Señorita inocencia

I think this musical is highly underrated. Yes the plot is not particularly original, but how many are original. The plot and acting are not a strong point, but it's a musical. To me this is better than half the Astaire Rogers musicals which I do love. The singing by Nat King Cole and Jane Powell are superb. Plus there are so many wonderful character actors in this like SZ Sakal, Billie Burke and Chill Wills. Their comedy is really great. The dances are by Busby Berkeley and music by Andre Previn. How can you ask for more? It should be remastered and get higher reviews by the critics. I was overwhelmed by the Take me to Broadway number by Bobby Van. This is the best Ann Miller I have seen. She did at least two fabulous tap dancing numbers including a splashy flamenco dance near the end.

Does anyone know any behind the scenes info about the dance number "Take Me to Broadway" as performed by Bobby Van in this movie? It is comprised of several minutes of hopping. For example, did he do it in one take? Did he have to have special shoes that had major cushioning inside? Whose idea was it to have him perform a dance that consisted only of hopping? As someone who has suffered from shin splints, I think this choreography would make him a prime candidate for that or some other kind of injury as a result of this dance. Did he do special warm-ups? This just struck me as I watching the film on May 21, TCM channel. Some people will think it odd to focus on this, when the major dance number is Ann Miller's, but I just got to thinking . . .

Small Town Girl is cute, fluffy and moderately entertaining. It tells the story of a handsome rich young man (Farley Granger) and the titular daughter of the small town judge who sentences him to 30 days in jail for speeding. Antics ensue.

There is much singing and dancing and Bobby Van has a long scene where he hops through town -- even with two or three cuts, it's still a whole lot of hopping!

What made me sit up and take notice, though, was Nat "King" Cole's number, set in a New York nightclub. It makes the film definitely worth watching, even worth buying.

The tagline I quote above was prominently featured on the posters outside the Bay Theater in Pacific Palisades, California, where I saw this film in mid-summer of the year of its release. I hadn't yet entered my teens and, up to that point, had only seen "Singin' in the Rain" from among the treasure trove of M-G-M's greatest musicals. So with my admittedly undeveloped critical tastes, this amiable pastiche seemed pretty good. And Busby Berkeley's showstopping inventions - Ann Miller's tap dance among all those disembodied instrumentalists and Bobby Van's seemingly endless pogo dance through the small town of M-G-M's backlot (One can only imagine Berkeley slave-driving Mr. Van to achieve that amazing feat of energy and agility!) - are still moments I can distinctly remember from that first viewing.

Even when M-G-M wasn't adding a Midas touch to one of their musicals, the studio assembled some talented professionals both before and behind the cameras, and this one has its share. And for fans of Nat King Cole, one of the all-time greats, there's even a brief song in a nightclub (the sort of thing that M-G-M could easily excise to spare the sensitivities of white Southerners, as they did with Lena Horne's solos in previous Technicolor memories, although by the mid-Fifties, Mr. Cole's appearance was probably not removed for bookings below the Mason-Dixon line.)

The plot to "Small Town Girl" is very sweet...and I enjoyed it. The dancing to "Small Town Girl" is amazing...and I marveled at it. But the film simply had too much in the way of singing that I found it, after a while, to be a bit exhausting.

The story is set, naturally, in a small town. A rich and entitled jerk (Farley Granger) goes speeding through the neighborhood in his car and is caught and brought before the judge (Robert Keith). Amazingly, Richard is NOT contrite and acts very haughty and entitled....and as a result he's sentenced to 30 days in jail. What's next? See the film.

The two dance numbers that simply blew me away was Ann Miller dancing among musical instruments where the bodies and heads of the performers are hidden. It's really hard to describe...you just need to see it. The other, and even more amazing scene is where Bobby Van is hop-dancing...again, it's hard to describe but you have to see it. Add to that Cuddles Sakal as well as Nat King Cole (as himself) and these alone are reasons to watch the film....even if the songs are a bit too many and not exactly memorable.