Bienvenido, Míster Marshall

I'm putting a lot of stuff in "south europe" but i'm actually thinking this being set in portugal wouldn't be very different. After all there's something fascinating aout the "big people that come from abroad". the town is obliged to become perfect for the american visit and that includes undressing what they are: giving the americans a version they thing it would be the ideal. They react as if they were chosen by a divine entity on being visited.

the best parts of this movie are the humour. it's witty and interesting, plus the dialogues are fast paced and good to follow. most of the characters are archetypes true but there's historical views present here: spain opening up to the world (more or less) and the american friends visiting - a small town no one from outside cares about, heck no one in spain cares about. their naiveness on thinking everything will be solves by one single visit. people wanting to take advantage of that to earn more money.

it's funny because when i stared watching this i aleady knew its way: these characters are also common in portugal. The dynamics of the village are pretty much the same. having a narrator is an interesting portrait because we se this kinda as a tale, and not exactly as a hugely realistic narrative - even though some of the stuff is. i have a favourite gag, at the line of "wishes americans will provided" but i won't spoil it.

also the dream sequences were very interesting. the discussions about morality, because if ones are all interested in "opening up" others fear their power will fade - even if it faded already. the ideia that inferiority reigns in those villages against the very developed (and a bit depraved for some) americans, and some of the actions they took to please the outsiders make a strong point: a huge complex of inferiority towards them, masked by patriotism and alleged pride. in a way is what a lot of repressive regimes are: a mask to please the leader and the others. the truth is when everything goes back to normal, and the political agents don't care about them anyway.

it's a very good movie, for me inbetween a 7 and an 8. but it seems a fun and accurate historical (and real even it it's told as a tale) portrait about small towns in south european countries. i hope more people see this because it definitely deserves.

Bienvenido Mr Marshall is the most modern thing in the whole of Spanish cinema, because it was modern even before anyone knew what modernity was cinema wise, at least not in Spain, less so in England or I'd say even France... This was done in 1952, released next year!

If Billy Wilder had filmed this, it would have fitted in with the rest of his films, but, bad luck, Berlanga did it first!

I didn't give this film 10 stars because of the musical numbers, which I think are a bit too many and long. Although they've got their place in the story and there's a reason why they're there, this film isn't a music film, and I think them excessive.

Gentle, sometimes very funny political satire, somewhat reminiscent of the UK Ealing Studio films.

The poor, small Spanish town of Villar del Rio is abuzz with the news that American officials are coming to visit, and plan to show off their best face in an effort to get their slice of the Marshall Plan pie. (Spain was actually excluded from the funds).

While sometimes predictable, and sometimes badly post dubbed this is a fun film with just enough edge to look at the darker side of human nature, but with a smile.

Frustratingly this classic of Spanish cinema isn't available on US DVD. I had to order mine from Amazon Spain (although it has US subtitles, and looks pretty good.)

My appreciation of this film has been getting better and better each time I have watched it. The first time I sat to see Bienvenido Mister Marshall was many years ago. I was a child, and I remember that I liked it. But I didn't notice that it wasn't another funny film. Through repeated viewings, I have found more and more details and a solid structure that makes of this film one of the greatest ones I have ever seen. The personality of the Major is amazing. He's a complex person despite his envelope of bewildered, and -I guess- that's why he's the Major. But he's also wonderfully ingenuous, and so are the rest of the people of Villar del Río. That's why you root for the entire cast. And that's why you keep this film in your heart. It reminds you the innocence we lost and lets you by the end with deep melancholy.

Technically, this film is almost perfect. Good cast, superb performances, perfect music, and a dialogue that seems to be a 70-minute-long quote, where every single word can be remembered. To mention one of the many good moments of this "long quote", I will remember the one when the general delegate (José Franco) tells the Major (José Isbert) that he has to make a speech from the balcony to the Americans. The Major asks "And what shall I say?", and then the delegate replies that he can speak about several things including the industry. He asks again "What industry?", and the delegate replies "Well, just say anything, they don't speak Spanish so they won't understand". And, finally, the Major states: "Oh, I think I'm getting it..."

If you take a look at the best Spanish films of all time, you'll notice that 3 of the top 5 films are directed by Luis García Berlanga. That's not a coincidence. Berlanga is pure genius.

My rating is 9-10 out of 10.

Definitely among the top ten best Spanish movies of all time. Unknown in many parts of the world (it is not in the IMDb 250 best film group, which by the way gives us hope, among other things, as to the fact that there will always be cinematographic jewels to discover), it is not only a well structured comedy but a refined criticism to American Imperialism (many people from Latin America, for example, will feel identified with the characters and story of the small Spanish village. I once saw it with a Colombian girlfriend of mine and I noticed that that was the feeling). Someone said that had Spain not been a dictatorship, under the rule of Franco (an isolated ruler who in 1953 happily publicized a treaty with the U.S. as a sign of the new times in the history of Spanish foreign relations: something that would seemingly have a splendid beneficial effect on the life of the population of a country out of pace with western European history), the movie would have won the Oscar for the Best Foreign film back in the mid fifties.