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IMDbPro

Le comte de Monte-Cristo: La trahison

  • 1954
  • 1h 35min
CALIFICACIÓN DE IMDb
7.1/10
1.3 k
TU CALIFICACIÓN
Le comte de Monte-Cristo: La trahison (1954)
AdventureDramaRomance

Agrega una trama en tu idiomaEdmond Dantes is falsely accused by those jealous of his good fortune, and is sentenced to spend the rest of his life in the notorious island prison, Chateau d'If. While imprisoned, he meets... Leer todoEdmond Dantes is falsely accused by those jealous of his good fortune, and is sentenced to spend the rest of his life in the notorious island prison, Chateau d'If. While imprisoned, he meets the Abbe Faria, a fellow prisoner whom everyone believes to be mad. The Abbe tells Edmond... Leer todoEdmond Dantes is falsely accused by those jealous of his good fortune, and is sentenced to spend the rest of his life in the notorious island prison, Chateau d'If. While imprisoned, he meets the Abbe Faria, a fellow prisoner whom everyone believes to be mad. The Abbe tells Edmond of a fantastic treasure hidden away on a tiny island, that only he knows the location of.... Leer todo

  • Dirección
    • Robert Vernay
  • Guionistas
    • Alexandre Dumas
    • Georges Neveux
    • Robert Vernay
  • Elenco
    • Jean Marais
    • Lia Amanda
    • Daniel Ivernel
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.1/10
    1.3 k
    TU CALIFICACIÓN
    • Dirección
      • Robert Vernay
    • Guionistas
      • Alexandre Dumas
      • Georges Neveux
      • Robert Vernay
    • Elenco
      • Jean Marais
      • Lia Amanda
      • Daniel Ivernel
    • 4Opiniones de los usuarios
    • 2Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado en total

    Fotos6

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    Elenco principal25

    Editar
    Jean Marais
    Jean Marais
    • Edmond Dantès…
    Lia Amanda
    • Mercédès Herrera
    Daniel Ivernel
    Daniel Ivernel
    • Gaspard Caderousse
    Folco Lulli
    Folco Lulli
    • Jacopo
    Louis Seigner
    Louis Seigner
    • Le bijoutier Joannès
    • (as Louis Seigner de la Comédie Française)
    Claude Génia
    • La Carconte
    • (as Claude Genia)
    Jean Témerson
    • Le roi Louis XVIII
    • (as Jean Temerson)
    France Asselin
    • Renée de Villefort
    Julien Bertheau
    Julien Bertheau
    • L'empereur Napoléon I
    • (as Julien Bertheau de la Comédie Française)
    Lucien Blondeau
    • Dantès père
    André Brunot
    André Brunot
    • L'armateur Morel
    Gualtiero Tumiati
    Gualtiero Tumiati
    • L'abbé Faria
    • (as Gualtieri Tumiati)
    Jacques Castelot
    • Gérard de Villefort
    Noël Roquevert
    Noël Roquevert
    • Le colonel Noirtier de Villefort
    Roger Pigaut
    Roger Pigaut
    • Fernand Mondego
    José Casa
    • L'aubergiste
    • (sin créditos)
    Marcel Delaître
    Marcel Delaître
    • Le geôlier
    • (sin créditos)
    Guy Favières
    Guy Favières
    • Un homme chez M. Morel à la vente du bateau
    • (sin créditos)
    • Dirección
      • Robert Vernay
    • Guionistas
      • Alexandre Dumas
      • Georges Neveux
      • Robert Vernay
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios4

    7.11.2K
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    Opiniones destacadas

    7dbdumonteil

    The Dantès redemption

    How many versions of the famous novel are there in the world?Even the "best movie of all time "(sic) ,according to the IMDb users ,"Shawshank redemption", owes a lot to Alexandre Dumas and his count: Andy is Dantès and Red is Faria.

    Robert Vernay loved this novel so much he filmed two versions of it;the first one,reportedly the best (I have not seen it yet)was made in 1942 and featured two parts .So does this one :to see the whole ,the audience was requested to come back to the theater and pay again.One thing for sure,Jean Marais 's aristocratic look and his harsh face make him the perfect actor for this Nemesis role .The fifties version was in color , then something rare in the French cinema ,and was made with care and respect for the public.From start to finish ,Robert Vernay holds his audience spellbound because he knew to tell a story,a thing the N.W. used to ignore,with a few exceptions of course.

    Part 1: Betrayal Once again,Dumas combined history with fiction with talent.It begins in 1815,when king Louis the Eighteenth was on the throne and Napoleon was about to come back (Les Cents Jours).More than an innocent's plight,it's the opportunism of the magistrates ,waiting to see where the wind blows which is masterfully shown.On the king 's desk,there's a music box with a bird singing an old nursery rhyme which goes like this:

    "J'Ai Un Beau Château Ma Tantirelire ..................... Nous Le Détruirons Ma Tantirelirelo" (I 've got a beautiful château .............................. We shall raze it to the ground..)

    When Napoleon arrives ,for a short while ,just before Waterloo,the first thing he does in the king's office is to play the little tune.

    The sinister Château D'If and its dark spooky dungeons ,the meeting with L'Abbé Faria ,and the escape are depicted brilliantly.

    Part 2: Revenge (is a dish best eaten cold)

    Generally ,in these movies in two parts (the French used to say "Epoques"= eras ),there was a summary (for people who could not have seen the first part);sometimes lines on the screen, more often a voice-over.Here Robert Vernay found a more interesting way: the hero tells his story to his henchman .The plot becomes very melodramatic with plenty of new characters and the story is not always as clear as in "betrayal" .There's even a touch of "Oliver Twist",written seven years before "Monte Cristo" .Marais is as impressive as the statue of the Commendatore and he 's got his duel in the end ,finally!

    All in all,if you like a good story,told with gusto and panache,this version of the famous novel was made for you
    8sb-47-608737

    One of the better adaptations

    The plot of the classic need not be retold here - it was one what we loved in our teen and pre-teen ages about half a century back, along with other classics (of course translated) of Dumas (and his contemporary - of same year of Birth) Hugo, of course along with many others - but these two names strike the mind - the Musketeers (all three of them), Black Tulip, the Hunchback - of recently ravaged Notre Dame, are some of the names I still recall.

    This movie is well adapted to the original one, and with Marais in the central role, not much can be improved in acting department. Despite the long duration, about 3 hours - it doesn't bore, of course neither did the huge novels of those times, due to the well paced rendition. Both the parts had been more or less faithfully adapted from the novel.

    Some of the factors are of course missing- for example the method of tunnel digging and disposing off the grits, or the way Dante managed to be inside the sack - but probably they were required for the written version, for the screen version they were not mandatory.

    Another major difference - again it didn't matter in the adaptation - was foresaking the Baron Dangler - and rather merging it into two avatars - or mainly into the Caderousse role (Villefort only used the name, for his secret affair) - that would be a missing aspect, especially since instead of the four Marseilles, it was brought down to three, but only for those who have read it. And also probably it reduced some running time - that character and the retribution would have brought in at least another half an hour. And it would have been important - since the side-plot of Morel's daughter and Dangler's son also would have to be retained, to keep Dante's level of revenge in control. But over all this had been quite faithful adaptation - in two episodes - probably avoiding the third - which would definitely have cause audience exasperation., and without missing much from the main story line, trimming the branches, and characters where it could be. And it didn't much mess up with history either. Of course neither did the novel. I wonder who was Morel's daughter in (in First part), she was quite pretty, but there is no name in credits or even outside it. She had half the screen time at least, as her father, and may be much more than some other figures - say Emperor Napoleon, King Louise XVIII etc.

    Worth watching - if there is still child in you, it won't bore.
    Kirpianuscus

    beautiful, in profound sense

    It is easy to say - it is the best version. First , for the care of Robert Vernay for each detail. Second, for the brilliant elegance and perfect facies of Jean Marais to become one with his character. For the atmosphere and small so significant details - the musical box from the room of Louis XVIII is the memorable one -, for costumes and for atmosphere, for remarkable abbe Faria. A special ,in profound sense, film.

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    Argumento

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    ¿Sabías que…?

    Editar
    • Trivia
      Film in two parts: 1) La trahison / 2) La vengeance
    • Errores
      When de Villefort during the 100 days reign of Napoleon starts writing a letter to release Dantès, he stops to show his visitors to the door. When he returns to his desk and puts the letter into the drawer of his desk, the letter is already finished and signed.
    • Conexiones
      Featured in Pelísky (1999)

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    Preguntas Frecuentes16

    • How long is The Count of Monte Cristo?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 14 de enero de 1954 (Francia)
    • Países de origen
      • Francia
      • Italia
    • Sitio oficial
      • arabuloku.com
    • Idioma
      • Francés
    • También se conoce como
      • The Count of Monte Cristo
    • Locaciones de filmación
      • Côte d'Azur, Francia
    • Productoras
      • Les Productions Jacques Roitfeld
      • La Société des Films Sirius
      • Cineroma
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 35 minutos
    • Color
      • Color
    • Relación de aspecto
      • 1.37 : 1

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