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Daffy Duck and Bugs Bunny are Looney Tunes' most recognized faces. Bugs Bunny is calm yet sly while Daffy is animated and hot-headed. In Duck Amuck, its Daffy's time to shine or rather get smudged, erased, abused, tormented, and blown! In a matter of six minutes, Chuck Jones delivers a tour de force short, with full (in) justice given to Daffy's character- be it its arms, legs, stomach, voice, face, even its tail. The opening scene, in which Daffy originally plans to take on enemies, is sword is interrupted by a white screen. Daffy himself seems perplexed, and whispers to the 'the guy in charge around here' to add some 'tschenry!' Every time the wrong scenery is added till Daffy gets fed up and confronts the creator. This is a genius part because when we look at it, we as audiences feel Daffy is talking to us as we laugh at his misery.

My favorite moment is when Daffy tries to vent his anger but his voice changes. The way he gets agitated and embarrassed, with the constant gesticulations (clenched fist, hand on mouth, shaking hands) is a joy to watch. Another highlight is the ab(use) of the scenery with the vivid distortion of 'Close Up' and contortions in Daffy's character when he demands the creator to give him a body.

I can now realize Chuck's intentions- with every little distortion created, Daffy still remains the main focus. When the creator 'erases' Daffy's character, we recognize his distinctive voice, when he gives Daffy an amorphous body, we recognize his bill, and even though his temper reaches boiling point, there is always a quirky touch to it (referring to the 'double duck sequence').

The most inventive moment was when the screen literally falls on him and he keeps a stick under it to hold it. It's a pity such humor is missing now because most of the target audience would not appreciate it now. Even watching those Mickey Mouse shorts made in 1930s makes me wonder why the new animation focuses on being so 'realistic' and does not want to experiment? At least some shorts can come up on cartoon channels that tend to break the rules and give life to anything and everything ( in Mickey Mouse, even a steam engine was given life in one short!)

Duck Amuck is where Chuck Jones' jackpot struck! My rating: 9/10

Already as a boy I could understand the humor in 'Duck Amuck' - but perhaps not it's meta-ambitions! If I knew then how good this short movie is I would never ever let my father erase it!

Quotes like: "NOW WHAT?" and "Give me a close-up!" can't leave my head! Duffy (or Daffy) has since this movie always been my personal cartoon favorite.

Don't miss this incredible masterpiece, then you will miss one of the best movies ever made!!!

Rating: 10 of 10.

This is probably the most clever and inventive short I have ever had the opportunity to watch. It shows Daffy Duck, being made VERY VERY ANGRY by being drawn into many different messes. Daffy Duck is perfect in this episode. He is well-animated, nice enough and gets angry easily when necessary (In some episodes, I feel as if he is being unnecessarily cruel and he's not in this one, he's trying to be nice!).

This short also has some MASSIVE humour. Just when you have finished laughing, yet ANOTHER joke comes on - and of course - you HAVE to laugh again!

Recommended for all Daffy Duck and cartoon animation fans! Enjoy!

Duck Amuck is Daffy's frustrations of being trapped in an animated short that keeps changing scenery, has him playing a guitar with shooting sounds, fighting with himself in another frame, gets drawn in different sizes and colors, and basically is at the mercy of an unseen animator. This is Chuck Jones' and Michael Maltese's masterpiece of abstract animation. One of my favorite parts was at the changing scenery sequence when, after Daffy changes into a farmer outfit singing "Old McDonald Had a Farm" in front of a barn background, it changes into a winter scene with a snow-house as the duck then sings, "And on this farm he had an igloo..." LOL! At the end, the duck demands to know who is behind the whole thing. All I'll say is that person says, "Ain't I a stinker?" Duck Amuck is definitely worth seeing again and again.

The Duck has been a favorite cartoon character of audiences from his inception, but in Chuck Jones' hands, Daffy was at his greediest, all too human like best (worst?).

In this cartoon, Daffy Duck is manipulated by some unseen, omnipotent force that keeps changing the scenery, the sound, and even the appearance of Daffy himself, much to his horror. The humor in most of the gags go deeper than the usual Warner Bros. cartoon, with claustrophobia, an exact duplicate of Daffy and instant deformity inflicted upon him has us laughing at our own fears.

But it's Jones' vision of Daffy that is the true star of this and many other of his cartoons. The other directors, the great Friz Freleng and the unfairly maligned Robert McKimson, never really had the grasp of the new Daffy Duck that emerged in the mid 40's, but he really was a new creation of Michael Maltese and Chuck Jones, only faintly reminiscent of the crazy antics that handlers such as Frank Tashlin, Tex Avery and Robert Clampett portrayed him as possessing. That old Daffy was wild and wacky and good, the new Daffy always has us humans at a disadvantage by making fun of our own weaknesses.