Ama, vive y aprende

A very attractive cast and a couple of good musical numbers make for reasonably good entertainment. Far different from the TV series that came a few years later (and not as good in my opinion), this feature was actually inspired by the Max Shulman Dobie Gillis stories from the forties. Shulman, who also wrote the the screenplay for this movie, does manage to work in bits and pieces of his short stories into the script, but not too successfully. The reason for this is that the original stories were stand-alone brilliant comic masterpieces. Here we just see a little scene from this one, and one from that one, and so on. The way to really, really enjoy Dobie Gillis is to track down the out-of-print collection, "The Many Loves of Dobie Gillis"(easily available at Amazon). I'm a fan of the TV series, and I like this movie, but neither can hold a candle to the hilarious short stories that served as the original inspiration for both the TV and screen versions.

By the way, it was only about two years ago that I read the original stories. They are every bit as wonderful today as when they were originally written.

My reviews often seem to be "in defense of" reviews after a group of reviews pan a movie, without really considering the genre. It is like reviewing a opera as bad when the standard being applied it a hip hop concert. Or something like that.

This movie is silly and lightweight. Folks break out singing and dancing all over the place, cuz it is an MGM musical. (I do ding it for being in black and white.)

The leads are Bobby Van and Debby Reynolds. They sing, they dance, they act as silly as can be. It is fun, it is very 50's. All is resolved in the end. It is cute. And you get to see Bob Fosse in his early days blowing everyone off of the screen with his dancing.

Great character actors abound, playing up their characters to the top, in a way that current film makers would never allow. I'm not saying I want to see lots of this kind of fluff, but as fluff it is pretty good. And the fantasy part makes me want to go back to the midwest and do college again. Well perhaps that is overstated.

Watch this to see the fun dance numbers and take a look at the Hollywood take on college in the 50's. It is a bit of an anthropological statement dressed up with some fun music. Sex,,,,Nope ya won't see that; but you do see the obsessional way that 18 year olds fall in love. And a movie that can capture that (as I remember it rather than with the rather bad parts of it) has its good moments.

Everyone is cute, everyone is white, everyone is straight (even though they sing and dance and write poetry an awful lot). If that is not you, ya got to take a bigger step or suspension of belief to become involved in the movie. The heavies are not that heavy, bad behavior is overlooked as youthful indiscretions. Looking at this view of idealized life and how it has changed in 50 years is interesting in itself. This is also one of the last of MGM's musicals. Bobby Van really did not adapt to the changing times, or at least studios did not see his potential for non-singing and dancing roles. That is a shame. Debby Reynolds is still working after the death of the musical, and Bob Fosse went stellar in spite of the death of the musical. They just kept making them for him (still do and he has been dead for about 15 years!). A good later nighter.

Previous to watching this film my frame of reference for Dobie Gillis was the television series that starred Dwayne Hickman in the early Sixties. So I was curious somewhat to see The Affairs Of Dobie Gillis from where the television series sprung.

Other than Dobie you will not find a single character that came from TV show. And instead of high school the girl crazy Dobie who simply views his time at college as a romp with the opposite sex finds himself attracted to THE girl in the person of Debbie Reynolds.

Life throws many roadblocks at the young couple, her parents, his teachers, but they do overcome of course.

Bobby Van plays Dobie Gillis and he gets a few numbers to show off his singing and more important his dancing. Playing his best friend at the very start of his distinguished career is Bob Fosse and the two are quite the team. Fosse and Van came at the end of the musical cycle, but Fosse went on to Broadway as the most distinguished choreographer of his time. Barbara Ruick is also in the cast and she did way too few films, her best known being Carousel playing Carrie Pipperidge.

The Affairs Of Dobie Gillis is a mildly entertaining film that probably is best known as it turned out, a TV Pilot.

After I warmed up to the taller, goofier-looking Bobby Van (compared to Dwayne Hickman), this movie really took off for me. Like many others, I didn't know there was a movie six years before the TV series debuted. I'm only a casual fan of DG (it doesn't get shown enough these days) but still wanted to see how this early version compared to the show. I wasn't disappointed. I noticed a similarity between this picture and Disney's Merlin Jones movies. But whereas Merlin was this semi-genius, Dobie is an underachiever out for fun and females.

Die-hard fans of Zelda will be crestfallen to learn that she is mercifully absent here. She is replaced by the much more feminine Debbie Reynolds, who ferments a good screen chemistry with Van; that's appropriate, as their most harrowing adventures take place in the chemistry lab (Pansy is fond of mixing assorted substances until they explode).

But where is Herbert T. Gillis, Dobie's workaholic grocer old man seen in the series? He was my favorite character, mainly because of Frank Faylen's inimitable characterization (he was also hilarious as Dearborne in Disney's THE MONKEY'S UNCLE). Instead of Dobie's family we get Pansy's blustery workaholic father, who wants to separate the lovebirds forever. Has anyone else noticed, by the way, how fathers are perpetually portrayed as silly windbags, while the boring cipher wife/mother is forever made out to be the "wise" one? Even in the 50's.

Strangely, it seems as though Dobie and Pansy only took two courses - English and Chemistry. And what about that chemistry prof, who boasts that his class is the hardest they'll ever encounter? Guess he never heard of Cartography at Radford U. After playing hooky (except when it rained) for several months, they return to class to find an essay due in English and a project due in Chemistry. I won't give away how they solve this crisis. But then the sky falls on our amorous pair. Deeming Dobie the worst possible influence, Mr. Hammer sends Pansy to NYC (blah - like that's the greatest place on earth to be sent) to live with her horrid maiden aunt. You really feel depressed for Dobie, now wandering aimlessly around campus. After all the scrapes they'd been through together - the chemistry lab explosions; the capsized canoe; and the most hysterical of all - Pansy's blouse getting caught in the car engine, then her trying to sneak past Ma and Pa and a couple of neighbors watching TV (yes, they had TV in 1953). Then when a gun goes off on TV, the startled viewers suddenly become aware of Pansy in her undergarments. That scene ended perfectly.

All this brings us to some intriguing questions about college life in the 50's. Was it common for professors to write their own textbooks? We have the deliciously snobbish, condescending Hans Conried (Prof. Pomfritt) announcing that he is rewriting his "English Usage For College Freshmen", suddenly accepting Dobie's belief that the rules should be according to the way people really talk. C'mon, a single professor rewriting the rules of grammar? And did academic buildings really have bells to dismiss the students? Sounds like high school all over again. All classes beginning and ending at the same time. Well, I know one thing in the movie that's definitely based in reality: the way school bookstores buy back used books for pennies on the dollar, then resell them at a 90% markup. This textbook racket is still flourishing!

Absent from AODG is Dobie's endless philosophizing in front of a marble statue. But I don't expect you'll really miss that.

All in all, I recommend THE AFFAIRS OF DOBIE GILLIS to even the most casual fan of the TV series, and to anyone who likes college slapstick/romance from the 50's. I only wish this movie had been long enough to include more professors played by character actors on the caliber of Hans Conried. Or a series of 75-minute films, where Dobie and Pansy take Psychology, physics, French...imagine the constant jams they'd've been in and out of. I know Debbie Reynolds went on to bigger things, like voicing Charlotte in CHARLOTTE'S WEB and giving birth to Princess Leia, but she could've been replaced by some other bodacious 50's babe. And no, I don't mean Zelda.

I have never seen the TV show "The Many Loves of Dobie Gillis", so you should keep this in mind when you read this review. I haven't a whole lot of preconceptions about the movie but I also wasn't particularly interested in the concept to actually watch the show the 106,284 times it was shown years ago on Nickelodeon and other cable channels. Why I actually decided to watch this when it came on Turner Classic Movies is beyond me--though I am glad that I did.

While it is undeniable that this movie is complete fluff, it is nevertheless enjoyable fluff. There's lots of singing and dancing and romancing and comedy--a formula very similar to the Doris Day/Gordon MacRae films BY THE LIGHT OF THE SILVERY MOON and ON MOONLIGHT BAY (though these two Warner Brothers films were set in an earlier time period). It's all very light and very likable--even if it turns out that Dobie is a dirty little cheater (see the film to find out what I am talking about).

Of particular interest, by the way, is the earnest and likable style of Bobby Van. It's too bad that he came to Hollywood near the end of the musical craze and that his life was so tragically shortened. He was talented and all I'd previously seen him in were insipid 1970s game shows.