El precio de la gloria

This patriotic war film is the bees knees for slap stick, witty comedy. The mixture of wussy brown nosing privates and annoyed sarcastic generals provides a hilarious bitter sweet feeling that can put a smile on your face. Not to mention the constant friendly rivalry between the comedic loud mouthed Captain Flagg (Cagney being Cagney), and the irritated Sergeant Quirt played by Dailey, for the cute and innocent French waitress Charmaine. This movie not only made a great world war 1 film, but proved Cagney was still his energetic, pound for pound, hard nosed self even at 53 years old. The only downside to the movie was the poorly portrayed dramatic war speeches and the failed attempts at giving a life lesson. But all around 8/10

Ford might be best known for his Westerns, but he made nearly as many military pictures as he made Westerns (perhaps more if we were to count his cavalry pictures in the military genre). What Price Glory is a WWI picture starring James Cagney as a commanding officer. He's involved with the daughter of an innkeeper, Charmaine (Corinne Calvet), but he doesn't think he should marry her. He pushes off one of his underlings (Dan Dailey) on her, but later regrets it. There's also a nice romantic subplot involving a young Robert Wagner and a French teenager, Marisa Pavan. A lot of it works very well. I love Calvet. She's best known for her role in Anthony Mann's The Far Country, where she played the pig-tailed girl with the stocking cap who was always trying to sing for Jimmy Stewart. Oh, I know she's not a great actress, but she's so damn cute and charming. I love her character here, nice but opportunistic. The sets and cinematography are very good. The one aspect that really harms it is Dan Dailey. He gives a very weak performance and is very unsympathetic. 7/10.

What do you get when you combine an over the hlll Cagney with a second-rate cast and first-rate director? A mess. And that's what this is; a mess. It is so cartoonish in spots that I expected Bugs Bunny to pop out on screen at times. Everyone is over the top, and the only good sequences are between the young man and the young French girl, but those are buried under a tidal wave of cornball, false bravado, tired sterotypes and corny dialogue (did I mention the film was corny?).

And despite all of this corn (which is substantial), parts of the film ring true. Especially the part where Marines go back for second and third servings of frontline crap. I happen to know for a fact this is true; as amazingly stupid as it might appear. My best friend during the Vietnam war was on leave with me in Okinawa for a month. I was in the Army, and he was a marine. He had been wounded twice. And he went back for a third time. After we were drinking for a bit, I asked him how could he be so stupid as to go back for a third time? He told me his friends were there, and that they depended on him. I had nothing I could say. So, some of this corn is true, but most of the film is baloney.

In the mid-1920s, when What Price Glory? debuted as a play and was filmed for the first time, there was a popular anti-war mood, and cultural works attacking the First World War proliferated. In the early-1950s, with World War Two a recent memory and the Korean war still going on, war movies of every kind were at the height of their popularity, but there was no way they could be openly anti-militaristic. Hence, when Fox Studios decided to resurrect the classic story in 1952 it was largely a comical and de-politicised affair.

With a screenplay by Henry and Phoebe Ephron, this version of What Price Glory? uses virtually none of Maxwell Anderson's original dialogue. The job of direction was handed to John Ford, who was known for staging extended improvisations, creating little vignettes of military life with comical drunkenness and good-natured fistfights. In What Price Glory? this is done to the extent that it actually overshadows any semblance of plot. And not just the anti-war business; the romantic subplots seem weak and disjointed as well.

That's not to say there aren't some good things about this picture. The Technicolor cinematography by Joe MacDonald is often breathtaking, giving a haunting quality to the mist-shrouded battlegrounds. Ford was as always a good visual director, often using stark contrasts in depth to bring different ideas to our attention in the one shot. For example, as the troops march off to the front, a mass of drab browns and greys, we see Corinne Calvet in a bold red, white and blue dress – a human flag and a reminder of what the men are leaving behind them. And James Cagney is good fun in one of his purely comic roles.

But there is little else to recommend about this What Price Glory? Various scenes look to have been filmed with an emphasis on pathos, but they don't work within the structure of the whole thing. When a young Robert Wagner makes the central speech in which the words of the title are spoken, it seems barely to relate to the rest of the picture. And it's not the mixing of comedy with the realities of war per se that makes it fall apart – after all this is the basis of such classics as The Big Parade and MASH – it's just that the balance is wrong. It simply fails to take the war seriously enough, and the "serious" moments seem like flimsy little inserts. Of course, if it had been a tight and hard-hitting anti-war drama, it would most likely have fallen foul of the censors and/or stifled the careers of its creative team. As it was, this vague mish-mash of bar songs and army jokes was conveniently inoffensive.

So much has been said in the reviews to date that none of it bears repeating, but there are a couple of points one should be aware of before investing 1hr 45min into this movie. Though filmed in 1952, the style has the feel of a movie from the late 30's/early 40's with the slapstick violence, goofy foreigners, and hammy acting. I expect and tolerate these things from pre-WWII flicks, but is hard to take from something produced in the 1950's.

As far as the anti-war element goes, this version is more of a tragic story of war than a pacifist piece. No pacifist here, but if you are looking for this from What Price Glory you'll be disappointed.