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Dos torpes policías estadounidenses buscan al misterioso Sr. Hyde en Londres, Inglaterra.Dos torpes policías estadounidenses buscan al misterioso Sr. Hyde en Londres, Inglaterra.Dos torpes policías estadounidenses buscan al misterioso Sr. Hyde en Londres, Inglaterra.
- Dirección
- Guionistas
- Elenco
Jimmy Aubrey
- Man Sleeping in Park
- (sin créditos)
Walter Bacon
- Observer in Park
- (sin créditos)
Wilson Benge
- Stage Doorman
- (sin créditos)
Marjorie Bennett
- Militant Woman on Soapbox
- (sin créditos)
Judith Brian
- Woman on Bike
- (sin créditos)
Noble 'Kid' Chissell
- Mob Member
- (sin créditos)
Tom Coleman
- Observer in Park
- (sin créditos)
Clyde Cook
- Drunk in Pub
- (sin créditos)
Henry Corden
- Actor in Javanese Costume
- (sin créditos)
Harry Cording
- Rough Character in Park
- (sin créditos)
John Daheim
- Fourth Heckler in Park
- (sin créditos)
Opiniones destacadas
After ABBOTT & COSTELLO MEET FRANKENSTEIN this is my next favorite of their "meet the monsters" movies. Thankfully it offers an added treat by starring horror legend Boris Karloff in the part of Dr. Jekyll, though when he's running around London as Mr. Hyde it is actually a stunt man in a monster mask. Bud and Lou are "Slim" and "Tubby" (okay, so the names aren't very original), two Americans who are hired as bumbling police bobbies in England. It isn't long before they're thrown off the force for their incompetence, but they have a plan to try and get their jobs back by trying to apprehend the "monster" that's been loose and murdering people. This would be Mr. Hyde, the savage alter ego of Dr. Jekyll (Karloff). As portrayed in this film, Jekyll is not very innocent himself, as he is rather a schemer who is madly in love with his young ward (Helen Westcott) who is young enough to be his own granddaughter! The comedy of Abbott and Costello this time relies more on slapstick gags than their trademark verbal "routines". Both comedians look like they did during their television show, as this feature was produced at the same time. If you're a fan of Boris Karloff, this film puts him to far better use than he was given in 1949's ABBOTT AND COSTELLO MEET THE KILLER. It also works as a straight monster movie along with the jokes. *** out of ****
Abbott and Costello Meet Dr. Jekyll and Mr. Hyde is directed by Charles Lamont and loosely based on the novel The Strange Case of Dr. Jekyll and Mr. Hyde written by Robert Louis Stevenson. It stars Bud Abbott, Lou Costello and Boris Karloff. Plot finds Bud and Lou as two coppers in old time London who become involved with the hunt for a monstrous killer. A hunt that brings them into contact with the mysterious Dr. Jekyll.
It would be the fourth from last movie the popular comedy duo would make together, and the latest to see them paired with a famous monster from 30's cinema. Although it's a touch weak in the comedy stakes, and it does kind of feel like they are winding down after such a fruitful career, the film holds up well as a polished picture. The writers have varied the Jekyll & Hyde legend by actually having Jekyll himself be evil, wonderfully essayed by Karloff, and a couple of sequences are genuinely laugh out loud funny: think mouse head, think hypodermic needle; while the involvement of the Suffragettes in the story gives it some historical interest. It's also good on atmosphere, be it the moody streets of London, or Costello alone in a wax museum, Lamont and photographer George Robinson give it a creepy veneer before the anarchy breaks out.
Unlikely to encourage new fans to their work, but a safe addition for those who enjoy the majority of their output. 7/10
It would be the fourth from last movie the popular comedy duo would make together, and the latest to see them paired with a famous monster from 30's cinema. Although it's a touch weak in the comedy stakes, and it does kind of feel like they are winding down after such a fruitful career, the film holds up well as a polished picture. The writers have varied the Jekyll & Hyde legend by actually having Jekyll himself be evil, wonderfully essayed by Karloff, and a couple of sequences are genuinely laugh out loud funny: think mouse head, think hypodermic needle; while the involvement of the Suffragettes in the story gives it some historical interest. It's also good on atmosphere, be it the moody streets of London, or Costello alone in a wax museum, Lamont and photographer George Robinson give it a creepy veneer before the anarchy breaks out.
Unlikely to encourage new fans to their work, but a safe addition for those who enjoy the majority of their output. 7/10
Watching Abbott&Costello Meet Dr. Jekyll And Mr. Hyde the only thing that struck me wrong was the casting of Craig Stevens and Helen Westcott as the young lovers. Both are completely American and have absolutely no trace of English speech pattern for a story set in Victorian London. Even Bud and Lou's presence in the film is explained that they are Americans studying English police methods. Which begs the question, what police force in America would hire them?
The cultivated Dr. Henry Jekyll is played by Boris Karloff, but his Jekyll is not the scientist that we saw Fredric March and Spencer Tracy play. He's well into his experiments that now have him change without warning into Mr. Hyde. Unlike with Tracy and March, Hyde does not speak he just grunts and growls the way Karloff's Frankenstein monster does.
Westcott is Karloff's ward whom he has raised since childhood, but those aren't fatherly glances he's giving her now. Especially since young reporter Stevens has become interested in Westcott after covering her at a suffragette rally. It doesn't take much to get his inner Hyde going.
As for Bud and Lou none of their patented burlesque routines are featured here, but they still get plenty of laughs. Unfortunately for the film, their best moments are as London Bobbys trying to break up the suffragette rally where the women do get the better of them which is at the beginning of the film.
Of course at the end Costello gets jabbed with some of Karloff's Hyde serum and goes off on an inner Hyde journey of his own. Reginald Denny has a fine role as the English Scotland Yard Inspector driven quite crazy like Herbert Lom by this pair of American Clouseaus.
Not the best of A&C, but the boys still had a lot of good humor still left for their audience.
The cultivated Dr. Henry Jekyll is played by Boris Karloff, but his Jekyll is not the scientist that we saw Fredric March and Spencer Tracy play. He's well into his experiments that now have him change without warning into Mr. Hyde. Unlike with Tracy and March, Hyde does not speak he just grunts and growls the way Karloff's Frankenstein monster does.
Westcott is Karloff's ward whom he has raised since childhood, but those aren't fatherly glances he's giving her now. Especially since young reporter Stevens has become interested in Westcott after covering her at a suffragette rally. It doesn't take much to get his inner Hyde going.
As for Bud and Lou none of their patented burlesque routines are featured here, but they still get plenty of laughs. Unfortunately for the film, their best moments are as London Bobbys trying to break up the suffragette rally where the women do get the better of them which is at the beginning of the film.
Of course at the end Costello gets jabbed with some of Karloff's Hyde serum and goes off on an inner Hyde journey of his own. Reginald Denny has a fine role as the English Scotland Yard Inspector driven quite crazy like Herbert Lom by this pair of American Clouseaus.
Not the best of A&C, but the boys still had a lot of good humor still left for their audience.
While not quite in the same league as A&C MEET FRANKENSTEIN (the top fright flick in the duo's career), ABBOTT AND COSTELLO MEET DR. JEKYLL AND MR. HYDE does manage to have the stars cavorting in Victorian London while trying to unmask the respectable Dr. Jekyll (BORIS KARLOFF in a delightfully underplayed role) as the mad killer Hyde.
HELEN WESTCOTT and CRAIG STEVENS play the romantic leads in standard fashion but the suffragette sub-plot is really an unnecessary distraction to the overall plot. Some of the sight gags are funny but toward the last segment of the story they're overplayed for whatever laughs can be drawn from the over-the-top situations.
Best segments of the well staged and handsomely mounted film are the scenes involving a wax museum which give the film some of its creepiest moments. The first chimney top chase is well done too and even more effective than the silly final chase which depends so heavily on the comic timing it gets from Stevens, Karloff, Abbott and Costello.
All told, it's got enough plot elements to keep your attention riveted on the story--everything from a sinister laboratory to hidden passages and bookcases that hide Jekyll's sinister experiments. The gaslit Victorian era with fogbound streets is well realized on Universal's studio sets.
Not the best of the A&C comedies, but certainly among the better mirth and fright films they did in the late '40s and early '50s. CRAIG STEVENS plays his role straight, as does Westcott, and together they and Karloff give the story whatever gravitas it has in the realm of boosting the suspenseful elements.
HELEN WESTCOTT and CRAIG STEVENS play the romantic leads in standard fashion but the suffragette sub-plot is really an unnecessary distraction to the overall plot. Some of the sight gags are funny but toward the last segment of the story they're overplayed for whatever laughs can be drawn from the over-the-top situations.
Best segments of the well staged and handsomely mounted film are the scenes involving a wax museum which give the film some of its creepiest moments. The first chimney top chase is well done too and even more effective than the silly final chase which depends so heavily on the comic timing it gets from Stevens, Karloff, Abbott and Costello.
All told, it's got enough plot elements to keep your attention riveted on the story--everything from a sinister laboratory to hidden passages and bookcases that hide Jekyll's sinister experiments. The gaslit Victorian era with fogbound streets is well realized on Universal's studio sets.
Not the best of the A&C comedies, but certainly among the better mirth and fright films they did in the late '40s and early '50s. CRAIG STEVENS plays his role straight, as does Westcott, and together they and Karloff give the story whatever gravitas it has in the realm of boosting the suspenseful elements.
Hi Im 13 years old. I love Abbott & Costello! Abbott And Costello Meet Dr Jekyll And Mr Hyde Is A Very Funny Movie! It Is About Abbott And Costello As Cops Tracking Down Mr Hyde All Over London!! Stars Boris Karloff As Dr Jekyll And Mr Hyde! I Have The Movie! Mixed With Comedy And Horror It Is A Good Movie!!!
¿Sabías que…?
- TriviaBoris Karloff only really played Dr. Jekyll in this film. Once the makeup transformation scenes were over, stuntman Eddie Parker did every scene as Mr. Hyde. This was even tipped off to audiences through publicity stills for the film, which showed both Karloff and Parker in makeup standing next to each other.
- ErroresIn the Hyde Park sequence, when Abbott and Costello fall through the pothole, the carpet covering the pothole is clearly visible as they try to pull themselves out.
- ConexionesFeatured in Abbott and Costello Monster Laughathon: Episode #1.1 (1976)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Dr. Jekyll and Mrs. Hyde
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 2,616,000
- Tiempo de ejecución
- 1h 16min(76 min)
- Color
- Relación de aspecto
- 1.37 : 1
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