La legión del desierto

The legion étrangère has always been a topic that makes people dream.Lots and lots of movies were made ,not only in France.Here,the most famous are probably Duvivier's "la bandera" and Jacques Feyder's "le grand jeu".Twas also one of Edith Piaf's favorite subjects of song (le fanion de la légion,mon légionnaire). This is a pretty ridiculous movie.At the beginning,I was thinking it was a remake of Pierre Benoit's "l'atlantide"(two most famous versions being Pabst 's (1932)with Brigitte Helm-Metropolis- ,and Edgar G Ulmer's (1963))It was certainly influenced big-time by Benoit's book.The blond officer lost in the desert who's taken in by a beautiful lady from a mysterious city of the sands,we've seen that movie before. After,Joseph Pevney and Pierre Benoit go different ways.THe director,abetted by unimaginative scriptwriters ,turn what could have been a trip into the fantastic element,à la "thief of Bagdad" or "lost horizons",into the run-of -the- mill hero-heroine-villain.The rest is so predictable :you can see where the characters are up to from a mile off."Desert Legion" fills its quota of treasons,duels,torture,and glamour.The setting is not impressive, a two-bit cardboard desert city,and for good measure,exotic dances.

While searching in the Algerian desert for a bandit, a Foreign Legion patrol is led into an ambush. The sole survivor is Captain Lartal who, after being wounded, recovers consciousness to find someone has taken him to the gates of the Legion post.

In solving the mystery, Legionnaire Alan Ladd discovers a lost city, the beautiful Arlene Dahl and a villainous Richard Conte.

Desert Legion is a romantic desert fantasy (photographed in Technicolor) with a dreamy feel like Lost Horizion. The fabled city of Mardala is sort of a shangri-la, a place where a red-haired Beauty lives. This is quite an entertaining picture and as I have a hankering for for old-fashioned predictable outdoor action movies with a cartoon-like villain and a heroic stalwart hero amidst the desert landscape. It can be a bit too languid in pace, and needed a pick me up mid-way, but it's entertaining on the whole. There's a tense spear throwing sequence. It ends with an exciting action finale.

A Legionnaire's regiment patrols the Algerian mountains in North Africa. They are trying to locate the leader of a gang of killers, Omar Ben Kalif. As they travel along the mountains they are ambushed by Kalif' and his soldiers. Incredibly the Legionnaires become surrounded as if Kalif's men have come straight out of the mountain. Only one Legionnaire survives the ambush, Captain Lartal (Alan Ladd), but he is badly injured. He wakes for a few moments to see a beautiful woman (Arlene Dahl), who says she needs his help. He loses consciousness and later wakes to find himself being rescued by a Legionnaire patrol. He tells his story to his commanding officer, but no one will believe his tale of the beautiful woman.

Captain Lartal decides to find the mysterious woman and also get revenge on Kalif. He and a partner (Akim Tamiroff) make their way to the city. There, they meet a stranger who takes them on a journey to the mountains. The stranger takes them through a secret passage that leads to a hidden city. There Captain Lartal meets the beautiful woman. Her father, Si Khalil, rules the city with ideals of peace and brotherhood. But there is an uprising brewing within and violence is feared. Captain Lartal is asked to help stop the violent uprising. The rebel leader is Damou, a man determined to lead the city by his own values.

I thought it was a great little movie. The color is rich, the scenes beautifully shot. The score really added to my enjoyment of the film. The acting was delightful. Ladd and Conte, 40 and 43 respectively, are fit and vibrant. Dahl is extremely beautiful. And the character roles played by Tamiroff, Anthony Caruso and Oscar Beregi are top notch. It's an adventure film aimed at a younger audience and it packs a punch.

I flat out disliked Desert Legion, and did not care for Alan Ladd's character Paul. Lartel ( this from a Ladd fan). Why? He was stupid ( leading his troops into a major defeat where only he survives), and arrogant. I can understand being stupid and arrogant if you are the bad guy, or the film is a comedy, but Ladd was supposed to be the hero, and the comedy was supplied by Private Plevko ( Akim Tamiroff) who was the best one in the film. Which is a major read I consider this to be Ladd's worst film ( at least his BEST film ( Shane) is his next one. Perhaps as bad as Ladd was Richard Conte.as Omar Ben. Khalif. He was a one dimensional bad guy if there ever was one. I will say Arlene Dahl (Morjana) is nice to look at in Technicolor ( although nothing more then a beautiful love interest, and I will take Sophia Loren from Legend Of The Lost in the desert both in looks and in realism over Arlene Dahl any day of the week). I give this movie two stars. One for Tamiroff and one for looking at Arlene Dahl. 2/10 stars.

Another trip to the ex-village sexton/film buff yielded a pleasant evening of movie talk and viewing – in this particular case, the former being more rewarding than the latter in view of the fact that the 25-year old print of the obscure Alan Ladd vehicle DESERT LEGION was so washed out as to belie its having been originally shot in "glorious Technicolor"! Indeed, the only color scheme prevalent throughout the screening was a reddish hue that, more than anything else, is a tell-tale sign that a celluloid print is well past its "best before" date. But, as if that was not disheartening enough, the film kept sticking in the projector, making the image jump up and down, requiring our host to make his expert manual interventions a handful of times. For better or worse, the film we were watching was a routine star actioner that even I was unaware of before seeing its worn poster proudly displayed during the latest exhibition of such rare items held regularly for the public by our host. The script requires the viewer to accept diminutive Ladd as a formidable Legionnaire who possesses the only credentials to capture a renegade Arab rebel (played by one of the least likely actors suited for this role, Richard Conte!) that has been preying on their sentries and save the mythical Shangri-La-like community of Medara, buried deep within the desert, from his evil clutches. For support, Ladd only has his old, tale-spinning buddy Akim Tamiroff, while the inevitable love interest is provided by Arlene Dahl – with Universal clearly believing that the audience would not have anyone but another statuesque Arabic redhead (a' la Maureen O'Hara) for a leading lady!! Despite the intermittent sprinkling of intriguing ideas – Ladd is abducted by the mysterious Dahl and taken to her hidden abode in clear imitation of Pierre Benoit's much-filmed "L'Atlantide"; the two confrontations between Ladd and Conte are both unconventional in nature and setting: in the arena with the two contestants sharing one spear between them and, the climactic one, atop a mountain's rock-face – this particular mix, unfortunately, fails to rise to any particularly memorable or even satisfactory level…which makes the possibility of a future revisit via superior elements highly improbable!