La loca aventura

Not the greatest of musicals I've ever seen, but I was fascinated by the combination of Mozart & The Johnson Rag. The intricate dancing was dazzling & I replayed this sequence several times. Turns out that the Italian lyrics were not the original ones but the combination of Mozart & jazz dance steps I thought were brilliant. One of the most intriguing dance routines I've seen. Being 20th C Fox & not MGM, this has never been given the credit it deserves. Oscar Levant, as always, was a bonus.

I understand that The I Don't Care Girl was severely cut by Daryl F Zannuck which was his usual practice, despite this Mitzi showed what a Great talent she was, unlike other great female dancers of the time Mitzi was set apart because she had personality, I also think Mitzi was at the wrong studio and totally wasted in Hollywood, although she was'nt wasted in Las Vegas where she was the top box office star for years, and later her great tv shows.

It's a great pity but "The I Don't Care Girl" was indeed severely cut. Scenes and numbers were shuffled, scenes and numbers ended up on the cutting-room floor, scenes were re-filmed, Jack Cole was brought in (and even his 'I Don't Care' and 'Beale Street Blues' traded places so that the one designed to end the film, didn't, and the other one, with its scene to follow, did), until what was released (in 1953, rather than 1952) was the hodge-podge you see today. Yet despite all of the butchery the multi-talented Mitzi sets the screen on fire whenever she appears, whether it's in a dramatic scene or dazzling her way through those Cole-choreographed production numbers. Sadly we'll never see the complete version, or those cut numbers. Drat!

This movie has been shown recently in England,so liking musicals,I decided to watch it.Curious mixture of voice overs,flashbacks and a film within a film,all packed tightly into less than 90 minutes.Mitzi Gaynor is astounding.The film works because of her.Although the period setting is earlier in the 20th Century,the dazzling production numbers are pure 50's.Paintbox bright colours are prevailant.Mitzi's costumes are spectacular.One wishes it was longer and more detailed,but it's an extremely agreeable way to spend 80 odd minutes.An entertaining curio.

What could have been a very good musical ends up being bunch of mixed up scenes that make no sense whatsoever. Fox had a good idea with the material, but somehow botched it up. A good vehicle for poor Mitzi Gaynor, and she must have very dismayed with what ended up on the screen.

Fox Archives has released this recently along with other older films. Too bad they couldn't include the missing footage as it's very obvious scenes and details to the plot were left out on the 'cutting room floor', so to speak. The musical numbers, for the most part, are very good to excellent, even though they do not belong in the time element of the story. One very strange number, the second I DON'T CARE sequence, has Mizi changing costumes RIGHT IN THE MIDDLE OF THE ACT, and a character that was long gone, back in the scene. I'm sure this number was supposed to be a 'dream sequence', that would be the only reasonable explanation!!!! What did Mr. Zanack have in mind when he edited this film??? I know he was responsible for all editing of films under his regime. He also ruined the fabulous MM movie, NIAGARA along with sever cuts to THERE'S NO BUSINESS LIKE SHOW BUSINESS. And he was supposed to be a 'movie' person? I think not.