opinion is one called Ramrod with Joel McCrea and his then wife Veronica Lake, but this one is pretty good too.

DeToth also learned from the best and the final shootout scene with Scott against four men bears no small resemblance to High Noon, released a year earlier.

Definitely one of Randolph Scott's best westerns of the Fifties.

It is set in 1869 , after American Civil War : 1961-1865 , when Texas has not yet been admitted to the Union and several carpetbaggers upheaval againt the States . Federal captain Porter : Randolph Scott reluctantly has to carry out a mission assigned by his commandant in chief : Henry Hull against his own people . But things go wrong , the district tax Commissioner : Elisha Cook Jr is kidnapped and a rebel leader , Charles McGraw is captured being accused of killing . His was the moment he had to count his bullets because he couldn't on his friends ! Thunder in his heart ..lightning in his holsters! . Don't go out there Dave ¡ Please don't go out there ! In the heart and dust a prairie town waited . A storm was brewing . A storm named Dave Porter and when he hit , it would rain nothing but lead !

This is a tornado and adventure movie from Warner Bros , containing thrills , emotion , suspense , go riding and crossfire . A decent cavalry western with a twisted and complex intrigue written by Russell Hughes . As our captain Randolph Scott has to confront a nasty powerful owner : Hugh Sanders , while must avoid a new and envious officer : Lex Barker who attempts to take his wife Phyllis Kirk . As the trío of decent protagonists : Randolph Scott , Phyllis Kirk and Lex Barker give acceptable interpretations . They are well accompanied by a pretty support cast with plenty of familiar faces , such as : Henry Hull , Charles McGraw , Elisa Cook Jr , Lane Chandler , uncredited Trevor Bardette, James Brown of Rin Tin Tin TV series and Fess Parker of Daniel Boone TV series.

The motion picture was well directed by Andre De Toth , though it has some flaws and gaps . De Toth was a good artisan of long career , writing , producing and directing several movies . As he made all kinds of genres , outstanding in Western , such as : Ramrod , Carson City , The Indian Fighter , Day of Outlaw , Thunder over Plains . And he made other genres including films as The other love , Pitfall , None Shall escape , Crime Wave , Dark Waters , Monkey on my Back , Play Dirty . Being his biggest hit , the boxoffice terror House of Wax . Rating : 6/10 . Passable and acceptable Western that will appeal to Randolph Scott fans . Worthwhile seeing .

In post Civil War Texas, an Army captain is charged with bringing in an outlaw who has become a legend for taking on the Carpetbaggers. It begins and ends with hokey narration, but in between there is a fairly interesting story, helped by nice color cinematography. Scott is his usual solid self as the captain. McGraw plays the outlaw, but it is Barker (coming off his final Tarzan movie) as another Army captain that is the real villain here. Kirk does well as Scott's understanding wife. It's not up to the level of Scott's later Westerns with Budd Boetticher, but it's competently directed by de Toth. The final gunfight is too drawn out and somewhat anti-climactic.

There's just too many baddies in this film for me to consider this as anything other than an average Randolph Scott Western. Even the nearly-good people have perverse traits – who the Hell are we supposed to care about!

Tale set in post Civil War Texas where carpetbaggers ruled almost supreme, and the occupying Federal troops seemed to let them. There's a gang of patriotic outlaws led by a Robin Hood character trying to redress the balance and a complicated set of sympathies and antagonisms with which to contend. And Lex Barker was playing a nutter. But if I correctly remember my extensive Frank Yerby reading when I was a kid surely in reality the Ku Klux Klan couldn't have been far away in matters of this kind in their role of Southern saviours? There's time in this shortish formula fiction film for lots of plot twists, cold business, love, jealousy, rage, backstabbings, murders galore, some honour and integrity, all of it delivered with plenty of panache, a nice colour and sporadically excellent camera-work.

It's enjoyable hokum up to a point but ultimately loses its way because there's no one you can really root for but many you can root against. Naturally, Scott is as dependable as usual.