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Agrega una trama en tu idiomaWhile Mickey fishes at the beach, Pluto has bad encounters with a clam and then a seagull that also steals Mickey's bait and fish. The pair are eventually chased away by all the gull's frien... Leer todoWhile Mickey fishes at the beach, Pluto has bad encounters with a clam and then a seagull that also steals Mickey's bait and fish. The pair are eventually chased away by all the gull's friends.While Mickey fishes at the beach, Pluto has bad encounters with a clam and then a seagull that also steals Mickey's bait and fish. The pair are eventually chased away by all the gull's friends.
- Dirección
- Guionista
- Elenco
Clarence Nash
- Seagull
- (voz)
Pinto Colvig
- Pluto
- (voz)
- (sin créditos)
James MacDonald
- Mickey Mouse
- (sin créditos)
- …
Clarke Mallery
- Clam
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
A Walt Disney MICKEY MOUSE Cartoon.
Mickey & Pluto enjoy THE SIMPLE THINGS in life, like fishing together at the beach - until a pesky clam and an obnoxious seagull begin to ruin their day.
Although only 24 years old, Mickey chose this routine cartoon as his final film before retiring from theatrical animation, preferring to devote his time to television and theme park work. An immense celebrity by this time, but with his greatest cartoons long behind him, Mickey could well afford to rest on his laurels as the iconic Everyman of American animation. His retirement would last for 30 years, when he would return in 1983 for a nominal role in MICKEY'S CHRISTMAS CAROL. His big screen appearances since then have been very sporadic.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Bambi, Peter Pan and Mr. Toad. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
Mickey & Pluto enjoy THE SIMPLE THINGS in life, like fishing together at the beach - until a pesky clam and an obnoxious seagull begin to ruin their day.
Although only 24 years old, Mickey chose this routine cartoon as his final film before retiring from theatrical animation, preferring to devote his time to television and theme park work. An immense celebrity by this time, but with his greatest cartoons long behind him, Mickey could well afford to rest on his laurels as the iconic Everyman of American animation. His retirement would last for 30 years, when he would return in 1983 for a nominal role in MICKEY'S CHRISTMAS CAROL. His big screen appearances since then have been very sporadic.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Bambi, Peter Pan and Mr. Toad. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
I didn't know until looking at the reviews on Letterboxd and IMDb trivia that this was the last Mickey Mouse cartoon that Walt Disney worked on, in other words the final one that was a short in this format (I have to think Mickey Mouse showed up *somewhere* in the 13 ensuing years until Disney died, maybe someone can bring this info up). It certainly was a good one to leave off on, and mostly because it goes back to the spirit of the early Mickey Mouse shorts: Mickey having lots of gags involving other animals that are screwing around with him.
Of course it's not quite the same since we also have Pluto, but the raison d'etre of Mickey Mouse can be seen here just as well as in those late 20's and early 30's shots (it's not quite that quality, but then what is). It's a lot of fun to see the hijinks ensue with the clams and then the seagulls, and the light but constantly mounting touch that Disney brought, where a gag builds on top of another and it's about the affronting personalities and clashing of conflicts more than anything, makes it memorable.
I think that it helps to watch it as a kid initially, as I got to do (thanks Disney Classics VHS series in the 80's, which introduced me and other kids to Steamboat Willie by the way), so that the history of it and that significance can come later. If you take it on its own, it's not any masterwork but it's fun and engaging and cute and that's what counts.
Of course it's not quite the same since we also have Pluto, but the raison d'etre of Mickey Mouse can be seen here just as well as in those late 20's and early 30's shots (it's not quite that quality, but then what is). It's a lot of fun to see the hijinks ensue with the clams and then the seagulls, and the light but constantly mounting touch that Disney brought, where a gag builds on top of another and it's about the affronting personalities and clashing of conflicts more than anything, makes it memorable.
I think that it helps to watch it as a kid initially, as I got to do (thanks Disney Classics VHS series in the 80's, which introduced me and other kids to Steamboat Willie by the way), so that the history of it and that significance can come later. If you take it on its own, it's not any masterwork but it's fun and engaging and cute and that's what counts.
Mickey and Pluto decide to go fishing by the ocean. They have little success because Pluto has an encounter with a clam and Mickey with a seagull. What could have been the enjoyment of the simple things becomes an incredibly unpleasant day. The clam seems a bit over the top. I've never liked seagulls. Basically it's about two pleasant characters having their days ruined through no fault of their own.
The Simple Things (1953)
*** (out of 4)
Delightful animated short from Disney has Mickey and Pluto going fishing but both are terrorized by some local creatures. Pluto comes under attack from a clam, which leads to Mickey and his bait coming under attack by a seagull. THE SIMPLE THINGS is best remembered today for being the final Mickey short during his classic early days. With that in mind, the historic aspect alone makes this here worth watching even though the actual short isn't the greatest that the mouse appeared in. Still, there are enough good moments and laughs here to make it worth sitting through with the highlight clearly being the sequence where the clam gets inside Pluto's mouth and causes him some trouble. As you'd expect the animation is extremely good and we're also treated to a good score.
*** (out of 4)
Delightful animated short from Disney has Mickey and Pluto going fishing but both are terrorized by some local creatures. Pluto comes under attack from a clam, which leads to Mickey and his bait coming under attack by a seagull. THE SIMPLE THINGS is best remembered today for being the final Mickey short during his classic early days. With that in mind, the historic aspect alone makes this here worth watching even though the actual short isn't the greatest that the mouse appeared in. Still, there are enough good moments and laughs here to make it worth sitting through with the highlight clearly being the sequence where the clam gets inside Pluto's mouth and causes him some trouble. As you'd expect the animation is extremely good and we're also treated to a good score.
The final Mickey Mouse theatrical short in the classic era. Also the last one made in Walt Disney's lifetime. The story is a very simple one. Mickey and Pluto are going fishing. Pluto gets into trouble with a clam and Mickey fights off a seagull trying to steal his bait. It's an enjoyable short albeit an unexceptional one. The colors are luscious and the animation is beautiful. A few funny moments here and there. Mickey's final line is bittersweet. My favorite part about the whole thing is that title song. I'm not sure who sang it but it's just lovely. This isn't one of the best Mickey or Pluto shorts I've seen but it is nice.
¿Sabías que…?
- TriviaLast Mickey Mouse cartoon that Walt Disney worked on.
- ConexionesEdited into Disneylandia: Pluto's Day (1956)
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Detalles
- Tiempo de ejecución
- 7min
- Relación de aspecto
- 1.37 : 1
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