Las aventuras de los policías en moto, desde sus días de academia hasta la persecución de camioneros corruptos.Las aventuras de los policías en moto, desde sus días de academia hasta la persecución de camioneros corruptos.Las aventuras de los policías en moto, desde sus días de academia hasta la persecución de camioneros corruptos.
- Dirección
- Guionistas
- Elenco
George Barrows
- Henchman with Rifle
- (sin créditos)
Margaret Bert
- Rural Driver's Wife
- (sin créditos)
Robert Carson
- Homicide Detective
- (sin créditos)
Phil Chambers
- Police First Sergeant
- (sin créditos)
John Close
- Police Lieutenant
- (sin créditos)
Chuck Connors
- Deputy Sheriff
- (sin créditos)
Fred Datig Jr.
- Police Candidate
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Solid little programmer from MGM's B period. The documentary influence of TV's Dragnet (1951-1959) is apparent in the early police training segment that looks like it was done at the actual Academy. Three trainees buddy-up there, but later switch to the better-paying motorcycle division. There they get involved with black market beef haulers and excitement ensues. Director Wilcox keeps things moving smoothly, while the filming in and around LA lends a realistic feel. Then too, Wynn gets to practice his tart brand of sarcasm as a tough but fair training officer, lending helpful color. As could be expected, the girls (Forrest and Stewart) are strictly secondary, as wife and girlfriend, respectively.
Meeker gets to play a cocky trainee in what could have been a warm-up for his classic Mike Hammer in Kiss Me Deadly (1955). I hope they paid him double for all his stunt work at the end. He earns it. For fans of two-wheelers, there's a lot of motorcycle cross-country action that shows off their rugged versatility. And what a coincidence, as another reviewer points out, that so many of the male cast went on to cowboy starring roles on TV—look for Chuck Connors as a deputy sheriff in an office scene about 2/3 of the way through. All in all, it's a solid programmer of the sort soon to migrate to TV, but holds interest, nevertheless.
Meeker gets to play a cocky trainee in what could have been a warm-up for his classic Mike Hammer in Kiss Me Deadly (1955). I hope they paid him double for all his stunt work at the end. He earns it. For fans of two-wheelers, there's a lot of motorcycle cross-country action that shows off their rugged versatility. And what a coincidence, as another reviewer points out, that so many of the male cast went on to cowboy starring roles on TV—look for Chuck Connors as a deputy sheriff in an office scene about 2/3 of the way through. All in all, it's a solid programmer of the sort soon to migrate to TV, but holds interest, nevertheless.
The first half of this modest 69-minute movie tells, in semi-documentary fashion, of the training of rookie cops in early 1950s Los Angeles. Needless to say, all these rookies are white males but it's the "dated" quality of the movie which lends it a curiosity value as an artifact of its time. Police buffs should enjoy looking over the equipment, the uniforms, the training techniques, the investigation methods, etc.
A let's-catch-the-cop-killers plot takes over in the second half. It's minor stuff but affords an opportunity to look over a cast soon to find greater success in TV westerns. There's Robert ("Wagon Train") Horton and Jeff ("Jefferson Drum") Richards and -- in a small part -- Chuck ("The Rifleman") Connors. Rounding out the cast of cops are Ralph Meeker and Keenan Wynn. There's a certain "fetish" appeal in seeing these men in boots and leather jackets and motorcycle pants, and Meeker, Horton, and Richards also do a "beefcake" scene by a lake where they appear in swimsuits. (Richards must have tipped the wardrobe department to give him the snuggest-fitting suit.)
A few scenes appear to be shot on actual L.A. streets but much of it is recognizable as the MGM back-lot. Somewhere, on one of those hills, Robert Horton would soon be stripped to his shorts and tortured by North Korean guards in "Prisoner of War."
Director Fred Wilcox later helmed the classic "Forbidden Planet."
A let's-catch-the-cop-killers plot takes over in the second half. It's minor stuff but affords an opportunity to look over a cast soon to find greater success in TV westerns. There's Robert ("Wagon Train") Horton and Jeff ("Jefferson Drum") Richards and -- in a small part -- Chuck ("The Rifleman") Connors. Rounding out the cast of cops are Ralph Meeker and Keenan Wynn. There's a certain "fetish" appeal in seeing these men in boots and leather jackets and motorcycle pants, and Meeker, Horton, and Richards also do a "beefcake" scene by a lake where they appear in swimsuits. (Richards must have tipped the wardrobe department to give him the snuggest-fitting suit.)
A few scenes appear to be shot on actual L.A. streets but much of it is recognizable as the MGM back-lot. Somewhere, on one of those hills, Robert Horton would soon be stripped to his shorts and tortured by North Korean guards in "Prisoner of War."
Director Fred Wilcox later helmed the classic "Forbidden Planet."
Motorcycle Cops and Motorcycles are the Main Thing in this Mainstream Movie of the Docu-Types that were Prolific in the Early Fifties. This one has the Whole First Half Devoted to a Behind the Scenes Look at the Police Academy Training. Intriguing to Some it is quite a Boring Affair unless Ogling the Vintage Bikes is Your Thing.
It Zeroes in on Three Recruits and Their Initiation with some Youthful Playfulness and getting the Babes is Forefront. In the Second Half it is a much Better Movie as these Rookies are Thrust into a Crime Investigation and in the Third Act it Becomes a real Barn Burner with some Hard-Edged Violence and Believable Danger.
Ralph Meeker Melts the Screen with His Macho Egomania and Foolish Behavior but in the Space of the Film's Short Running Time Matures into a Full Blown Police Officer, however never Losing Sight of the Ladies.
It Zeroes in on Three Recruits and Their Initiation with some Youthful Playfulness and getting the Babes is Forefront. In the Second Half it is a much Better Movie as these Rookies are Thrust into a Crime Investigation and in the Third Act it Becomes a real Barn Burner with some Hard-Edged Violence and Believable Danger.
Ralph Meeker Melts the Screen with His Macho Egomania and Foolish Behavior but in the Space of the Film's Short Running Time Matures into a Full Blown Police Officer, however never Losing Sight of the Ladies.
This is a decent old movie with several future TV stars. It even has an almost unrecognizable Chuck Connors who looks like a teenager. It depicts the training that the motorcycle officer take. The actual plot is pretty weak but that's OK. I have a pretty good copy of it from TCM.
I am trying to remember the name of a similar 50s B&W movie about LAPD recruits who end up on motorcycles. In an early scene, one of the soon to be cops is a swimming pool cleaner and flirts with a babe in a swimsuit. This is about all I can vaguely remember except that there were some decent motorcycle scenes.
Anybody have a clue on the title or any of the actors?
I am trying to remember the name of a similar 50s B&W movie about LAPD recruits who end up on motorcycles. In an early scene, one of the soon to be cops is a swimming pool cleaner and flirts with a babe in a swimsuit. This is about all I can vaguely remember except that there were some decent motorcycle scenes.
Anybody have a clue on the title or any of the actors?
Corny but enjoyable crime story about rookie LA motorcycle cops, Ralph Meeker and Jeff Richards. It's kind of a 1950s version of "CHiPs." Meeker and Richards face typical street cop challenges, but the film turns a bit serious when Richards is killed and Meeker goes after those responsible. I enjoyed the use of real-life locations and I always enjoy Meeker, so that was enough to elevate the cornball script.
¿Sabías que…?
- TriviaThe art on the cover of the Warner Brothers Archive Collection DVD shows Ralph Meeker laying next to Elaine Stewart in a bathing suit. In the movie, it is Jeff Richards who is next to Stewart in this scene, whereas Meeker is in a canoe with his girlfriend. This art may be from an original lobby card for this movie or maybe was created specifically for the DVD box art.
- ErroresWhen O'Flair is fighting the bad guy with a meat cleaver, the bad guy takes a couple of swings at O'Flair and misses, hitting the wall instead. Before that, you can see about a dozen marks in the wall from previous takes.
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Detalles
Taquilla
- Presupuesto
- USD 472,000 (estimado)
- Tiempo de ejecución1 hora 9 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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