Honor sin fronteras

It demonstrates that black & white was perceived as the default position for serious postwar Hollywood cinema that this character-driven western potboiler was one of the very few colour films namechecked in Robert Warshow's 'The Immediate Experience'.

As for the film itself the most memorable characters are Cameron Mitchell as a doctor succumbing to headaches and blackouts due to a brain tumour and Corinne Calvet usually with a cigar protruding from her glossy red lips and wearing bright colours as a brassy 'businesswoman' known to the rest of the cast as 'Frenchie'.

More than Lose Remake of "My Darling Clementine" (1940) the John Ford Classic.

Rory Calhoun Vehicle with a Smattering of Gun-Play with a "Powder River" Ferry-Boat Scene a Highlight.

Good Cast with Cameron Mitchell as the Doomed Doctor and Corinne Calvet as "Frenchy" a Fiesty Saloon-Owner-Gal making an Impression.

Never Reaching Heights of its Own, the Movie is Watchable for the Cast, Technicolor, and Proven Story.

Rory Calhoun is a bit More Animated than Usual.

The First-Half is the Better Half.

But Still Maintains Enough Interest to Carry yet Another 1950's Western to its Predicable Feel-Good Exit for Post-War Western Fans who were Legion.

Rory Calhoun was a staple hero in all kinds of films during the 50s. His performances were always great, abetted by his handsome, rugged looks and the ease into which he fit into a number of hero roles. In this one, a kind of standard western, he plays an ex-lawman who returns to the trade when his partner is killed. During the time he cleans up the town, defeats bad guys played by veteran character actors Carl Betz and John Dehner, gets his semi-revenge, on the antihero, played by Cameron Mitchell, wows the French bombshell, Corinne Calvert and, of course, gets the girl. It's great 50s entertainment with a total lack of CGI action, extensive blood and gore and good honest villains and good guys. (*sigh) They just don't make movies like this any more. Watch for it on the late show. There's no DVD or video listed. Calhoun was always worth the price of admission.

If you're thinking that you might have seen Powder River before you would be right. If you saw Frontier Marshal or My Darling Clementine and noted in Powder River's credits that it's derived from a book by Stuart Lake than you'll know the source. Rory Calhoun plays a Wyatt Earp like marshal who has quit law enforcement for prospecting.

But when his partner Frank Ferguson is bushwhacked and robbed of the gold they've panned, Calhoun takes on the marshal's job. He also makes the acquaintance of a pair of outlaw brothers Carl Betz and John Dehner. And a terminally ill and alcoholic doctor Cameron Mitchell who is lightning fast with a six gun.

There's also a bit of Destry Rides Again added to the mix with French speaking saloon owner Corinne Calvet. The good girl from back east who wants to bring Mitchell home to save his life is former Roy Rogers leading lady Penny Edwards.

The best part of Powder River is a nice action gunfight in a foiled stagecoach robbery with Calhoun and Mitchell joining forces. The guys and the stagecoach are on a river ferry with the outlaws firing on them from shore and the ferry cut loose is heading for the rapids. All nicely staged.

If you've seen My Darling Clementine or Frontier Marshal you know how this one comes out. Calhoun made several good westerns in the Fifties and Sixties. But it's Mitchell who has the best role, the Doc Holiday part is always the best one every time this story is retold.

I'm not really a fan of Rory Calhoun, but I enjoyed his character in this picture. It tells a story with a bit more depth and a few surprises, while still providing action, romance and some terrific western scenery. While Calhoun's character, Chino Bull, is still country-suave and in control, he doesn't convey the snide quality that was an undercurrent in his later television work. The story line carries some standard western baggage, but at the same time it veers away with unexpected plot developments that were a bit more sophisticated than the type of that era, presaging the so-called "adult westerns" that became the standard in the 1950s and '60s. The female characters, unfortunately, are given the usual supportive roles. Still, it's an interesting story against some beautiful backgrounds.