La princesa que quería vivir

I recently caught this little gem of a film on a retro program and it was a trip well worth it. William Wyler was a genius directing throughout his film career. Here he's in top form.

The only way this film could have been conceived was with the charming presence of Audrey Hepburn in her first appearance on a Hollywood film. She is without a doubt, an angel who was sent to this earth to delight the movie audiences in whatever movie she happened to dignify with her appearance in.

Some people have compared Audrey Tatou with the incomparable Audrey Hepburn. Seeing Ms Hepburn in Roman Holiday will certainly change the minds of those comparing fans. Audrey Hepburn was a star's star! She exudes charm, intelligence, elegance, and beauty. Just one look from her could disarm Gregory Peck forever.

The only wrong note of this production was the way the writer, Dalton Trumbo, was treated since he had been blacklisted by the anti-communist faction lead by Sen. McCarthy and company. In the end, Mr. Trumbo was vindicated in having his name recognized as the writer of Roman Holiday.

This film is a feast to the eyes in that glorious cinematography and Rome as a background. This was Hollywood at its best. Gregory Peck and Audrey Hepburn will be forever young any time we take a look at this classic that I'm sure will live and charm its viewers whenever they take a chance to see it for the first time, or like some of us, for another loving look.

As a college aged guy with several younger sisters, I'd seen far too many chick flicks as they were being watched and couldn't get over how bad they were. Even ones they claimed to be good were extremely lackluster and I was beginning to wonder what, if any, good romantic movies existed. Then one afternoon I randomly happened to catch Roman Holiday on TV just as it was starting. For some reason I cant really remember, I sat through and watched it and now am quite glad that I did.

Aside from the romance element, it's essentially the polar opposite of what I despised. Great acting, excellent script, and most importantly, an effective and beautiful story. I won't spoil a thing about the plot here, but it works. While the movie can be called a romantic comedy, the humorous elements aren't the cheesy kind of thing you might expect from recent entries in the genre. I All I can say to you is: coming from a guy, this is the first and so far the only romantic movie I have thoroughly enjoyed watching.

A comment made by Emma Thompson made me want to see "Roman Holiday" again. Miss Thompson said about Audrey Hepburn "she has no bite" Implying that Miss Hepburn wasn't much of an actress. Well, I don't know what she was talking about or perhaps she doesn't either. To see "Roman Holiday" again in 2017 was a moving and wonderful experience. Audrey Hepburn's performance is as fresh and enchanting as I remembered. Perhaps even more. So I arrived to the conclusion that Miss Thompson is talking about a different kind of acting. When a performance travels in time with the same power, decade after decade, for me that's great film acting. In "Roman Holiday" she took me with her and convinced me, heart and mind, that she was that princess and I loved her. William Wyler, the wonderful director, knew what he was doing - he always did. By introducing us to Audrey Hepburn he reinforced and reinvigorated his own prodigious legacy. I love Emma Thompson as an actress but she's totally wrong about Audrey Hepburn.

Audrey Hepburn simply dazzles in this gem of a movie. Princess Ann (Hepburn) escapes the confines of her rarefied royal existence for a day, to be rescued by a reporter, Joe Bradley (Gregory Peck).

Bradley senses a scoop and seeks to inveigle the Princess into a story. However, this is a fairy tale, of the Princess and the commoner. Love blossoms, the beautiful Princess experiencing everyday things we might take for granted with a delight we cannot know. Sitting at a roadside café, getting a haircut, enjoying an ice cream, dancing on a riverboat. She soaks in these experiences in the company of her handsome saviour, not realising his intentions.

It's beautifully done. Hepburn is radiant, refined, beautiful, enchanting - things she went on to display in many movies. However, she was at her most perfect here, as the beautiful Princess needing love and wanting happiness. Peck is an ideal foil. Tall, dark, and handsome, his only thought being the scoop placed before him, his ambition wilting in the face of his developing love for a Princess he can't hope to attain. Both are ably supported by Eddie Albert as Irving Radovich, Bradley's photographer colleague. Indeed, Albert is involved in many of the funniest scenes.

It's a fairy tale, beautifully told. William Wyler makes the most of his location, showing us Rome in all it's splendour. The perfect backdrop to the perfect fairy tale.

However, this film belongs to Audrey Hepburn. She shines and dazzles, brightening nearly two hours of every viewers life. How could you hope for more than that.

A plot as slender as Audrey Hepburn but oh what magic! If you've never seen this jewel, you're to have one of the best evenings of your week, your month.

Perhaps the key to this movie's success is restraint - in the dialogue, in the music, in the cynicism of Peck and cronies at the movie's beginning. No one gushes - all is understated - but how one feels its power.

I hope everyone has experienced a day such as they - with someone they come to care for - as much as they. It's my wish for the world.