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Shane, el desconocido

Título original: Shane
  • 1953
  • Approved
  • 1h 58min
CALIFICACIÓN DE IMDb
7.6/10
46 k
TU CALIFICACIÓN
Alan Ladd, Jean Arthur, Brandon De Wilde, Van Heflin, Jack Palance, and Ben Johnson in Shane, el desconocido (1953)
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Reproducir trailer1:57
1 video
99+ fotos
DramaWesternWestern clásico

Un cansado pistolero intenta establecerse con una familia, pero un conflicto latente entre colonos y ganaderos lo obliga a actuar.Un cansado pistolero intenta establecerse con una familia, pero un conflicto latente entre colonos y ganaderos lo obliga a actuar.Un cansado pistolero intenta establecerse con una familia, pero un conflicto latente entre colonos y ganaderos lo obliga a actuar.

  • Dirección
    • George Stevens
  • Guionistas
    • A.B. Guthrie Jr.
    • Jack Sher
    • Jack Schaefer
  • Elenco
    • Alan Ladd
    • Jean Arthur
    • Van Heflin
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.6/10
    46 k
    TU CALIFICACIÓN
    • Dirección
      • George Stevens
    • Guionistas
      • A.B. Guthrie Jr.
      • Jack Sher
      • Jack Schaefer
    • Elenco
      • Alan Ladd
      • Jean Arthur
      • Van Heflin
    • 367Opiniones de los usuarios
    • 88Opiniones de los críticos
    • 85Metascore
  • Ver la información de producción en IMDbPro
    • Ganó 1 premio Óscar
      • 8 premios ganados y 13 nominaciones en total

    Videos1

    Trailer
    Trailer 1:57
    Trailer

    Fotos130

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    Elenco principal39

    Editar
    Alan Ladd
    Alan Ladd
    • Shane
    Jean Arthur
    Jean Arthur
    • Marian Starrett
    Van Heflin
    Van Heflin
    • Joe Starrett
    Brandon De Wilde
    Brandon De Wilde
    • Joey Starrett
    Jack Palance
    Jack Palance
    • Jack Wilson
    • (as Walter Jack Palance)
    Ben Johnson
    Ben Johnson
    • Chris Calloway
    Edgar Buchanan
    Edgar Buchanan
    • Fred Lewis
    Emile Meyer
    Emile Meyer
    • Rufus Ryker
    Elisha Cook Jr.
    Elisha Cook Jr.
    • Stonewall Torrey
    Douglas Spencer
    Douglas Spencer
    • Axel 'Swede' Shipstead
    John Dierkes
    John Dierkes
    • Morgan Ryker
    Ellen Corby
    Ellen Corby
    • Mrs. Liz Torrey
    Paul McVey
    Paul McVey
    • Sam Grafton
    John Miller
    • Will Atkey - Bartender
    Edith Evanson
    Edith Evanson
    • Mrs. Shipstead
    Leonard Strong
    Leonard Strong
    • Ernie Wright
    Ray Spiker
    Ray Spiker
    • Axel Johnson
    Janice Carroll
    • Susan Lewis
    • Dirección
      • George Stevens
    • Guionistas
      • A.B. Guthrie Jr.
      • Jack Sher
      • Jack Schaefer
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios367

    7.646.4K
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    Opiniones destacadas

    ramblin-jack

    Hell Bent For Leather

    Considered by most a masterpiece and by a few 'a waste of film', 1953's SHANE is a mini-epic that tells of the arrival of the mysterious stranger who comes to 'town' and impresses the innocent and threatens the guilty. A good versus evil western was never been more defined. Alan Ladd plays the stranger in an outfit that has been criticized since day-one. He wears a buckskin shirt ala Davy Crockett and if I heard it once, I heard it a thousand times, "that shirt ain't right"! Well, 'pards, I ask you, "Have you ever heard of "Buckskin Frank Leslie?" Just happens to be one of the baddest-ass real life western gunslingers who ever strapped on a gun-rig. Why they haven't made westerns about Leslie I will never know. Doc Holliday, known for reckless bravery, knew enough to stay out of Frank's way. And P.S. he was known for his 'patented' Buckskin Shirt. But I digress...

    Shane was directed by George Stevens who admittedly directs with a strictness that borders on fascism. And yet he pulls it off with aplomb. Ladd's character is criticized as well, because he is played by Ladd himself, an actor that is an easy target for certain critics. There's the old joke about Ladd standing in a hole (outside of camera view) to match the heights of his leading ladies, or by standing on a ramp or box so their heights in close-ups would be matched for love scenes. Is this the 'stuff' of western heroes? Not hardly. So here we have "little Alan" taking on one of the most vicious actors that ever played 'Satan Incarnate', the incomparable Jack Palance! Jack's 'Lucifer' is a messenger from hell hired by the bad'uns to save them all from Ladd's goodness. Jack wakes up shortly after arriving in town to assassinate another little man, Elisha Cook Jr., in a scene which was completely and shamelessly ripped off by Eastwood in 'Pale Rider'. The death is completely believable and establishes Palance's character as unstoppable.

    The characters in Shane are cut from a woodcarving, they glisten with familiar yet surprising motivations. Ben Johnson, the Sainted actor of westerns plays a very small part that almost steals the film. The bad guys in this film are a textbook rendition of meaness.

    But some say that the action is subdued in Shane. But I say the build-up is worth the wait as the final climatic shoot-out has been described by many western film scholars as the best that was ever put to film.

    Shane a waste of film? I think not.
    Silver Dollar

    A Western to haunt the memory.

    A gunslinger, a farmer, a wife, a little boy, a dog, and some dastardly villains....

    I first saw "Shane" from the back seat of a '51 Ford, at a drive-in theater somewhere in Montana. The movie was new, and I was about 4 years old. From that time, I remember quiet male voices and the ring of spurs. Those sounds have lived in my mind for decades.

    "Shane" is a classic -- no, not a bang-bang shoot-em-up B Western, but it is a solid Western that gives fans of the genre some something to think about besides "they went thataway." The scenery (Jackson Hole, Wyoming) is grand and was even moreso on the big screen. When well known Western novelist A.B. Guthrie wrote the screenplay, he kept fairly faithful to Jack Schaefer's novel. The movie makes a reasonable attempt, for that time, to look authentic in costume and gear, and gives fans of the movies of the '40s and '50s some interesting cinematic moments (see the small things, like how the camera was used to make Alan Ladd seem more "heroic").

    I'd probably recast some of the secondary roles, if I had the chance, but Ladd's soft-spoken, gentlemanly way is just right for Shane, and Jack Palance is subtly evil.

    Yes, "Shane" contains a few clichés, but they weren't yet quite so cliché, in 1953. Besides, they were well done clichés, so, while you may recognize them, you probably won't mind them.

    But, what's "Shane" about, exactly?...

    Courage. Loyalty. Honor. Friendship.

    It will leave you wishing you knew what happened next.
    9Fella_shibby

    A touching western with awesome cinematography.

    I first saw this in the early 90s. Revisited it recently on a DVD which i own. When you love a western, it's a film like Shane that you go back to time and time again. Everything has already been said about this great film n there seems to be little left to say but as a fan of western films, lemme contribute by praising how good this film is. The single greatest asset is the wonderful cinematography. The mountains, the lakes, the hills, farms n houses all looked straight outta poetry n painting. Loyal Griggs did an amazing work with the film's cinematography. The story is about a mysterious gunfighter (Alan Ladd) who helps a farming family against cattle barons wanting the farmers land. Jack Palance in a role of pure malevolence with his evil smirk n few dialogues. George Stevens' direction is truly stunning. He made a very touching film. This film has contributed a lot towards the western genre.
    10csmith-99615

    This Is What Movies Are Supposed To Be

    One of my favorite movies of all time. Classic good virus evil. Friendship between a rancher and and a stranger. Love between a husband and wife and also between the wife and a stranger. Admiration between a boy and a stranger. This film developed characters as well as any film ever made. There is not one unnecessary scene in the entire movie. To simply say it's a classic or even it's the best western ever made doesn't do it justice. If you've never seen this gem, please watch it. Or if you're like me and have seen 50 times, watch it for the 51st.
    munson-2

    A sweeping and memorable movie

    So much has been written over the years about SHANE; it's beautiful composition, its precise, if mechanical direction by George Stevens, and its good against evil theme, that there seems to be little left to say in the way of superlatives, but I will give it a try.

    There are so many scenes in SHANE that standout as epic. They are like the jagged mountainscapes that dominate the picture: A young boy, slogging around in a marsh, aims his toy gun on a deer grazing on some grass stems, the deer lifts it's antlers and perfectly frames a lone rider approaching in the distance, a struggling family homestead held together by hard work, the father splitting wood, the mother baking in the kitchen, and always the mountains jutting upwards away off in the distance.

    We have a stranger, lean and handsome, dressed in fringed buckskin. His dress and gun belt suggest something other than a farmer or rancher, yet we never really know, or ever know, of his past. He is kind and modest, and takes time to address the boy as though someone worth talking to, "You were watching me down the trail quite a spell, weren't you. I like a man who watches things going around.....He can make his mark someday." the boy smiles up at him, and an instant bond is formed, an idol worship in the making.

    We have snickering, troublesome ranchhands who spend any free hours swilling whiskey at Graftons General Merchantile. "I thought I smelled pig. Which one of those tatter-pickers are you working for? Or are you just squattin' on the range?" this is the kind of menace that dogsany farmer who dares to come into town.

    We have Shane, although trying to lead the simple life of farming, goaded into a fight by a sweaty-faced cowpoke (Ben Johnson). His bloodying of the cowpoke is like a violent ballet, graceful and cutting.

    There is a meeting of the homesteaders, huddled together by lamplight, trying to solve there problems by resolving to go into town all together so that they would have strength in numbers. This is a rather sad scene since WE know that will be in vain.

    There is touching elegance to the 4th of July celebration where there is fiddle music and dancing. Shane and Marion (the boy's mother) take a few turns to a reel..... dancing with others in the corral. Van Heflin (the Boy's father) is symbolically shut out beyond the fence. "Marion, they fenced me out" he grins. Yet we know that there is a growing affection between the two dancers.

    There is tension in the late evening when the head of the ranchers pays visit to the homestead. "Look Starrett. When I come to this country you weren't much older than your boy there........ How would you like to go partners with me." It's sad because this is a real if clumsy attempt to "be reasonable" But as Shane would say on more than one occasion, "it's no use".

    I could go on; the murder of the Stonewall at the hands of an especially evil hired gun from Cheyenne has great impact. And, the final confrontation at Graftons one fateful night, is one of the best in Westerns.

    The characters are well developed and the story, while exiting, is a little melancholy.

    The best Western ever made.

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    Argumento

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    • Trivia
      Principal photography had been completed in October, 1951, but the amount of coverage shot by George Stevens resulted in such an extremely protracted editing process that the film wasn't released until August, 1953. All this drove up the costs of what should have been a simple, straightforward Western; in fact, they spiraled so much that Paramount approached Howard Hughes about taking on the property, but he declined. He changed his mind when he saw a rough cut and offered to buy the film on the spot. This made Paramount rethink its strategy--originally it was going to release it as a "B" picture but then decided it should be one of the studio's flagship films of the year. This proved to be a good decision, as the film was a major success and easily recouped its inflated budget.
    • Errores
      At the beginning, when Shane rides a horse down the hill, Teton Pass Highway is visible in the background.
    • Citas

      Shane: I gotta be going on.

      Joey: Why, Shane?

      Shane: A man has to be what he is, Joey. Can't break the mould. I tried it and it didn't work for me.

      Joey: We want you, Shane.

      Shane: Joey, there's no living with... with a killing. There's no going back from one. Right or wrong, it's a brand. A brand sticks. There's no going back. Now you run on home to your mother, and tell her... tell her everything's all right. And there aren't any more guns in the valley.

      Joey: Shane...

      [Joey notices that Shane is wounded]

      Joey: It's bloody! You're hurt!

      Shane: [Shane starts to stroke Joey's hair] I'm all right, Joey. You go home to your mother and father and grow up to be strong and straight. And, Joey... take care of them, both of them.

      Joey: Yes, Shane.

      [Shane rides off]

    • Créditos curiosos
      Introducing Brandon De Wilde
    • Versiones alternativas
      The film was shot in Academy Ratio (1.33:1 or 4:3), but this was done around the time widescreen filmmaking was coming around. As such, many theatres cropped the film into a widescreen ratio to take advantage of this, with many DVDs being cropped as well. The 2013 Blu-ray Disc release is in the proper Academy Ratio.
    • Conexiones
      Edited into Go West, Young Man! (2003)
    • Bandas sonoras
      Abide With Me
      (uncredited)

      Music by William H. Monk (1861)

      Hymn by Henry F. Lyte (1847)

      Played on piano and sung by many at a meeting

      Also played and sung at a funeral

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    Preguntas Frecuentes25

    • How long is Shane?Con tecnología de Alexa
    • What is "Shane" about?
    • Is "Shane" based on a book?
    • In what time period is "Shane" set?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 14 de agosto de 1953 (Canadá)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Shane
    • Locaciones de filmación
      • Jackson Hole, Wyoming, Estados Unidos
    • Productora
      • Paramount Pictures
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 3,100,000 (estimado)
    • Total a nivel mundial
      • USD 21,412
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 58min(118 min)
    • Color
      • Color
    • Relación de aspecto
      • 1.37 : 1(original aspect ratio)

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