Mi Secreto Me Condena

"I Confess" is the most under exposed/appreciated/rated of Hitchcock's films. It is as convincing (except for the minimal flashbacks) as "Shadow of a Doubt" in terms of both its art and its reality. Its mise en scene captures Quebec City, its specifically Catholic culture, its history, its moral dramas, and its character types. I think Clift and Baxter are perfectly cast, as are Aherne and Maldon. Keller and Alma truly hit home as Catholic parish staff and carry effectively much of the drama and suspense of this true Hitch sleeper, which is also a memorable romance. (There is indeed a great deal of genuine emotion and deep feeling in this very ordinary and convincing world).

"I Confess" is one of Alfred Hitchcock's least famous films, and it's easy to see why: there is no mystery (we know who the killer is right from the start); there is some suspense but no major set-pieces; there is very little humor (no Cary Grant-type wisecracks here). The movie is a somber psychological drama, and the story of a forbidden love, and perhaps a Christ allegory (the priest has to suffer for another man's sins - he has to bear his own cross). I wouldn't rank it among Hitchcock's best, but it certainly has some of the best acting you can find in a Hitchcock film: Montgomery Clift is superb in a difficult role, Anne Baxter is warm and utterly believable as the woman who is consumed by her love for him, and Karl Malden is perfectly cast as the nosy (no pun intended) inspector on the case. (**1/2)

"I Confess" is a strong candidate for Hitchcock's most forgotten film. It never gets mentioned in any Hitchcock documentaries or when discussing about his movies. The film doesn't offer the usual amount of excitement or thrilling entertainment than his better known ones ("North by Northwest", for instance). In fact, there isn't much of "real" suspense at all, but well-sketched characters, fine acting performances, and captivating plot development are more than compensating matters.

"I Confess" is a very interesting piece of film making and should be viewed by any Hitchcock fan.

An Alfred Hitchcock film with very little action or suspense, this moral issue- drama still maintains interest for the most part. Montgomery Clift is intriguing as "Father William Logan," a Catholic priest from Quebec who hears a murder confession, is charged with the crime himself, and never wavers from his vow to keep confessions private.

The question Hitchcock apparently poses with this is is, "Is that still morally right when it means you leave a killer out on the loose?"

Complicating the matter is an old girlfriend, played by Anne Baxter, who still loves the priest. However, once again the cleric remains true to his vows and doesn't get involved with her.

Karl Malden, meanwhile, plays a gung-ho cop out to solve the crime.

This movie could use a little more suspense and action, plus a bit of the old Hitchcock humor, but still is more than passable.

I Confess is one of those movies that almost reaches the brink of greatness, but just doesn't quite make it. Hitchcock's direction is certainly fine, if not a bit pedestrian. There are no signature scenes that seems to be present in many of his other films (such as the shower scene in Psycho, or the Mount Rushmore chase in North By Northwest). There is a flashback sequence, showing Clift before his character was a priest, that starts off beautifully....the camera is slightly cock-eyed, and Anne Baxter descends the staircase in slow motion, almost flowing down the stairs. However, the rest of the flashback just doesn't live up to the potential established in that first shot. Karl Malden is good as usual. Clift does an okay job in the role of the priest who hears the confession of the murderer. Anne Baxter is very good, and the supporting cast is certainly fine. I have also had a problem with the musical score of this film. Seems that Jack Warner had a standing rule at WB studios, of filling nearly every second of a film's soundtrack with background music. I'm sure Hitchcock and Tiomkin both cringed at this insane policy. Tiomkin DOES provide the film with a beautiful love theme of sorts. I recommend this film, but I don't guarantee that you'll be watching a classic. *** out of ****.