CALIFICACIÓN DE IMDb
6.8/10
26 k
TU CALIFICACIÓN
Tres mujeres se proponen encontrar millonarios elegibles para casarse, pero encuentran el verdadero amor en el proceso.Tres mujeres se proponen encontrar millonarios elegibles para casarse, pero encuentran el verdadero amor en el proceso.Tres mujeres se proponen encontrar millonarios elegibles para casarse, pero encuentran el verdadero amor en el proceso.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 1 premio ganado y 6 nominaciones en total
Alexander D'Arcy
- J. Stewart Merrill
- (as Alex D'Arcy)
Robert Adler
- Cab Driver
- (sin créditos)
Merry Anders
- Model
- (sin créditos)
Charlotte Austin
- Model
- (sin créditos)
John Breen
- Cook
- (sin créditos)
Benny Burt
- Reporter
- (sin créditos)
Harry Carter
- Elevator Operator
- (sin créditos)
Jack Chefe
- Waiter at Wedding
- (sin créditos)
Oliver Cross
- Restaurant Patron
- (sin créditos)
Opiniones destacadas
This entertaining film has the three girls (Pola, played by Marilyn Monroe in specs; Schatze, played by Lauren Bacall and looking rather mumsy; and Loco, played by Betty Grable with those fabulous legs) setting up shop in an apartment, ready to reel in wealthy husbands.
The boys in question include David Wayne, Rory Calhoun, Cameron Mitchell, William Powell, and Alex D'Arcy. Trying to figure out the scheming girls is hard for them, especially when the girls are going all out to hide their real personalities!
This glitzy fluff is enlivened by real-life in-jokes - Betty Grable doesn't recognise a Harry James record (she was married to him at the time), and Lauren Bacall says she's mad about 'that old man in The African Queen'(real-life husband Bogart of course). Bacall comes out best of the girls although Monroe is always worth watching and Grable was effective decoration even towards the end of her career, as she was here (having been on screen for over twenty years at this point - her first appearance was in her teens in 'Hold 'Em Jail', I think).
The boys in question include David Wayne, Rory Calhoun, Cameron Mitchell, William Powell, and Alex D'Arcy. Trying to figure out the scheming girls is hard for them, especially when the girls are going all out to hide their real personalities!
This glitzy fluff is enlivened by real-life in-jokes - Betty Grable doesn't recognise a Harry James record (she was married to him at the time), and Lauren Bacall says she's mad about 'that old man in The African Queen'(real-life husband Bogart of course). Bacall comes out best of the girls although Monroe is always worth watching and Grable was effective decoration even towards the end of her career, as she was here (having been on screen for over twenty years at this point - her first appearance was in her teens in 'Hold 'Em Jail', I think).
Three models (Marilyn Monroe, Betty Grable and Lauren Bacall) pool their resources to rent an expensive penthouse apartment in New York, each girl hoping to catch a wealthy husband...
Cameron Mitchell helps Betty Grable with groceries one morning and meets and falls in love with Bacall But she rejects him, thinking he is a 'gas pump jockey.'
The girls are nearly broke when Grable introduces them to an oil tycoon, a widower (William Powell) who becomes interested in Bacall Grable takes a trip with wealthy and married Fred Clark, under the impression that they are going to a convention in Maine Once at his lodge, she realizes they will be alone and is set to return to New York when she suddenly felt sick A forest ranger named Rory Calhoun comes into her life, and they fall in love
Marilyn leaves by plane to meet her one-eyed playboy Alex D'Arcy in Atlantic City, but because she refuses to wear glasses in public to correct her nearsightedness, she gets on the wrong plane On board she meets David Wayne, the owner of their penthouse apartment, who is on his way to Kansas City to find his tax accountant because of whom he is in trouble with the revenue department
Bacall, left alone and without money, agrees to marry the oilman Powell
"How to be a Millionaire" was the second CinemaScope film ever made, the first being "The Robe." The film marked David Wayne's last movie appearance with Marilyn He made four pictures with her, more than any other actor
Cameron Mitchell helps Betty Grable with groceries one morning and meets and falls in love with Bacall But she rejects him, thinking he is a 'gas pump jockey.'
The girls are nearly broke when Grable introduces them to an oil tycoon, a widower (William Powell) who becomes interested in Bacall Grable takes a trip with wealthy and married Fred Clark, under the impression that they are going to a convention in Maine Once at his lodge, she realizes they will be alone and is set to return to New York when she suddenly felt sick A forest ranger named Rory Calhoun comes into her life, and they fall in love
Marilyn leaves by plane to meet her one-eyed playboy Alex D'Arcy in Atlantic City, but because she refuses to wear glasses in public to correct her nearsightedness, she gets on the wrong plane On board she meets David Wayne, the owner of their penthouse apartment, who is on his way to Kansas City to find his tax accountant because of whom he is in trouble with the revenue department
Bacall, left alone and without money, agrees to marry the oilman Powell
"How to be a Millionaire" was the second CinemaScope film ever made, the first being "The Robe." The film marked David Wayne's last movie appearance with Marilyn He made four pictures with her, more than any other actor
I just had a wonderful opportunity to catch a screening of this film on a wide screen. What a treat!
Unfortunately, it wasn't the best print; lots of dust and scratches on reel changes, and the colors were quite faded, but these films simply must be seen on a wide screen with an audience to be truly appreciated. Of course, almost any movie is improved by seeing it at the Castro Theatre in San Francisco, and I consider myself fortunate to have had the opportunity.
Lauren Bacall has always been one of my favorite actors, and she and Powell do work wonderfully together. Monroe is also, always a delight - I think that she was a much better actress than she is generally given credit for. However, though I've seen this movie close to a dozen times before, I was really struck at the wonderful performance that Grable turned in. She was perfect! I haven't seen much of her other work, but in HTMAM, she shows herself to be a wonderful comedic actress, playing a "dim blonde" who really isn't that dim. What a revelation and what a delight.
I would definitely recommend this movie to anyone who likes old movies, but if you have a chance to catch it on a real movie screen - DO SO! You won't be disappointed.
Unfortunately, it wasn't the best print; lots of dust and scratches on reel changes, and the colors were quite faded, but these films simply must be seen on a wide screen with an audience to be truly appreciated. Of course, almost any movie is improved by seeing it at the Castro Theatre in San Francisco, and I consider myself fortunate to have had the opportunity.
Lauren Bacall has always been one of my favorite actors, and she and Powell do work wonderfully together. Monroe is also, always a delight - I think that she was a much better actress than she is generally given credit for. However, though I've seen this movie close to a dozen times before, I was really struck at the wonderful performance that Grable turned in. She was perfect! I haven't seen much of her other work, but in HTMAM, she shows herself to be a wonderful comedic actress, playing a "dim blonde" who really isn't that dim. What a revelation and what a delight.
I would definitely recommend this movie to anyone who likes old movies, but if you have a chance to catch it on a real movie screen - DO SO! You won't be disappointed.
Bacall, Grable, and Monroe, along with fabulous fashions and sets, and a few epic shots of NYC all contribute to making an otherwise very thin film just plain fun to watch. I'm not going to spend time analyzing the different personalities each of the three leads and their men are supposed to represent. The title pretty much tells the story and I will just say that this was a fun, easy, and pleasant way to spend a couple of hours.
The film, the first filmed in CinemaScope, although the second to be released, remains as slick and witty as ever. While the three girls chase rich husbands they somehow end up marrying for love.
Personally for me it is Lauren Bacall and William Powell that standout...their witty knowing conversations are a true delight. Mr Powell shows just why he was so highly regarded. He has a magnificent calm and dignified presence beautifully complimented by Mrs Bogart's cool chic.
The film shows all the problems of early CinemaScope of course ...the lack of closeups because of optical distortions that would occur and enough light to sunbake under being necessary on the sets and a sound scheme with the stereophonic image shifting from side to side as characters moves across the screen.
The film is beautifully restored on the DVD with fine colour and sound.
The use of a 1:2.55 ratio means a truly WIDE screen ....which is shown off by the location shots of New York and the girls apartment which seems enormous!
The opening sequence/overture of course was designed to show off both the brand new wide screen and stereo sound. It seems slightly redundant now but is still a fabulous piece of music by Alfred Newman.
So turn the lights down, turn up the stereo and step back to 1953 and watch a consumate piece of entertainment
Personally for me it is Lauren Bacall and William Powell that standout...their witty knowing conversations are a true delight. Mr Powell shows just why he was so highly regarded. He has a magnificent calm and dignified presence beautifully complimented by Mrs Bogart's cool chic.
The film shows all the problems of early CinemaScope of course ...the lack of closeups because of optical distortions that would occur and enough light to sunbake under being necessary on the sets and a sound scheme with the stereophonic image shifting from side to side as characters moves across the screen.
The film is beautifully restored on the DVD with fine colour and sound.
The use of a 1:2.55 ratio means a truly WIDE screen ....which is shown off by the location shots of New York and the girls apartment which seems enormous!
The opening sequence/overture of course was designed to show off both the brand new wide screen and stereo sound. It seems slightly redundant now but is still a fabulous piece of music by Alfred Newman.
So turn the lights down, turn up the stereo and step back to 1953 and watch a consumate piece of entertainment
¿Sabías que…?
- TriviaLauren Bacall's character, Schatze, says, "I've always liked older men . . . Look at that old fellow, what's-his-name, in La reina africana (1951); absolutely crazy about him." She is referring to her then real-life husband, Humphrey Bogart.
- ErroresWhile eating at the hamburger place, the cigarette in Brookman's left hand changes into a napkin between shots.
- Citas
Schatze Page: What I'm trying to tell you , J.D., is that I've always liked older men. Look at Roosevelt, look at Churchill, look at that old fellow, what's his name, in "African Queen". Absolutely crazy about him!
- ConexionesFeatured in Marilyn (1963)
- Bandas sonorasThe Twentieth Century-Fox Symphony Orchestra's 'Street Scene'
Composed and Conducted by Alfred Newman
Performed by The Twentieth Century-Fox Symphony Orchestra in the prologue
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is How to Marry a Millionaire?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- How to Marry a Millionaire
- Locaciones de filmación
- 36 Sutton Place South, Sutton Place, Manhattan, Nueva York, Nueva York, Estados Unidos(the girls' apartment)
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 1,870,000 (estimado)
- Total a nivel mundial
- USD 1,482
- Tiempo de ejecución1 hora 35 minutos
- Relación de aspecto
- 2.66 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
By what name was Cómo pescar un millonario (1953) officially released in India in English?
Responda