La mujer que yo soñé

In a Middle Eastern country on business, successful traveling salesman Cary Grant (as Clemson "Clem" Reade) become acquainted with desirable young Betta St. John (as Tarji). Her father allows the princess to perform a sexy dance for Mr. Grant and indicates Ms. St. John would be a devoted and subservient wife. Her main goal in life is to please a man. Engaged to another woman, Grant passes on the offer. He returns to the US, where he reunites with attractive fiancée Deborah Kerr (as Priscilla "Effie" Effington). Grant wants to get romantic, but Ms. Kerr is constantly interrupted by business matters. She has an important job in the US State Department...

Grant is frustrated with his busy fiancée and decides to wed the subservient St. John...

Directed by Sidney Sheldon, "Dream Wife" can be described as "I Dream of Jeannie" without the magic. The later TV series was created by Mr. Sheldon, with the underlying theme enhanced by giving the young woman magical powers to please her master. Reportedly, Grant was unhappy with "Dream Wife" and almost retired. He appears to either be trying out a thinner "look" or recovering from an illness. His comic timing is fine, but often channeled improperly. Cast with bad contrast, second male lead Walter Pidgeon (as Walter McBride) makes Grant look smaller. Fortunately, Grant returned to the screen, with a more robust "look" assisted by better make-up and coloring.

**** Dream Wife (1953-06-19) Sidney Sheldon ~ Cary Grant, Deborah Kerr, Betta St. John, Walter Pidgeon

This film is a fascinating look at our culture's post WWII attitude towards women and the Middle East. The movie showcases the big message of get-the-women-back-into-the-kitchen that followed the War. As for our attitude towards Islamic peoples, it IS all about oil as far as our government in this film is concerned. The rulers are fabulously wealthy and exotic, the portrayal of them and their customs betray Hollywood's gross ignorance of the peoples and the religion. The princess' dance (seductive and Martha Grahamish) in the opening scene says it all. The women in the court all wear short sleeves. No one bothered to find out anything about the religion, it would seem. The behavior of the 'Bakistanis' is made up only to create comic moments, no matter how inaccurate, unseemly or unrealistic.

The plot is silly and implausible, but it's fun to watch Grant and Kerr in their first on screen performance.

I saw this movie for the first time on TCM, interested because of the pairing of Cary Grant and Deborah Kerr. It's really boring, with a silly, unbelievable plot.

Worse than that, Grant looks and act in such a peculiar manner. He appears to be bone-thin, with his suits just hanging on him. And his expressions and body language border on the effeminate in some sequences. This is not the dashing, debonair, sophisticated Cary Grant we've all become accustomed to seeing in so many movies over the years.

Kerr has a brief drunk scene that is unusual for her screen persona. Aside from that, there's not much to her character that can save this dreary flick.

The one thing worth noting is the movie's benign portrayal of Islamic rulers. Was it really like that 50 years ago, or were we just too ignorant to know any better?

I really enjoyed this movie. Yes, the premise is silly, and there are some dated notions, but the execution is very good. Cary Grant once again displays superb comedic talents. His timing, vocal inflections and facial expressions couldn't be better. He also displays his physical comedic skills in the very funny fight scene.

The supporting cast was also good.

In Stewart Granger's memoirs he mentions that after seeing future wife Jean Simmons in Black Narcissus, he was so overcome with sexual desire that he felt he had to marry her. It's almost as if Sidney Sheldon had a few drinks with Granger and was told this story years before it came out and decided it would make a great movie plot.

Cary Grant is an oil executive and Deborah Kerr a female diplomat in the previously all male world of Foggy Bottom in the not too distant past. In negotiating for oil leases with the mythical kingdom of Bukistan, Cary is really bowled over by the fact that Princess Betta St. John is so unlike the career minded Kerr. A few words here and there and the engagement between Grant and Kerr is off and between Grant and St. John is definitely on.

Of course the culture clash occurs and it ain't quite what Grant envisions. And Kerr starts to work on St.John and she's got some new ideas sprouting in her head.

The Fifties were so different than now. Those kind of ideas in some Moslem countries would have gotten St. John killed now. Relations between the west and the Moslem world has certainly changed over 50 years.

Grant and Kerr make fine leads and notice should be paid to Walter Pidgeon as Kerr's State Department boss and to Eduard Franz as the King of Bukistan who turns out to be a very wise fellow indeed.

I wonder what Stewart Granger must have thought in seeing this film?