L'affaire Maurizius

... but still very strong and complex, because the audience gradually enters in a complex affair seen from different points of view, resulting other dramas. The script construction by Julien Duvivier himself from the novel by Jacob Wassermann is brilliant, it keeps you out of breath as it is more and more violently dramatic. But what is weaker is the choice of the actress Eleonora Rossi Drago who plays Anna Jahn, she was imposed by the Italian production and she is much too dull for this key character, real pity, the audience might not understand why there is so much passion around her. Some do not appreciate Anton Walbrook, too much overplaying, the opposite of Eleonora Rossi Drago, maybe his character was too much in the Noir world of Duvivier. Maybe Duvivier didn't control this movie shot in co-production in Switzerland, as it is said on the french DVD in the interesting documentary on the movie and Duvivier with the actor Jacques Chabassol and the Duvivier specialist Eric Bonnefille, very instructive. We learn about the story between Daniel Gélin and young Ursulla Andress.

Anyway, two years later, Julien Duvivier would direct his absolute Noir masterpiece, "Voici Le Temps Des Assassins".

This French film, L'AFFAIRE MAURIZIUS, is listed on IMDb as ON TRIAL, despite the fact that I believe that only the new French Blu-Ray with the French title has ever been distributed in the English-speaking world. Amazon lists it as ON TRIAL, but it is the same French disc bearing the French title, which in its newly restored state has had English subtitles added. Julien Duvivier wrote the screenplay and directed this film. He is one of the finest French directors, and this is one of his finest films. It has been restored as part of a series of French classics being revived on Blu-Ray, about half of which have had English subtitles added. The film is based upon a novel by the Austrian Jewish author Jacob Wassermann (1873-1934) entitled DER FALL MAURIZIUS (1928), published in English in 1930 as THE MAURIZIUS CASE, and also published in France in 1930, in two volumes, as L'AFFAIRE MAURIZIUS. It is the first novel of a trilogy, the second novel being ETZEL ANDERGAST (1931), published in England as ETZEL ANDERGAST (1932) and in America as DR. KERKHOVEN (also 1932). The third volume was Joseph KERKHOVENS DRITTE EXISTENZ (1934), published in English as KERKHOVEN'S THIRD EXISTENCE (1934). By that time, Wassermann was dead, having died of heart failure on January 1. The trilogy was his last literary work. He is best known internationally for having written CASPAR HAUSER (1908), which was apparently the basis for the film THE ENIGMA OF KASPAR HAUSER by Werner Herzog in 1974 (with script by Herzog), though without Wassermann being credited. DER FALL MAURIZIUS was also made into mini-series twice. The first was made in 1961 in Italy. (Few details are available concerning this. Virna Lisi appeared in it.) The second was in five episodes on German television in 1981. Wassermann's books were all banned and burnt by the Nazis. I must be one of the few people who has read all three novels. I was therefore very eager to see what Duvivier could do with THE MAURIZIUS CASE, when his film was recently released in restored condition. The result is perfectly spectacular. The original novel was extremely lengthy, and rather tedious, over-loaded with case evidence and heavily over-written, so that it was something of a task to read it. But Duvivier saw the cinematic possibilities and with a particular genius managed to extract the essence and make a film far more powerful than the book itself. Duvivier was in top form, and every line of dialogue, every framed shot, every bit of atmosphere, every bit of editing, contributed to a work so refined that it could constitute a marvellous specimen for a master-class in film-making. The film is set in Bern, Switzerland, and shot there on location, to great effect. The original novel was set in Vienna. The film's hero is Etzel Andergast, the 16 year-old son of Procureur Andergast (in the novel, Freiherr, i.e., Baron, Andergast, Attorney General). Eighteen years earlier, the father had been responsible for sending a man named Leonard Maurizius to prison for murdering his wife. Young Etzel meets a strange old man who presents a petition to this father, and when his father is out, he reads it. It is a petition on behalf of his son, the imprisoned Maurizius. Etzel can see that there are serious defects in the case. A witness claimed to see Maurizius shoot his wife as he approached the door of his house and she came out towards him, but in fact she had been shot in the back. All such inconvenient evidence had been swept aside by Etzel's father in his desire to win a sensational case and make his way in his career. Etzel cannot tolerate this, and begins to investigate personally. This leads to immense complications and conflicts, and the true story slowly emerges. All the lies are exposed, the passions revealed, the secret history of a murder made clear. It is an extremely powerful story. The acting is magnificent, and the script and direction are utterly astounding. This is a real classic.

I've wondering myself why so low ratings over this finest picture just 6.7 from IMDB's users? It's really is a crying shame, Julien Duvivier wrote and adapted to the screen from the Wasserman the novel "Der Fall Maurizius" about an innocent young man on trial appointed as guilty of a foursome affair for supposedly killed his jealous wife after have knew her younger gorgeous sister, also had as prosecution witness his best friend, worst he was hard-pressed by a heartless and ambitious prosecutor through his hard eloquence blinded the jury to small details that should let them to another outcome instead lifelong imprisonment.

Actually the plotline is quite average, however how Duvivier handles the story is noteworthy lashing out the judicial establishment as a whole, putting the finger in the wound, when the justice commits an error they never re-open the case, in fact they offer a parole whereas the innocent sign as guilty to get the pardon under stringent circumstances, letting the guiltless goes back to civilization as condone a tries survive with the nasty glances of the citizen which he previously coexisted, nonetheless it was a hard mater to stand alone and under such pressure of the society, another warning movie from the master Duvivier as some my favorite French director.

Near masterpiece the highlights certainly is the naïve and proud Daniel Gélin, the unyielding Charles Vanel, the devious and also unwholesome Anton Walbrook in his best performance ever including letting strongly explicit some implying over his nasty behavior on children, girls and also boys, perhaps too commonplace to that period of time!!

Thanks for reading.

Resume:

First watch: 2022 /How many: 1 / Source: DVD / Rating: 9.

A chance remark by a teacher leads Jacques Chabassol to investigate the case that brought his father, Charles Vanel, to prominence twenty years earlier.

It's another strong movie from Julien Duvivier in which he explores what is now fairly full blown film noir, in a world filled with femmes fatales trapped by men's lusts, prisons in which only the shadows of bars can be seen,bourgeoise Swiss justice a matter of francs and centimes, and the the only way out of prison for Daniel Gélin after eighteen years for a murder he may not have committed...

If it's not film noir, it's very dark magical realism about how there is no repairing the past. With strong and outrageous performances by Madeleine Robinson, and a sometimes heavily bearded Anton Walbrook.

Julien Duvivier must be one of the unsung heroes of French cinema; I have now seen 5 or 6 films made by him, and I've liked or loved each and every one of them. "L' Affaire Maurizius", one of his least-known efforts, is an engaging whodunit, with some social commentary added; the flashbacks, and sometimes flashbacks-within-flashbacks, are particularly well-handled. Leonard Maltin gives it two stars, but lists the running time as 70 minutes; my copy ran about 105 minutes, so it's safe to say he saw a very edited-down version. I give mine an easy *** out of 4.